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I wouldn't disagree that Godzilla KOTM is a good score since it works very well for the movie and by itself. I'm just saying that Junkie XL can bring something new and interesting to the franchise which hasn't been done before.Before someone jump, i will said in this kind of movies, change a composer is very common, don't say i don't want McCreary will be back, only i prefer other people try other things.<br><br>Like i said, i listen very OFTEN the three scores in this movies, and i love each style (as for the movies... well, prefer G14 and KSI over KOTM)@Moggyman<br><br>If you think that all McCreary did was modernize the Godzilla theme, you clearly haven't listend to the score.<br>He indeed used and modernized the themes for Godzilla & Mothra.<br>Besides that he wrote new themes for Rodan, Ghidorah, Monarch, The Russel Family and a theme he called the Ancient theme.<br><br>Besides this, he used the orchestra, choir, soloist and specialty instruments in the best way they can be used.<br><br>His score was one of the best blockbuster and orchestral scores of the last couple of years, in my opinion.<br><br>Until I hear Holkenborg's score I can't really comment on if it will be good. But at the moment I am sad McCreary isn't coming back. But I am very curious what Holkenborg will doI disagree, the McCreary's score in that movie is really, really good... but I put this, as myself i listen very often the other two: G14 and Skull Island, also really, really good, can't put a score over another because one composer uses a theme (a very mytical one, if you are a movie monster fan), specially in that franchise.<br><br>Yes, Ifukube create a wonderful theme (and the original movie have a really tough score to listen isolated of the movie), but other composer make a wonderful themes (and polaraising), like Otani (which his score for GMK is FULL electronic, but really good) or Oshima (great theme, maybe the inspiration for Desplat's theme), even the most forgotten Reijiro Koroku create a terrific theme for the character in 1984Bear McCreary is a good composer but all he did for Godzilla KOTM was modernize the original Godzilla theme, which isnt super creative. Junkie, on the other hand, may give us a really creative score based on his eagerness to do the project.
Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.you fool.... its impossible ! everybody knows that there is only one batman theme.... (joke)In a recent interview, Junkie mentioned that he's bringing back themes for Superman and Wonder Woman, while everything else is new. I wonder if he's gonna make a new Batman theme.It's true, there is completely different team from composer to director in crossover :)But the film was particularly bad...<br><br>So I rather have a whole other team do something ELSE lol...
Yeah... McCreary's score is one of the best from last year so I'd rather have him again.I open to ANY composer in this movies.<br><br>To answer the question, YES, i'm ready<br><br>Specially to a guy, who loves G14, KSi and KOTMNo way. After what Bear McCreary did on King of the Monsters last year I definitely want him back.Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?
Marc left RCP in like... 2003 ? lol<br><br><br>And yes he is, check his page, he just doesn't have much going on anyway.But Marc is no longer with RCP I am assuming. His scores are not advertised here.If the Snyder Cut comes out, who's ready to hear Junkie XL score Godzilla vs. Kong?https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/
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Matthew Margeson
Co-Composer
Transformers - Prime (TV Series)
Label: Lakeshore Records
Length: 72'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5253 votes)
  1. Transformers Prime (3:22)
  2. Optimus Prime Returns (2:07)
  3. One Shall Rise (2:43)
  4. Dreadwing (1:41)
  5. In Defense Of Humanity (2:26)
  6. We Have Returned (4:42)
  7. Relentless Pursuit (4:36)
  8. This Is Your Home Now (5:02)
  9. Autobot Stratagum (2:38)
  10. Battle In The Energon Mine (3:12)
  11. Proximity Sensors (2:17)
  12. Cutting It A Bit Close (1:28)
  13. The Cons Are Back (4:46)
  14. RC On The Move (2:02)
  15. Always Welcome (2:11)
  16. Arachnid (4:10)
  17. The Space Bridge (1:29)
  18. Dogfight (4:52)
  19. Bumblebee (1:37)
  20. Next Day After School (1:12)
  21. Cybertron (1:31)
  22. Megatron On The Move (2:44)
  23. The Construct (2:16)
  24. Prime Finale (4:16)
  25. Transformers Prime End Title (3:05)
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Edmund Meinerts reply Replies: 7 || 2013-11-02 17:19:11
Just wondering out of curiosity if the credits for these Tyler scores that use additional guys from RCP will ever be known. Like Margeson on this one and Battle: LA, or Todd Haberman on Rambo. Any clues, Hybrid?


Hybrid Soldier2013-11-02 18:32:02
No because Tyler rarely gives royalties...

A couple cues from Rambo (The Compound if my memory doesn't suck) are credited Haberman.

Matt did a LOT of the action stuff on Battle LA & Expendables 1.


Edmund Meinerts2013-11-02 18:37:33
He doesn't give royalties? Is that even legal? It would certainly explain how he's able to do so many scores in a year...sheesh.

Not surprised to hear about Margeson; Skyline sounds so much like a Tyler score it isn't even funny. :p


Hybrid Soldier2013-11-02 19:07:23
Of course it's legal...

I mean, all the credits I get are basically royalties sheets (cuesheet).

The thing is around RCP it's common to have detailed things, but they are not "forced" to do so. It's just the local culture. And it's not shared all around the non RCP guys.

I just checked Tyler's Iron Man 3 cuesheet and of course he's solo credited there. No money for Halli Cauthery, Stu Thomas, Tony Morales, Sarah Schachner or R. Lydecker... Of course they get paid (contract) when they work with him, but they won't get any other money in the future. That's the way it is...


Frank2013-11-03 02:13:44
Speaking of Tyler, am I the only one who found that the main theme of Thor The Dark Word is pretty similar to the opening title of Contender?


Mike2014-05-02 19:08:30
I did as well, Frank. That was my first thought upon hearing it.


Edmund Meinerts2014-05-02 19:15:55
The theme from Thor 2 is so derivative it's not even funny. Besides The Contender it also reminds me of Tyler's own Children of Dune...and it's based on a four-chord progression that he has used in practically every score he's ever done.


Knight2019-10-29 18:55:26
@Hybrid do you know specifically what cues Matt worked on for Battle: LA?

. reply Replies: 1 || 2012-03-31 21:22:25
matthew margeson is a additional composer! no co-composer! boa what a bad site.

all hate remote control


Warfighter2012-05-16 03:11:24
Very constructive post...
Maybe "All hail Megatron" for you? :D

Adam Krysinski (Soundtracks.pl) reply Replies: 3 || 2012-03-07 09:43:14
music performed by: The Slovak National Symphony Orchestra
music recorded at: Slovak Radio Concert Hall & Brian Tyler Studios
additional music: Matthew Margeson
music conducted by: Allan Wilson
music orchestrated by: Robert Elhai, Dana Niu, Pakk Hui & Brad Warnaar
scoring mixer: Jeff Biggers
musical score arrangements: Bob Lydecker
music preparation: Eric Stonerook
recording engineer: Peter Fuchs
music contractor: Paul Talkington
score coordinators: Bob Lydecker & Matthew Llewellyn


Hybrid Soldier2012-03-07 13:51:27
Actually Brian scored the first 5 episodes with help by Matt, and Matt scored the last 5 on his own... :)


Mr. Charles2012-03-07 19:12:19
So then are there credits available for who did each track Hybrid? Or is it too early?


Mr. Fate2012-03-07 21:18:47
Remember, you can find the credits just as easily as Hybrid. He gets them from ASCAP or some other site that has a similar function...At least, that's what I remember him saying elsewhere. I wouldn't think Hybrid has access to much more of that sort of info than any one of us does.

T-Mann036 reply Replies: 0 || 2012-03-07 01:18:23
It's about freakin' time!!!!

Mr. Charles reply Replies: 0 || 2012-03-03 22:44:38
FINALLY!!!!

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Transformers - Prime (TV Series) soundtrack 2010