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oh yes!!! :-)Yeah, it is good.<br><br>Score comes this Friday, also vinyl 4th MarchActually, I prefer BB2 more than Pearl Harbor, thanks!<br><br>There is a quite of the trademark style of Tom in this, his percussion, synths and brassBay should work with Jerry Bruckheimer again. Except Bad Boys 2 (which was way too long) they made really entertaining films together.
@Mark<br>You composed this?  It's pretty damn solid work, man.<br><br>Not sure if I hear a whole lot of 90's Zimmer in there, at least not until the last couple minutes.  If anything it gives me modern Lorne Balfe vibes.  But it's not a bad execution of that sound.  Far from it.<br><br>Could just be me.  I'm curious how the more attuned ears around here feel about it.Not bothering with any more of your bullshit.  This already gets down to the crux of the issue.<br><br>"Look at your first comment here, pal. Look at it good! Snarky, dismissive, almost trollish, and with a clear intention to provoke people."<br><br>You chose to take a comment whose only direct provocation was at Bay himself, as a direct insult to YOU.<br><br>Despite the fact that Bay and his work were the only things mentioned, despite the fact that those were the only things being dissed, you chose to take it as an attack against YOU.  <br><br>And when I elaborated on my full opinion, and even capped it off with a "you do you" olive branch, you chose to take it as me "unleashing my true self."<br><br>That speaks volumes about your mindset.<br><br>Y'know, we could keep talking and going in circles like this.  <br><br>We could talk about how you keep staking the worth of Bay as filmmaker on how much money he's made (and how much less money action films I considered better made) and then turning around and claiming "B-b-but I didn't say box office was a sign of quality!"  <br><br>We could talk about how 300 wasn't trying to start a franchise and how you keep pulling that uncited lie out of your ass to write off its merits under the very faint guise of "objectivity."<br><br>But that'd all be beside the point.<br><br>That point being, how people can only shit on a director according to your arbitrary standards, and how your inherent obsession with "disproving" them or "giving them what they deserve" or whatever self-serious crap you've concocted inside your head is dogmatic fanboyism at BEST.<br><br>Nice day indeed.LOL @ 1/5 star rating, before release.<br><br>Good job, Internet.You should credit Trapanese wherever there is an orchestral prescence in the cues as he handled all the arranging and orchestration.I know what you mean. When I listen to this, I basically hear a Hans & Lorne score with some DP stylings.<br><br>It's fairly frustrating for me, as I'm big on proper crediting; I neither want to give anyone undue credit, nor fail to give credit. With this one, honestly, my only strong intuition is that DP did almost nothing.
There's not much besides the general consensus that Joseph Trapanese did a lot of the heavy lifting with DP's ideas (though they still contributed a fair bit). Toby Chu doing "Adagio For TRON" is about it, unless you do count the cues that were once listed on JT's website.<br><br>Quite frankly, I'm still having a hard time believing the duo stayed on a project that apparently was primarily managed by someone else. These are guys that have always stressed to have full creative control on their albums and ventures, so to hear that they weren't really driving the wheel here sounds off to me. It certainly would explain why they haven't done a score since, but hey. I probably won't ever know the full story.Good question. I honestly get the sense this largely scored to picture, given how varied the cues are, plus the fact Hans did the Day of the Dead and Tuesday cues alone.<br><br>The Batman Suite itself almost sounds like it was done after the score itself was composed, but I could definitely be wrong about that.<br><br>By the way, pretty fucking cool Hans did all (six?) of the themes on this. IMO that goes a long way to show he can still do really solid thematic work when he wants to.So, any confirmation of who actually did what on this score?<br><br>It's one of my favorite RCP-styled scores ever, but I have to admit, it sounds far more Hans & Lorne than Daft Punk. I mean, several of the cues are almost direct copies of Inception cues, albeit more heavily electronic and very differently orchestrated.Shaken.... Not Stirred ;)California here. Will travel to Europe to see you. No need to come to USA. We will come to you. Best regards, Gary
Single from Ben's score for The Invisible Man was released and I'm pleasantly surprised by it. https://youtu.be/f-aH9kDKVBYI’ve been coming back to “But I Will Always Be Faster” and “Sonic The Hedgehog” repeatedly, I’m genuinely impressed by how strong the writing is in both cues. Honestly it doesn’t sound like Holkenborg (mixing aside).Hi there,<br><br>i have seen that the Score (Soundtrack) will be released on 27th of march. But i would like to know somthing maybe any of you knows:<br><br>Will the Song itself be released physical as a Single CD? Or will it be available just for download?<br>Because if there will be no CD, it would be the first James Bond Song which is not released as a Single CD.Rejected scores have gotten official releases before, such as Timeline by Jerry Goldsmith. So even if the Snyder Cut never gets released, I'd hope Junkie could potentially still work out a deal to get his original score out there. Keeping my fingers crossed.No Time to Die coming by Decca 27th March<br><br>https:// www.udiscovermusic.com/news/hans-zimmer-no- time-to-die-soundtrack/?fbclid=IwAR1UtjXatRpCQyXWJ9f7YYfT9Eb k5jy4d7XnlS6XzX4vTiOTxFfvQ0PWgaI
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Ramin DjawadiGavin GreenawayStephen ColemanAlan Meyerson
ComposerConductorOrchestratorMusic Scoring Mixer
Safe House
Label: Varese Sarabande
Length: 69'02
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4538 votes)
  1. Safe House (3:16)
  2. A Hundred Lies A Day (3:16)
  3. Get In The Trunk (4:25)
  4. Do I Make You Nervous? (3:08)
  5. I Used To Be Innocent Like You (2:11)
  6. Tobin Frost (2:19)
  7. Off The Grid (3:28)
  8. Do What You Have To Do (4:49)
  9. Don't Kill Innocent People (3:45)
  10. Who Do You Work For? (3:45)
  11. Walk Away (6:04)
  12. People Change (2:17)
  13. Be Better Than Me (4:12)
  14. Langa (6:14)
  15. More Past Than Future (3:19)
  16. 12 Months (3:06)
  17. Truth (3:43)
  18. I'll Take It From Here (5:47)
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Macejko reply Replies: 0 || 2013-08-04 19:15:56
No word if Djawadi is scoring another Espinosa's film, "Child 44"?

Yumbo reply Replies: 1 || 2012-02-14 19:11:06
Amusing comments.

The score was very restrained.

The end credits song was the highlight, but sounded like Sting.


Evenstar2012-02-19 21:41:21
Most of the djawadi scores (specially horror & thriller) are restrained.

Trent Easton Navarro reply Replies: 10 || 2012-01-30 22:15:07
Great, more mindless, boring droning from one of the worst of Zimmer's minions


Areozz2012-01-31 02:13:24
Great, more mindless, boring droning from one of this site's worst posters


Trent Easton Navarro2012-01-31 07:17:35
Thanks for the compliment, my friend :-)


Aggelos2012-02-13 20:02:17
If only I could become one of Zimmer's minions....
Guys please, help me! I want to become a new Trevor Rabin, a new Harry Gregson-Williams, a new Mark Mancina, a new Hans Zimmer, a new Klaus Badelt, a new Nick Glennie-Smith, a new Ramin Djawadi....


What exactly does some need in order to become an apprentice, a follower, a minion, a disciple, a protege, an acolyte,a gillie, an attendant of the afore-mentioned individuals??????????
I implore/beseech you to help me!!!! I am desperate....


Anonymous2012-02-13 21:42:42
"Areozz"
Great, more mindless, boring droning from one of the members of this "Almost Official Zimmer Site" who in the beggining defended the bootleg scores and now is one of the minions who betrayed that position to turn his site in "Almost Official".


Areozz2012-02-13 23:40:14
Oh wow, did you do a whole lot hunting around this website gathering every post I've ever made and then compiling them and putting them into some kind of machine that would give you a result like that?

Congratulations, sir, on commenting on a post I made two weeks ago. Damn, you either have a shit translator or you're trying to tell me something about myself but are making an absolutely atrocious job of it. I first defended bootleg scores? But now I'm a minion who betrayed the site? WHAT DOES IT MEAN??

You think I have control over this site's "Almost Official" status? Well, thank you very much! I would like to believe so, but you are sadly mistaken. At least I have a name, coward! You might as well be anyone, but by establishing a name to myself people can recognize me--oh! Like you must have in order to have gathered the nonsensical [wrong] assumption you've made about me.


Aggelos2012-02-14 13:52:58
If only I could become a mixture of Mark Mancina, Hans Zimmer, Leonidas Leonardi, Rene Leibowitz, Hermann Boessenroth, Ivan Boutnikoff and Fabien Sevitzky.....


Mr. Fate2012-02-14 17:34:14
Aggelos, I don't know that anyone here will be able to help you much. I seem to recall some kind of contact information being posted on one of information or main pages, though.

And to everyone else in this topic: haters gonna hate.


Aggelos2012-02-14 23:05:19
Mr. Fate, I don't wanna contact the folks... What I suggest is that we have to figure out a way to steal their winning attitude.
We need to become the masters of the synthesizers, to usher a new epoch in our personal lives.


Mr. Fate2012-02-17 16:59:09
How curious!! I had just come to that same realization--although maybe for slightly different reasons than the ones you are after.


Aggelos2012-02-19 19:54:27
Mr. Fate, we need to surpass them, we need to destroy them!!!! That's why we need to stay together... They have colossal power/authority. But if we stay together and become more and more as time goes by, we shall be able to "dethrone" them. Every one last of them........

Mr. Charles reply Replies: 4 || 2012-01-29 03:57:26
Ooooooo....I didn't know Ramin Djawadi was doing this! I'm excited =)


Jen's López2012-01-31 18:40:52
I was waiting for Harry Gregson-Williams :(


Mr. Charles2012-02-11 06:43:38
Just saw it, both the film and the score are good. A few twists....


Al bundy2012-02-11 22:14:14
The score get me tired... sry.


Mr. Charles2012-02-14 01:23:37
So far I've only had a chance to listen to "I'll Take it from Here", but it's good

Joshua reply Replies: 0 || 2012-01-31 01:37:02
Sounds good, cant wait!

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Adrian reply Replies: 0 || 2012-01-29 19:11:35
On peut trouver les previews ici:
cinemamusica.de/1710/urbaner-heist-thriller-erhaelt-djawadi- rhythmen-first-listen-zu-safe-house

:-)

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Safe House soundtrack - Ramin Djawadi 2012