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oh yes!!! :-)Yeah, it is good.<br><br>Score comes this Friday, also vinyl 4th MarchActually, I prefer BB2 more than Pearl Harbor, thanks!<br><br>There is a quite of the trademark style of Tom in this, his percussion, synths and brassBay should work with Jerry Bruckheimer again. Except Bad Boys 2 (which was way too long) they made really entertaining films together.
@Mark<br>You composed this?  It's pretty damn solid work, man.<br><br>Not sure if I hear a whole lot of 90's Zimmer in there, at least not until the last couple minutes.  If anything it gives me modern Lorne Balfe vibes.  But it's not a bad execution of that sound.  Far from it.<br><br>Could just be me.  I'm curious how the more attuned ears around here feel about it.Not bothering with any more of your bullshit.  This already gets down to the crux of the issue.<br><br>"Look at your first comment here, pal. Look at it good! Snarky, dismissive, almost trollish, and with a clear intention to provoke people."<br><br>You chose to take a comment whose only direct provocation was at Bay himself, as a direct insult to YOU.<br><br>Despite the fact that Bay and his work were the only things mentioned, despite the fact that those were the only things being dissed, you chose to take it as an attack against YOU.  <br><br>And when I elaborated on my full opinion, and even capped it off with a "you do you" olive branch, you chose to take it as me "unleashing my true self."<br><br>That speaks volumes about your mindset.<br><br>Y'know, we could keep talking and going in circles like this.  <br><br>We could talk about how you keep staking the worth of Bay as filmmaker on how much money he's made (and how much less money action films I considered better made) and then turning around and claiming "B-b-but I didn't say box office was a sign of quality!"  <br><br>We could talk about how 300 wasn't trying to start a franchise and how you keep pulling that uncited lie out of your ass to write off its merits under the very faint guise of "objectivity."<br><br>But that'd all be beside the point.<br><br>That point being, how people can only shit on a director according to your arbitrary standards, and how your inherent obsession with "disproving" them or "giving them what they deserve" or whatever self-serious crap you've concocted inside your head is dogmatic fanboyism at BEST.<br><br>Nice day indeed.LOL @ 1/5 star rating, before release.<br><br>Good job, Internet.You should credit Trapanese wherever there is an orchestral prescence in the cues as he handled all the arranging and orchestration.I know what you mean. When I listen to this, I basically hear a Hans & Lorne score with some DP stylings.<br><br>It's fairly frustrating for me, as I'm big on proper crediting; I neither want to give anyone undue credit, nor fail to give credit. With this one, honestly, my only strong intuition is that DP did almost nothing.
There's not much besides the general consensus that Joseph Trapanese did a lot of the heavy lifting with DP's ideas (though they still contributed a fair bit). Toby Chu doing "Adagio For TRON" is about it, unless you do count the cues that were once listed on JT's website.<br><br>Quite frankly, I'm still having a hard time believing the duo stayed on a project that apparently was primarily managed by someone else. These are guys that have always stressed to have full creative control on their albums and ventures, so to hear that they weren't really driving the wheel here sounds off to me. It certainly would explain why they haven't done a score since, but hey. I probably won't ever know the full story.Good question. I honestly get the sense this largely scored to picture, given how varied the cues are, plus the fact Hans did the Day of the Dead and Tuesday cues alone.<br><br>The Batman Suite itself almost sounds like it was done after the score itself was composed, but I could definitely be wrong about that.<br><br>By the way, pretty fucking cool Hans did all (six?) of the themes on this. IMO that goes a long way to show he can still do really solid thematic work when he wants to.So, any confirmation of who actually did what on this score?<br><br>It's one of my favorite RCP-styled scores ever, but I have to admit, it sounds far more Hans & Lorne than Daft Punk. I mean, several of the cues are almost direct copies of Inception cues, albeit more heavily electronic and very differently orchestrated.Shaken.... Not Stirred ;)California here. Will travel to Europe to see you. No need to come to USA. We will come to you. Best regards, Gary
Single from Ben's score for The Invisible Man was released and I'm pleasantly surprised by it. https://youtu.be/f-aH9kDKVBYI’ve been coming back to “But I Will Always Be Faster” and “Sonic The Hedgehog” repeatedly, I’m genuinely impressed by how strong the writing is in both cues. Honestly it doesn’t sound like Holkenborg (mixing aside).Hi there,<br><br>i have seen that the Score (Soundtrack) will be released on 27th of march. But i would like to know somthing maybe any of you knows:<br><br>Will the Song itself be released physical as a Single CD? Or will it be available just for download?<br>Because if there will be no CD, it would be the first James Bond Song which is not released as a Single CD.Rejected scores have gotten official releases before, such as Timeline by Jerry Goldsmith. So even if the Snyder Cut never gets released, I'd hope Junkie could potentially still work out a deal to get his original score out there. Keeping my fingers crossed.No Time to Die coming by Decca 27th March<br><br>https:// www.udiscovermusic.com/news/hans-zimmer-no- time-to-die-soundtrack/?fbclid=IwAR1UtjXatRpCQyXWJ9f7YYfT9Eb k5jy4d7XnlS6XzX4vTiOTxFfvQ0PWgaI
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Ramin DjawadiStephen ColemanBrandon CampbellCatherine Wilson
ComposerOrchestratorTechnical Score AdvisorTechnical Score Advisor
Game Of Thrones (TV Series - Season 2)
Label: Varese Sarabande
Length: 56'22
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4936 votes)
  1. Main Title (1:46)
  2. The Throne Is Mine (3:15)
  3. What Is Dead May Never Die (2:06)
  4. Warrior Of Light (3:03)
  5. Valar Morghulis (2:59)
  6. Winterfell (2:42)
  7. Qarth (2:11)
  8. Wildfire (3:39)
  9. I Am Hers, She Is Mine (2:17)
  10. Pyat Pree (2:12)
  11. Don’t Die With A Clean Sword (3:22)
  12. We Are The Watchers On The Wall (2:37)
  13. Pay The Iron Price (2:32)
  14. One More Drink Before The War (2:05)
  15. House Of The Undying (5:02)
  16. Stand And Fight (2:04)
  17. The Old Gods And The New (2:38)
  18. Mother Of Dragons (2:34)
  19. I Will Keep You Safe (2:17)
  20. The Rains Of CastAmere - Performed by The National (2:23)
  21. Three Blasts (2:40)
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ia reply Replies: 0 || 2019-03-11 20:16:23
Episode 1
Warrior Of Light
The Throne Is Mine

Episode 2
What Is Dead May Never Die
We Are The Watchers On The Wall

Episode 3
-

Episode 4
Qarth

Episode 5
Valar Morghulis

Episode 6
Pyat Pree
Pay The Iron Price
The Old Gods And The New

Episode 7
-

Episode 8
I Am Hers, She Is Mine
Winterfell

Episode 9
Wildfire
Don't Die With A Clean Sword
One More Drink Before The War
Stand And Fight
I Will Keep You Safe
The Rains Of Castamere

Episode 10
House Of The Undying
Mother Of Dragons
Three Blasts

Boromir reply Replies: 0 || 2017-10-06 12:25:14
Stannis The Mannis' theme is terrific

Macejko reply Replies: 7 || 2013-04-16 23:25:35
Will the soundtrack for the third season be released?


Hybrid Soldier2013-05-07 23:52:39
As Ramin pointed on Facebook, the soundtracks for GOT Season 3 & Pacific Rim are in the works.

GOT should be release this summer (Var&#232;se, probably :)).

Pacific Rim will be released on July the 8th by WaterTower.


Macejko2013-05-08 16:12:46
That's good news, but after 6 episodes I don't think there even is much of new music to release...


Hybrid Soldier2013-05-08 16:15:33
Oh the ending of the episode 6 had quite some great moments ! :)


Macejko2013-05-08 16:42:01
Yeah, that melody was quite nice, but as much as love Ramin's music, I think that particular scene could have been handled better, musically speaking.
What I really liked was the rendition of Theon's theme during the scene of him being chased.
Also I'm not sure what to think about the rendition of Daenerys' theme playing at the end of episode 4. I think I understand what was Ramin going for, but it sounded somehow forced and inappropriate.
And again, I really liked the melody playing during Catelyn's confession about Jon Snow.
Overall, I'm indecisive about Season 3 music so far. It heavily relies on music from last two seasons (using Theon's theme at the execution of Rickard Karstark was a huge let down - it didn't make any sense to use that music there other than it was another execution), and when there is new music, it's usually a rendition of an older theme or it's something not really memorable. And I say this as a person who absolutely adores Ramin's work basically on everything.


Edmund Meinerts2013-05-08 22:19:14
Glad you brought up the Karstark thing, Macejko. Biggest musical facepalm since the Nazgul theme popped up in The Hobbit.


Macejko2013-05-08 22:41:06
Edmund: Yes, but concerning The Hobbit, it is known that the music used in the film itself is different from the music on the soundtrack CD. For example - there is no Nazgul/Mordor theme on the CD. Also, the main theme, which can be heard during almost every action sequence in the movie, is present only twice on the soundtrack. I'm not sure whose decision that was, but there are many differences between those two.
As for GoT, it's not hard to imagine that Ramin would indeed composed something new for that execution scene, but the creators (or the producers, or music supervisor) simply wanted to use the old stuff, just because it worked perfectly in similar scene. But of course, it doesn't make it any less disappointing.
I would love to find out that Ramin indeed composed new music and it was just replaced with the old stuff, but I don't think it's happening.


Macejko2013-05-22 21:29:02
Ramin posted on his Facebook that the release date for the Season 3 soundtrack is June 4th (digital version, physical release to follow).

Macejko reply Replies: 0 || 2012-12-27 16:42:27
A really nice interview with Ramin, mostly about his phenomenal work on Game of Thrones.

Lombok reply Replies: 0 || 2012-08-06 11:22:37
I really like Game of Thrones but the opnnieg credits are the worst thing, in my opinion. It's not the music: that's great and powerful. It's the visuals that are completely unfit. For one, it's computer graphics that you can't mistake for anything else, even if it's hi-res. And then it speaks of clockwork, mechanisms and machinery, which are the things that are farthest from what this series is about. Perhaps the authors' intention was to depict the scheming, but that is far-fetched and still makes it feel completely out of place.

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Anonymous reply Replies: 0 || 2012-05-30 21:34:25
The Rains of CastAmere is incredible!!

Macejko reply Replies: 0 || 2012-05-30 17:46:39
The day will come, when every single hater will finally recognize genius of Ramin Djawadi.

Macejko reply Replies: 0 || 2012-05-30 17:45:50
Incredible soundtrack.

Tick Tock reply Replies: 0 || 2012-05-25 19:42:32
Game Of Thrones - TV Series - Season 2

1. Main Title (1:46)
2. The Throne Is Mine (3:15)
3. What Is Dead May Never Die (2:06)
4. Warrior Of Light (3:03)
5. Valar Morghulis (2:59)
6. Winterfell (2:42)
7. Qarth (2:11)
8. Wildfire (3:39)
9. I Am Hers, She Is Mine (2:17)
10. Pyat Pree (2:12)
11. Don’t Die With A Clean Sword (3:22)
12. We Are The Watchers On The Wall (2:37)
13. Pay The Iron Price (2:32)
14. One More Drink Before The War (2:05)
15. House Of The Undying (5:02)
16. Stand And Fight (2:04)
17. The Old Gods And The New (2:38)
18. Mother Of Dragons (2:34)
19. I Will Keep You Safe (2:17)
20. The Rains Of CastAmere† Performed by The National (2:23)
21. Three Blasts (2:40)

Hybrid Soldier reply Replies: 0 || 2012-04-13 10:50:32
Coming soon ! (careful with identity theft, people...)

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