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I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.
Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).
Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 StrongThere you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.AgreedThe point is Edmund and others  donít need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)
Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.Jesus Christ, what a mess! What is wrong with you Balfe fanboys? Edmund comes in trying to settle down the situation and add some nuance and you just curse him out? He even admits to liking Lorne, basically states how the top comment is far too harsh, defends Balfe, and all he does against him is call out Michael for borderline bullying someone else into worshiping Balfe.<br><br>After all of that, all you can possibly say in response to him is "go away you John Powell fanboy"? For saying one thing against a guy basically being a mindless fanboy. Which by the way is an unbelievably poor argument because I've seen Edmund criticize Powell scores before. Is Edmund not aloud to prefer Powell? He didn't even bring his music up once in this discussion! Oh no I can see the responses now...<br><br>"superultramegoo go listen to Transformers 5 for the 50th time.we dont need youre stupidumb comments here !!!!!!!!!!!!!! Balfe has won many awardso tyou cant say any thing bad about him you Jablonsky fnaboy.stop with these demoralizing comments.!A Star Wars score that John Williams himself worked on, however briefly. An interesting time to be a film music fan indeed. <br><br>Hybrid, do you know if Powell was already hired before the director switch on Solo?Happy birthday Mr BalfeI have the same concern, but at the same time I'm really really excited and curious to hear what Williams' sensibilities filtered through Powell's voice will sound like. Those are two of my absolute favorite composers (like, honestly, those two and Hans, top three). I just hope Powell can figure out a way to make it sound natural and organic and not forced/awkward. And maybe if Powell doesn't have to worry about coming up with a main theme it leaves him more time to fine-tune the balance between the two composers' voices (or else write cool secondary material). Giacchino only had four weeks on Rogue One and while he did a decent job, it wasn't as smooth an adaptation as I'd have hoped, especially coming from the composer of Medal of Honor. My expectations are higher for Solo.<br><br>I couldn't give two shits about the movie itself but I'm grateful it exists if only because it will give us this exciting, one-of-a-kind score situation. :)<br><br>Also, there's gonna be a Star Wars score with a page on hans-zimmer.com - who'd ever have thought?
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John PowellPaul MounseyBeth CaucciVictor Chaga
ComposerAdditional MusicAdditional MusicAdditional Music
Dr. Seuss' The Lorax
Label: 45'49
Length: Varese Sarabande
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4397 votes)
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  1. Ted, Audrey And The Trees (2:36)
    John Powell
  2. Granny To The Edge (2:33)
    John Powell
  3. Wasteland (2:17)
    John Powell, Paul Mounsey
  4. Truffula Valley Fantasy (Featuring The Lorax Humming Fish) (5:00)
    John Powell, Paul Mounsey, Victor Chaga
  5. Onceler & Lorax Meet (2:35)
    John Powell
  6. O'Hare Warns Ted (3:21)
    John Powell
  7. The River Bed (4:03)
    John Powell, Beth Caucci
  8. Houseguests (3:12)
    John Powell, Paul Mounsey, Beth Caucci
  9. Valley Exodus (4:54)
    John Powell
  10. The Last Seed (4:54)
    John Powell
  11. Thneedville Chase (5:04)
    John Powell, Paul Mounsey
  12. At The Park (3:12)
    John Powell, Paul Mounsey
  13. Funeral For A Tree (2:10)
    John Powell
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4przr reply Replies: 0 || 2015-10-17 07:50:16
Looks like the sessions are out there! "Thneedville Care Chase" is the film verion of "Thneedville Chase" from the original album. Wonderful score. I hope that someday the complete thing is released (leaked).

jrej3555 reply Replies: 0 || 2012-08-21 13:26:33
For those (very few) who want to the score and the songs chronologically, here's my ordering:

Thneedville
Ted, Audrey and the Trees
Granny to the Edge
Wasteland
Truffula Valley Fantasy
This Is the Place
Once-ler & Lorax Meet
O'Hare Warns Ted
The River Bed
Houseguests
Everybody Needs a Theed
How Bad Can I Be?
Valley Exodus
The Last Seed
Thneedville Chase
At the Park
Let It Grow
Funeral for a Tree
Let It Grow (Celebrate the World)

The rest of the songs on the Interscope Records album are demos that aren't in the movie.

Miles reply Replies: 2 || 2012-02-17 16:14:27
Interscope Records is also releasing an album of songs from the movie. Almost all of the songs were composed by John Powell, so maybe it merits inclusion on this site.

As for this album, I'm looking forward to seeing what Powell came up with for this film. I definitely think that the source material can lend itself to some good music!


jrej35552012-07-06 00:46:38
Yeah, I also wonder why the Interscope Records isn't on this site.


jrej35552012-07-06 00:48:50
Whoops, I meant to say, "Yeah, I also wonder why the Interscope Records ALBUM isn't on this site."

Paul reply Replies: 0 || 2012-05-14 14:27:19
Another one: Is Powell actually composing Hotel Transylvania? While the movie doesn't look very good, it could be an opportunity for a very fun score!

And what's up with IMDb suddenly adding all these crazy credits to John?? (Like Cloudy 2 and Smurfs 2)

Paul reply Replies: 1 || 2012-05-04 16:27:44
Does anybody know if Powell is actually doing that new Pixar movie entitled "The Good Dinosaur"? It's been on his IMDb page for so long that it could be true...


Blu2012-05-04 18:19:45
IMDb had listed Powell as the composer of the Toy Story short film (Hawaiian Vacation) for some time (way after it's release, in fact) until his name was replaced (fairly recently actually) with Mark Mothersbaugh. So it's probably not the best place to get precise information on upcoming composer projects, especially those with release dates set way in the future.

I'd welcome a Pixar/Powell collaboration, nonetheless.

nathan reply Replies: 1 || 2012-03-31 07:59:15
funeral for a tree uses a tune from another song, what is it? its some sort of irish folk sad song I think.


jrej35552012-04-01 01:21:09
The piano tune is from the song "Let it Grow," which is also written by John Powell for the film. (Plus, I'm definitely no expert on Irish folk music, but I thought "Let it Grow" was supposed to be slightly gospel.)

Miles reply Replies: 0 || 2012-02-28 21:44:15
Bought the soundtrack from iTunes today. It's a pretty interesting, and sometimes strange, melange of instruments and styles, but it still has John Powell written all over it. Some of the piano and female vocals are especially lovely! A very fun and engaging score which conveys a lot of diverse moods! My favorite tracks are "Ted, Audrey and the Trees," "Truffula Valley Fantasy," "Valley Exodus," "Thneedville Chase," and "Funeral for a Tree."

jXe reply Replies: 9 || 2012-02-20 01:32:26
Samples anywhere?


Indiana2012-02-22 15:26:40
On colosseum.de, there are some samples.
Enjoy!


jXe2012-02-22 23:13:04
@#$%!!!!!!!!! after hearing the samples, it will get a lot of playing time! Go John!


Paul2012-02-22 23:39:51
I don't know... I'm a Powell fan and all, but something is not clicking with me, at least from the samples...

I'll wait for the full CD to judge it, though.


powellfan2012-02-23 12:50:49
Does his oldness make him weaker?

The theme for Truffula Valley, which i expected to be great just like Jungle Nool's theme, is simply not great at all , too much like Elfman's.

And then for the song, i know he had tried so much, but here is what happens:
-Thneedville song really reminds me of that song from Just Visiting
-The music for the Once Ler's song is simply awful.


Anonymous2012-02-24 07:27:06
I hope John Powell sticks with animation, his compositions shine with them. Live action scores have too much control and are too narrow for a colorful pallet that John Powell needs.


Prott2012-02-24 11:29:37
Anonymous: That's not always the case - he managed to compose great scores for both animation and live action (The Last Stand, Paycheck). .-)


Anonymous2012-02-24 21:40:45
I am not saying he cant do it, and do it well he does..I am just saying, his best work is expressed in his animated films. My opinion of course. :0)


Prott2012-02-25 00:24:59
Ok... :)


Anonymous2012-02-25 13:23:11
score is on itunes now.

Paul reply Replies: 0 || 2012-02-21 22:13:13
Here, but for the song album...

www.amazon.com/Dr-Seuss-Lorax-Original-Picture/dp/B0079W6LMI /ref=sr_1_4?ie=UTF8&qid=1329476058&sr=8-4

Most of the songs are by Powell though.

Paul reply Replies: 0 || 2012-02-10 00:23:27
The mature track titles sound very intriguing and hopefully could contain some great music. I'm really intrigued for Funeral for a Tree, for example...

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Dr. Seuss' The Lorax soundtrack - John Powell 2012