NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Aw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.
Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronicsSo I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter egg
I haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.The Henry Jackman I know died out after Civil War and Kingsman 2. After that you can hear faint fizzles of his electronic greatness, but nothing more. <br><br>But hey maybe he just doesn't wanna do that crap anymore...so..eh.Hard to believe this is a follow up to Wreck-It Ralph. Did he remove the electronics from this one too? Sounds too serious and at times dark and dramatic for a kid's movie score. Whatever happened to the fun?Imperial March and Luke's theme are in it!
Widows is actually a pretty interesting score. Not one of Zimmer's best from for an isolated listening experience standpoint, but as a textual score, I was engaged for the most part. The score effectively builds momentum throughout from beginning to end and I could feel the movie just by listening to the music.Tracklist:<br><br>01. Imagine Dragons – Zero (3:32)<br>02. Sarah Silverman, Gal Gadot, Cast – Ralph Breaks the Internet – A Place Called Slaughter Race (3:28)<br>03. Julia Michaels – In This Place (3:21)<br>04. Karol Sevilla – El lugar (3:21)<br>05. Best Friends (2:53)<br>06. Circuit Breaker (2:22)<br>07. Pulling the Plug (1:14)<br>08. On the Rooftop (1:04)<br>09. The Big Idea (1:16)<br>10. The Internet (2:47)<br>11. KnowsMore & Spamley (1:18)<br>12. Site Seeing (1:30)<br>13. Checkout Fiasco (1:33)<br>14. Get Rich Quick (1:43)<br>15. Shank (3:03)<br>16. Hangin’ Out (1:03)<br>17. BuzzzTube (1:42)<br>18. Overnight Sensation (2:52)<br>19. Separate Ways (1:04)<br>20. Vanellope’s March (0:46)<br>21. Desperate Measures (1:20)<br>22. Don’t Read the Comments (1:49)<br>23. Growing Pains (1:35)<br>24. Double Dan (3:36)<br>25. Scanning for Insecurities (1:54)<br>26. Breaking Up (2:46)<br>27. Replicate-It-Ralph (1:21)<br>28. Operation Pied Piper (2:38)<br>29. Kling Kong (3:39)<br>30. The Meaning of Friendship (2:16)<br>31. A Big Strong Man in Need of Rescuing (1:55)<br>32. Letting Go (1:49)<br>33. Comfort Zone (1:33)<br>34. Worlds Apart (1:22)<br>35. Alan Menken, Phil Johnston, Tom MacDougall – A Place Called Slaughter Race (Instrumental) (3:28)<br>36. Alan Menken, Phil Johnston, Tom MacDougall – In This Place (Instrumental) (3:20)And top gun:maverick....big 4Yeah seriously, he hasn’t done much in a year plus. He’s definitely taken some time off for touring and other things, which may be a great thing for his inspiration... who knows, but I’m guessing the time off has let his brain take a break and maybe he has a ton of new ideas for the big 3 (WW:84, Dark Phoenix, Lion King) coming up in the next year and a half. <br><br>Or maybe I’m just hopeful/wishful thinking lol.Plus, Blue Planet II came out last year. That score is as far from Widows as possible.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Klaus BadeltAndrew RaiherDaniel Rojas
ComposerAdditional MusicTechnical Score Advisor
L'Ordre Et La Morale
Label: Labelzero.com
Length: 34'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3557 votes)
  1. Beginning Of The Day (1:23)
  2. Flying (2:23)
  3. Journey To Jungle (2:47)
  4. Reached The Beach (1:13)
  5. Attack (2:34)
  6. Barbarie (2:28)
  7. Captured (1:49)
  8. Fan (1:00)
  9. Busted (2:23)
  10. Pre-Attack (3:36)
  11. Big Attack (7:50)
  12. Aftermath (5:02)
Create Topic

Adrian reply Replies: 3 || 2011-11-19 16:12:42
Interesting score, especially because it's so percussion-based!


Feliz2011-11-21 01:00:26
Hmm. It's interesting, but overall it's almost all just sound design and a bunch of drone/boom-ness. I do like Beginning of the Day though; it introduces an actual motif, and Aftermath is great, really driving the little melody home.


tim2011-11-24 09:08:30
i am a badelt fan, and i'm hearing and loving to hear his scores!
after I've seen the cover and the track-titles i thought YES THAT WILL BE A GREAT SCORE.

then i've heard to it and i have to say, i never ever heard to a score like that, for me, this is the worst score that I've heard ever!

even hgw with his drums etc can't top this. HORRIBLE!!!
not even a try to make music, just some strange drum-sounds, and that's it!

Wow, even a 2-years kid could do this and earn millions of dollars like klaus.

I'll say it again, I'm a big Badelt fan, but i'm so disappointed right now about this score... urgh!


Khun2011-11-24 12:15:03
This is the most disappointing score of Mr. Badelt I've ever heard! I used to think that he would compose some great orchestral score (with some electronics)and Les Tambours du Bronx would be a cool backup with percussions. But what we have here seems so poor. If there is a track listenable, it will only be 'Aftermath'

@tim I agree with you!

 HANS-ZIMMER.com© 2001-2018 OST 
L'Ordre Et La Morale soundtrack - Klaus Badelt 2011