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I have some questions about the score. If anyone has any answers or thoughts about these feel free to discuss below. Thanks! <br><br>Is the action motif in "Abduction" and "The Greatest Mission of All" Hot Rod's theme? It plays when he abducts Viviane and also when he and Bumblebee attack the Nazis. <br><br>Is the action motif in "Viviane Follows Merlin" the TRF theme? I don't think so, as it's not played anywhere else in the film, but I can't figure out whose theme it would be. Check out these timestamps for the motif, which pops up a lot throughout the track - 0:13, 3:54, 4:16, 4:32, 5:03, 5:37, 5:53 and 6:10. <br><br>Who does the new theme in "Purity of Heart" belong to? It is also used in the "Sir Edmund Burton Suite", as well as "Sacrifice", "Seglass Ni Tonday" and "Cogman Sings". My best guess is it's Burton's theme, but I'm not 100% sure about that. <br><br>And lastly, are the tracks "Vivian" and "Running Out Of Tomorrows" played at all in the film?haha hybrid :D made my day :) lolI honestly haven't checked and don't plan on doing it anytime soon ! lolHaha.... a yes or no was very hard for you?!... But thanks for the great information :)... lolYeah, Chappie really is one of the Z-Man's best scores as of late. For all the talk he does of innovating, both TASM2 and Chappie are pretty fresh as compared to BVS/Inferno/Dunkirk. <br><br>And yes, the film itself is a hot mess...
Why... why don't you check yourself with the film ? I assure you it's not that hard ! Might take some time but if you wanna find out... lol01. Main Titles (02:55)<br>02. Grandfather's House (05:13)<br>03. Bedtime Story (02:17)<br>04. Polish Monsters (01:27)<br>05. Postcard (00:52)<br>06. Arrival At The Island (01:11)<br>07. House Reveal (01:30)<br>08. Exploring The Home (04:21)<br>09. Pub Escape (00:42)<br>10. Welcome To The Loop (00:43)<br>11. Home For Peculiar Children (01:40)<br>12. Squirrel Rescue (02:30)<br>13. Enoch At Window (01:18)<br>14. Enoch's Dolls (01:40)<br>15. Phone Ring (00:37)<br>16. Horace Projecting Dreams (01:41)<br>17. I'll Be Here Forever (01:38)<br>18. Dying Rose (01:49)<br>19. Sneaking Out (00:45)<br>20. Ventriloquist Victor (01:09)<br>21. Victor's Tear (00:37)<br>22. Emma Blows Jake (05:24)<br>23. Cliff Hollow (01:29)<br>24. The Experiment A (03:22)<br>25. The Experiment C (02:40)<br>26. On The Rocks (02:44)<br>27. Baron Reveal (02:47)<br>28. Surprise Visitor (05:03)<br>29. Hollow Attack (05:51)<br>30. Raising The Augusta (02:06)<br>31. Blackpool (02:35)<br>32. 3 Weeks In Florida (03:15)<br>33. Handy Candy (03:55)<br>34. Peculiar Vs Baddies I (04:07)<br>35. Peculiar Vs Baddies II (03:28)<br>36. Jake Vs Jake (04:39)<br>37. Goodbye (06:50)<br><br>Hey Hybrid, Is This Complete?@giles -- ridicule Nolan fan boys and hammer Nolan's work, only to turn around and provide fanboy service to current hack Ridley Scott, destroying your own argument.Promotional Album has release date or we must wait until Lorne Balfe to upload the rest of the tracks?Djawadi basically confirmed that the Dragonstone piece would be on the OST in an interview he gave after the first spisode aired!<br><br>The music is really great in this season and the battle music in particular!
The score is really Chappie's prequelI really liked that variation. <br>And there have also been many variations on the Targaryen theme so I hope they include some of them like(SPOILERS) Danny arriving at Dragonstone or the one from the final scene from the previous episode or that variation when Job touches Drogon.there is a score in this movie? not noticed...saw chappie last week for the first time. what a bad movie...jesus...the score is okay but nothing specialAre you kidding me? Chappie I consider MILES above Dunkirk, and even Inferno last year...<br><br>Best of 2015....
They better included a track with the new variations of the Measter theme. Last episode agai. Had some great new music. Can't wait for this album.I'll never understand why so many people dismiss Chappie. I think it's a brilliant score, as interesting as it is entertaining. It's very melodic in a typical HZ fashion, the electronics sounds partly modern, partly old school, and it's got some fantastic cues. Really, one of my favorites HZ scores in the last few years.Most amazing soundtrack in a long time and better than the film.This is the best horror score ever! :-)@Evenstar Maybe (:
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Additional Music - Conductor - Orchestrator
Hans ZimmerShirley WalkerFiachra TrenchJohn Powell
ComposerAdditional MusicAdditional MusicMusic Programmer
White Fang
Label: Intrada
Length: 119'13
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5655 votes)
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CD1 - MUSIC BY BASIL POLEDOURIS
  1. Main Title & Opening Credits (3:32)
  2. Golden Staircase (2:03)
  3. The Place (2:34)
  4. Death Of Kiche (2:08)
  5. Death Of Kiche (Revised) (1:14)
  6. Wolf Dance (6:48)
  7. Wolf Dance (Revised) (1:55)
  8. Slow Motion Wolves (1:15)
  9. Puppy Things (2:31)
  10. Fang On Sled (0:32)
  11. The River (1:42)
  12. The Bear Attack (3:14)
  13. The Cabin (2:14)
  14. The Cabin (Revised) (0:24)
  15. Mining Montage (0:47)
  16. Pit Fight (1:36)
  17. Jack Bit (2:51)
  18. Bonding (2:11)
  19. Just Friends (1:07)
  20. Gold Test (1:15)
  21. Fang's Revenge (1:10)
  22. Jack And White Fang (1:04)
  23. Jack Forces Fang Away (1:57)
  24. The Return (3:06)
  25. End Credits (3:51)
  26. Saloon Source (1:24)
  27. Saloon Source (Alternate) (1:19)
  28. Saloon Source #2 (1:37)
  29. Saloon Source #2 (Alternate) (1:32)
  30. Sweet Betsy From Pike (1:36)
CD2 - MUSIC BY HANS ZIMMER
  1. Opening Credits - Main Title (4:18)
  2. The Staircase (2:26)
  3. The Trek Continues (1:51)
  4. Black Wolf (8:31)
  5. Full Moon Wolf Attack (1:20)
  6. Kiche's Demise (9:40)
  7. Seasons Pass (4:23)
  8. The Bear Attack (2:38)
  9. The Mine (7:34)
  10. Fang With Jack (3:20)
  11. Vengeance Fulfilled (2:51)
  12. Home Again (8:16)
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Michael Poleschuck reply Replies: 0 || 2017-02-16 10:13:13
Wow! How did John Powell involved in this project? And did he something significant here in synthesizers programming?

Ds reply Replies: 10 || 2016-04-28 23:02:26
I'm listening to that score for the first time, have to say I'm impressed. I didn't realize how quick Zimmer established himself in Hollywood (although I was just born, maybe it explains why).

Barely 3 years after "Rain Man" he was already doing big movie scores like this one or Backdraft the same year. As well as two scores for Ridley Scott, and one for his brother Tony. I can't think of a single composer who managed to climb at the top so quickly.


Hybrid Soldier2016-04-28 23:18:04
Wow first time ? :)

There's some POTC 3 & Spirit lost in this !


Edmund Meinerts2016-04-28 23:18:34
I can: Junkie XL. Make of that what you will... :|

This is an okay score but I don't find it to be as engaging or catchy or involving as other Zimmer scores from around the same period, like Days of Thunder or K2 (let alone Backdraft or the awesome A League of Their Own).


Hybrid Soldier2016-04-28 23:21:57
HGW climbed quite fast too ! ;)

Oh btw speaking of K2, I want to set something straight. HZ's score for that one was done in 1992. The film originally came out in 1991 with the first score and it was decided to rescore it for Europe (and not the other way around). So Hans did it with Nick, who only joined Media Ventures in 1992 (and his first work was on Toys).


Edmund Meinerts2016-04-28 23:32:21
There's quite a few, really. I mean, David Arnold totally came out of nowhere in the mid-90s (and has since returned to nowhere, sadly). Danny Elfman's rise around the same time as Zimmer's was just as meteoric.

I'm not actually so sure about HGW, for that matter. He didn't get any really big assignments on his own until arguably Spy Game in 2001; he did a lot of collaborative work before then but usually played second fiddle to someone else (Rabin or Powell or Hans himself). Mark Mancina might be a better example for MV, coming out of pretty much nowhere to do a huge action movie like Speed. Or even Powell himself: Face/Off is a hell of a big movie to debut on!


Joshua2016-04-28 23:55:46
So what is the story with this score. Was Hans brought in to save the day here? Did they leave Basils name because of his main theme?


Ds2016-04-29 00:03:11
I guess the MV formula worked really well for those guys... Powell, Mancina, HGW, what a dream team! But in Zimmer's case I find it even more impressive, because he started the whole thing himself, without this kind of studio to get him visibility (as far as I know, at least).

As for Junkie XL... for reasons you probably know, I think he's a totally different story (and with much less merits).

Next ones I've got to discover: K2 and A League of their own. As you probably guessed, I'm back in full fanboy-mode, I'm tired of waiting for new HZ releases and for the final concert, so I'm digging into the past! :-p


Edmund Meinerts2016-04-29 00:07:54
As I understand it, the filmmakers pushed hard to get a more contemporary sound to the score, and while Basil Poledouris is no slouch at that kind of thing (just listen to his Wind score, which is amazing), I guess they ultimately ended up "soft rejecting" what he wrote and got Zimmer to come in and stop the gaps. I've never seen the movie, but from what I've read, it uses portions of both scores; mostly Poledouris for the themes and Zimmer for the action music.

It certainly sounds like a weird situation!

(Oh, and by the way, the sequel score for White Fang 2: Myth of the White Wolf, an early-career effort by John Debney, is really good! Better than either the Poledouris or the Zimmer.)


Edmund Meinerts2016-04-29 00:12:37
Even Zimmer kind of got his start off the back of Stanley Meyers, admittedly. It's how he nabbed all those little British drama movies in the late 80s like My Beautiful Launderette and The Fruit Machine. But yeah, Junkie XL is a totally different story.

Dude, A League of Their Own will blow your mind. It's like absolutely nothing else in Zimmer's career - okay, the dramatic material and themes sound like him, but the game music is this crazy, complex, energetic big-band jazz stuff which is just so much fun to listen to. Think The Incredibles on steroids. It's my favorite early Zimmer score!


Ds2016-04-29 00:23:00
Haha Edmund you make me really curious! Just managed to get my hand on A League of their own, I'll let you know what I think!

As for K2, I can't find it anywhere. It's not on iTunes (in Europe at least), it's not for download on amazon, nowhere at all. If you have a tip, please let me know :-)


Ds2016-04-29 17:34:48
Edmund, I really love that soundtrack! Very reminiscent of some of my favorite parts from Madagascar 3, actually!!

Niki reply Replies: 1 || 2012-05-21 22:02:13
Wow...Zimmer wrote this score in only 16 days!


T-Mann0362012-05-22 06:23:03
Hans have really broken the record for writing the film score.

Trent Easton Navarro reply Replies: 0 || 2012-04-22 08:25:09
Ah yes, from the days when Zimmer still wrote good scores. Really excellent stuff! Reminded why I used to love Zimmer's stuff

fabien reply Replies: 2 || 2012-03-20 17:23:38
listen at store.intrada.com/s.nl/it.A/id.7430/.f


Aggelos2012-03-28 08:46:41
Shit da White Fang!?....Shit da White Fang!?....Shit da White Fang!?.... Shit da White Fang!?....


Aggelos2012-03-28 11:32:25
Fabien@, are aware of the Fabien Sevitzky orchestral transcriptions? He has orchestrated quite a lot of works to be candour...

Kusi reply Replies: 0 || 2012-03-27 11:44:15
A classic Zimmer-score! Got it today and listened already twice to it :) Highly recommended!

Mr. Charles reply Replies: 0 || 2012-03-20 23:50:08
Holy shit! I remember this movie from when I was a kid! I didn't know Basil Poledouris and Hans Zimmer did it! I am highly anticipating this =)

Anonymous reply Replies: 0 || 2012-03-20 20:19:19
Holy sh...!!!!! this is awesome

Prott reply Replies: 0 || 2012-03-20 18:58:37
Wow, great!

Per reply Replies: 0 || 2012-03-20 17:10:33
Available now ! :)

 HANS-ZIMMER.com 2001-2017 OST 
White Fang soundtrack - Hans Zimmer 1991