NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
I think 'Arthur' is more a combination of cues than a proper suite.<br>Not sure, but I'd say the first part plays before 'Permission to come aboard', and the second part plays after 'The Ring of fire'.<br>'Reunited' is definitely the final cue.<br><br>And there's shitload of action music missing after 'The Black Manta' though :-pAnybody got an indea for chronological order?Why lisa gerrard wasnt in this concert???<br>Why lisa gerrard wasnt in this concert???<br>And just to clarify, “Atlantean Soldiers” is Orms’ theme right?
OK, now that I’ve had some time to sit on this I can say that I get the praise finally. The Vangelis inspiration works wonders for the score, and it actually is integrated incredibly well (as opposed to just being there for show).<br><br>Themewise, both the Arthur and Atlanna tunes are winners. Not sure why the album is so out of sequence though. I feel like the actual film presentation would give better thematic development.I think it's like this:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>What Could Be Greater Than A King?<br>Reunited<br>Suited And Booted<br>Between The Land Amd Sea<br>He Commands The Sea<br>Reunited<br><br>Arthur is a suite I think<br>Everything from "He Commands the Sea" on is awesome. In many ways, this is a RCP superhero score. Not much depth, but contains some awesome highlights.Off the top of my head:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>Reunited<br>What Could Be Greater Than A King?<br>He Commands The Sea<br>Suited And Booted<br><br>Not sure about Arthur, Between Land And Sea, and He Commands The Sea. I think Arthur may be a suite that includes his main theme, the Atlantis chase, and some action themes. I'd have to listen to the other two tracks again to be sure, but I think He Commands The Sea is near the end.anyone care to take a stab at the chronological trask listing?
Yes, both played in the film, and it's sort of a suite: It's split into two in the film, first part sounds close to the opening, the heavy synth part plays in really well when it's used, you'll hear it the moment it starts, no spoilers from me, but it's an awesome sequence.Does the cue "Arthur" play during the film or is it a theme suite?It's confirmed a CD release, but not confirm if is a CD-RIs the soundtrack released on CD, or it's only digital ?by that logic he would’ve done blade runner 2049. He’s retired
Makes you wonder why they didn't get Vangelis himself.Naw man this is the right page lolWrong page?Rupert Gregsons amazing blending of orchestral and electronic sounds in Aquaman is epic.Arthur is the best?why Slenderman theme not getting the praise it deserves?
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50
Hans ZimmerTom Holkenborg (Junkie XL)Guillaume RousselMax Aruj
ComposerAdditional MusicArrangerArranger
The 84th Academy Awards - Celebrate The Music
Label: Academy Awards (iTunes Exclusive)
Length: 28'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6312 votes)
  1. Celebrate The Oscars (4:48)
    Written by Hans Zimmer
    Stephane Wrembel – Guitar solo
    Sheila E. – Percussion
    Ann Marie Calhoun – Violin
    Martin Tillman – Cello
    Produced by Hans Zimmer

  2. It Don't Mean A Thing If It Ain't Got Pharrell (3:40)
    Written by Pharrell Williams and Hans Zimmer
    Recorded by Mike Larson for i am OTHER entertainment at Circle House Studios, Miami, FL.
    Assisted by Matthew Desremeaux and Gennaro Schiano. Digital Editing and Arrangement by Mike Larson.
    Produced by Pharrell Williams for The Neptunes.

  3. Sunrise On Bleecker Street (2:09)
    Written by Esperanza Spalding and Hans Zimmer
    Esperanza Spalding – double bass and vocal
    J.R. Robinson – Drums
    Satnam Ramgotra – Percussion and Human Beatbox
    Dan Higgins – Soprano Saxophone
    Ann Marie Calhoun – Violin
    George Doering – Guitar
    Randy Kerber – Keyboard
    Arranged by Esperanza Spalding
    Produced by Peter Asher

  4. Giorgio's New Dancing Shoes (4:34)
    Written by Giorgio Moroder and Hans Zimmer
    Arranged by Giorgio Moroder
    Special Thanks: Sheila E. and Junkie XL
    Produced by Giorgio Moroder

  5. D_Generation (3:25)
    Written by Junkie XL and Hans Zimmer
    Arranged and remixed by Junkie XL @ the Computer Hell Cabin Santa Monica
    Produced by Junkie XL

  6. Bump The E. (3:45)
    Written by Sheila E. and Hans Zimmer
    Featuring Sheila E.
    Arranged and remixed by Sheila E.
    All drums and percussion by Sheila E.
    Engineer: Sir Mychael Davison
    Recorded at at Blue 52 Studios, Sherman Oaks, CA
    Production & Studio Manager: Raymond Mckinley
    Assistant: Ia Cheveres
    Managers: Lynn Mabry & Gilbert Davison Avid, Brian Carter
    Thank you to my Lord and Savior Jesus Christ. Hans you and your staff are amazing. It has been an honor to work with you. The biggest hearts ever! God bless
    Produced by Sheila E.

  7. Oscar Sangamam (1:57)
    Written by A.R. Rahman and Hans Zimmer
    Featuring A.R. Rahman on vocal.
    Arranged by A. R. Rahman
    Recorded at Panchathan Hollywood Studios and AM Studios
    Sound Engineers: Deepak Pa, Srinidhi Suresh, Tony Joy and Kevin Doucette
    Vocals, Harpejji and Continuum Fingerboard: A.R. Rahman
    Produced by A. R. Rahman

  8. What A Wonderful World (3:55)
    George David Weiss & Bob Thiele – Range Road Music Inc. & Quartet Music Inc. – George George David Weiss, Assigned to Abilene Music Inc.
    Sung by Esperanza Spalding with the Southern California Children’s Chorus conducted by Carol Aspling
    Additional choir – The KMMusic Conservatory Chamber Choir (recorded at Yashraj Studios, Mumbai, India
    Additional singers - Sally Stevens, Teri Koide, Susie Logan, Donna Medine, Suzanne Waters, Gerald White, Fletcher Sheridan,
    Eric Bradley and Peter Asher
    Arranged by Nick Glennie-Smith
    Produced by Hans Zimmer and Peter Asher

Album Produced by: Peter Asher

Music Supervisor: Bob Badami
Musical Director: Nick Glennie-Smith
Music Production Services: Steven Kofsky
Associate Music Producer: Andrew Zack
Technical Consultant: Chuck Choi
Music Editor: Jessica Weiss
Sound Engineers: Slamm Andrews, Daniel Kresco and Satoshi Noguchi
Album Mixed By: Daniel Kresco
Assistant Engineer: Christian Wenger
Orchestrators: Bruce Fowler and Rick Giovinazzo
Copyist: Booker White
Digital Instrument Design: Mark Wherry
Sample Library Development: Cladius Bruese, Sam Estes and Michael Hobe

Album Mastered by: Pat Sullivan of Bernie Grundman Mastering

Studio: Remote Control Productions, Santa Monica, California
Create Topic

... reply Replies: 0 || 2015-03-30 20:11:17
Martin Tillman is scoring a new movie called A bell for Ursli! I'm very glad that he gets to do some composing of his own these days! He is such a great musician! He plays the cello in most of Zimmer's and HGW's scores if you don't know who he is:P

Luciano reply Replies: 0 || 2014-09-23 20:50:50
Amazing!!! compliments, as usual, great composition.!

Mike reply Replies: 13 || 2013-09-17 01:42:27
I can't quite place why, but Celebrate the Oscars reminds me of John Williams. Great and uplifting track--and starts out with a classic Zimmerish BRAAAAAAM. :)

MacArthur2013-09-17 01:51:58
Oddly enough I just bought it

Mike2013-09-17 01:52:45
Good stuff, isn't it?

MacArthur2013-09-17 01:54:17
The BRAAAAAM! is awesome

Mike2013-09-17 01:55:26
The main melody resembles the heroic Superman theme from Man of Steel (think the beginning of "Flight").

MacArthur2013-09-17 01:58:04
Huh I'm not hearing that.

MacArthur2013-09-17 01:59:49
and i'm not saying that in a bad way

Mike2013-09-17 02:01:01
Listen to 0:48-1:10 in Celebrate the Oscars, then listen to 0:31-1:10 or so in Flight.

Mike2013-09-17 02:01:58
Maybe it's just me.

Mike2013-09-17 02:05:04
Even better idea: listen to that same section of Celebrate the Oscars, then listen to 14:26-15:20 in "Man of Steel (Hans' Original Sketchbook)", and tell me if you notice it there.

MacArthur2013-09-17 02:06:06
Yes now I got you it's a similar chord progression

MacArthur2013-09-17 02:08:36
Different Orchestrations but similar chord progression not exactly the same but similar.

Mike2013-09-17 02:11:24
Both quite good though. I wouldn't have known when this came out to expect something similar for Superman. lol. And speaking of Zimmer superhero music, I find it funny that Zimmer hasn't mentioned his involvement with Spider-Man.

MacArthur2013-09-17 03:07:11
Yeah good point but he also has 4 more movies before that one comes out

Andy P reply Replies: 0 || 2012-03-09 07:09:31
Amazing!!! love all 7 of them!! Thank u hans! keep up your great music

Fil reply Replies: 1 || 2012-02-29 10:54:26
So the Oscars have been broadcasted worldwide, yet this music can be only bought by US citizens.

What's the reason? It's not like there will be any development on German TV/Music market that forces them to withhold sales in Germany for any number of weeks or months. There is NO reason. I really enjoyed and appreciated the music, it even caused goosebumps and tears, yet I cannot pay those f*in $5.99 (or even make that Euros) to further enjoy and appreciate it. Legally! At least, with a CD, I could order it on Amazon US and have it shipped over here or something.

THIS is what forces people all over the world into piracy, because we would LOVE to pay for good stuff, but are just kept away from getting it! REALLY SUCKS! Especially having in mind where Hans Zimmer comes from - he has tons of fans in Germany!!!

Mr. Fate2012-02-29 14:06:41
^^^THIS^^^

Hale reply Replies: 4 || 2012-02-27 12:25:06
*** EDITED BY WEBMASTERS : This topic is about the fact this score is only available on the american itunes store, and prevent other country to download it ****
*** Priere de rédiger en anglais la prochaine fois ***
Alors, là! Bon, désolé, j'écris en français. Trop énervé pour réfléchir anglais ce matin!!

Je me pointe sur l'iTunes tranquillement pour acheter la piste faite par Hans. Que se passe-t-il? "Votre compte ne peut acheter des produits sur l'iStore américain".

Et apr&#232;s, on va dire qu'Internet est rempli de pirates...
Bouh!! Honte &#224; eux!

Cela dit, quelle magnifique piste créée par Zimmer. Un peu répétitive mais épique, glorieuse. Tout ce que j'aime de sa musique (qui d'ailleurs est souvent tr&#232;s sombre, plus technique ces derni&#232;res années).

Cela fait plaisir de retrouver un th&#232;me dans la veine de "Backdraft", "Spirit" et un soupçon de "The Holiday" également.

xxxx2012-02-27 13:02:28
*** english only please ***

xxxx2012-02-27 13:03:29
xxxxx *** do not ask for illegal copy please ***

Hale2012-02-27 13:11:26
*** english only, please ***

JR2012-02-28 11:56:54
I'm a french speaking too, but I want to avoid 3 *XXXX reply :) I completely agree with you Hale, this is a very refreshing-Zimmer sound, it made me so happy when I heard this track yesterday morning! Just Hope "Dark Knight Rises" will not fall too deep into "Dark Knight" or "Inception" sounds, which for me is a disappointing tendency of Zimmer sound these last years...
 HANS-ZIMMER.com© 2001-2018 OST 
The 84th Academy Awards - Celebrate The Music soundtrack - Hans Zimmer 2012