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So Johan johannson (R.I.P) was actually going to be the composer for Christopher Robin instead of the previously announced Klaus Badelt, where does that leave Klaus? Its honestly heartbreaking that the guy can't get a damn good project he is so talented and deserves a chance. He's proved himself with The Promise, pirates, time machine, solomon kane etc. How is it that henry jack and lorne balfe both of which I'm a fan of can get projects no problem but Klaus can't??<br><br>Maybe he needs a better agent.hans-zimmer(.)com/mp3/Ghost_In_The_Shell_Suite.mp3Sorry I am new here, who is Hybrid and how do I go about contacting them for a download of this excellent 9min30sec Suite?yea, ask Hybrid, heŽll gladly help you !The download button for that awesome Suite isn't working for me either. Does anyone have it and able to upload with a dropbox link or something similar?
Is there somewhere we can download all 26 tracks?You tell them HybridI tried that but it won't download, nothing happens when I click that download button. Is it just not working for me? Is someone able to upload it somewhere else for download?just hit that download button which is placed next to the suite, I also downloaded complete score for BvS that wayYou're encouraging me to be an ass even more !<br><br>Thank you !
@ Hybrid why are you such a dick, he was just asking a question, not everyone is computer savy. He's probably asking how can he download songs from this website which you can't. Stop being such an ass that's why you got a fucked up hairline.Where do we find a download of the embeded Suite track on this page<br>Maybe this is just the sceptic in me speaking, but the process is a bit different this time around to when he did the original. This time, he has an existing score to pull from. Those themes are set in stone. And this is, from what I understand, essentially a shot-for-shot remake, so all this really will be is an 'adaptation' rather than a completely fresh score. Beyonce is working with Tim Rice and Elton John for the songs as well, so the responsibilities seem to be as split as they were the first time round.<br><br>If nothing, I guess this will all result in an interesting look at how Zimmer would reinterpret an older score of his. Not many composers get that opportunity.Yeah, I think he has to do The Lion King first because they have to incorporate the songs with the score. There was even an article saying that Beyonce was working with Zimmer.DT-2017<br>It depends, because it's a musical, and some tracks have to be prepped prior to filming, so he might do a little bit of each throughout this year I'm guessing
Dark Phoenix is out later this year, The Lion King won't be out until next year. It's a pretty safe bet he'll score Dark Phoenix first.hank youAre the war-cry vocals in Red Warrior part of the music or are they added in for the OST?@Hybrid Really? I guess it’s not a total surprise considering how much of a mess the film turned out to be. Divergent was a similar situation where the score in-film was butchered...The funny thing with Dark Tower, is that the production was so lost they made him write the score 3 times... Who knows what were the other versions like...
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Klaus BadeltAndrew RaiherDaniel Rojas
ComposerAdditional MusicTechnical Score Advisor
L'Ordre Et La Morale
Label: Labelzero.com
Length: 34'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3201 votes)
  1. Beginning Of The Day (1:23)
  2. Flying (2:23)
  3. Journey To Jungle (2:47)
  4. Reached The Beach (1:13)
  5. Attack (2:34)
  6. Barbarie (2:28)
  7. Captured (1:49)
  8. Fan (1:00)
  9. Busted (2:23)
  10. Pre-Attack (3:36)
  11. Big Attack (7:50)
  12. Aftermath (5:02)
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Adrian reply Replies: 3 || 2011-11-19 16:12:42
Interesting score, especially because it's so percussion-based!


Feliz2011-11-21 01:00:26
Hmm. It's interesting, but overall it's almost all just sound design and a bunch of drone/boom-ness. I do like Beginning of the Day though; it introduces an actual motif, and Aftermath is great, really driving the little melody home.


tim2011-11-24 09:08:30
i am a badelt fan, and i'm hearing and loving to hear his scores!
after I've seen the cover and the track-titles i thought YES THAT WILL BE A GREAT SCORE.

then i've heard to it and i have to say, i never ever heard to a score like that, for me, this is the worst score that I've heard ever!

even hgw with his drums etc can't top this. HORRIBLE!!!
not even a try to make music, just some strange drum-sounds, and that's it!

Wow, even a 2-years kid could do this and earn millions of dollars like klaus.

I'll say it again, I'm a big Badelt fan, but i'm so disappointed right now about this score... urgh!


Khun2011-11-24 12:15:03
This is the most disappointing score of Mr. Badelt I've ever heard! I used to think that he would compose some great orchestral score (with some electronics)and Les Tambours du Bronx would be a cool backup with percussions. But what we have here seems so poor. If there is a track listenable, it will only be 'Aftermath'

@tim I agree with you!

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L'Ordre Et La Morale soundtrack - Klaus Badelt 2011