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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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John PowellPaul MounseyMichael John MolloBeth Caucci
ComposerAdditional MusicAdditional ArrangementsAdditional Arrangements
Happy Feet Two
Label: WaterTower Music
Length: 73'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4211 votes)
  1. Happy Feet Two Opening Medley - P!nk, Common, Lil P-Nut, Happy Feet Two Chorus (4:12)
  2. The Mighty Sven - Robin Williams, Hank Azaria, Happy Feet Two Chorus (4:10)
  3. Bridge Of Light - P!nk, Happy Feet Two Chorus (4:06)
  4. Papa Oom Mow Mow - Happy Feet Two Chorus (1:50)
  5. Dragostea Din Tei - Hank Azaria, Happy Feet Two Chorus (1:30)
  6. Erik's Opera - Omar Crook, EG Daily (2:26)
  7. Rawhide - Elephant Seal Chorus (1:16)
  8. Under Pressure, Rhythm Nation - P!nk, Happy Feet Two Chorus (3:10)
  9. Tightrope (Ice Cold Mix) - Janelle Monáe, Lil P-Nut, Happy Feet Two Chorus (3:19)
  10. In The Hole (2:46)
  11. Ramon And The Krill (4:08)
  12. Lovelace Preshow (featuring Judith Hill) (2:08)
  13. Searching For The Kids (1:29)
  14. The Doomberg Lands (3:30)
  15. I Don't Back Up... (3:58)
  16. Trapped In Emperor Land (3:56)
  17. Skua Attack - Adelie Rescue (4:17)
  18. Dinner A La Sven (3:34)
  19. We Are The Champions (2:44)
  20. Snow Stops Play (featuring Steven Pence) (2:02)
  21. No Fly Zone (3:36)
  22. Krill Joy (2:58)
  23. Tappin' To Freedom (5:55)
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Hybrid Soldier reply Replies: 1 || 2012-03-12 19:44:33
If you people want it in chronological order :

01 - Opening Medley
02 - In The Hole
03 - Ramon & The Krill
04 - Searching For The Kids
05 - Lovelace Preshow
06 - The Mighty Sven
07 - The Doomberg Lands
08 - I Don't Back Up...
09 - Trapped In Emperor Land
10 - Bridge Of Light
11 - Krill Joy
12 - Skua Attack - Adelie Rescue
13 - Papa Oom Mow Mow
14 - Dinner A La Sven
15 - We Are The Champions
16 - Snow Stops Play
17 - No Fly Zone
18 - Tappin' To Freedom
19 - Dragostea Din Tei
20 - Erik's Opera
21 - Rawhide
22 - Under Pressure - Rhythm Nation

:)


Darkashram2012-03-13 16:48:30
Thank you Hybrid;)

Edmund Meinerts reply Replies: 0 || 2011-11-23 18:25:18
Pretty good score, maybe not quite as strong as the original though. The BIG BIG choir is back with a vengeance, and can be heard in most cues. The theme from the first score's "The Huddle" track seems to be the main theme here, whereas the main theme from Happy Feet 1 only appears in one track ("I Don't Back it Up"). There isn't a single best track of the album, no "Forbidden Friendship moment" or anything matching up to "Zen Ball Master" from KFP2, unfortunately. Some of the tracks are a bit silly, like the second half of "We Are the Champions" (first half is awesome, though). Overall a decent Powell animated score. 4/5

Paul reply Replies: 0 || 2011-11-14 22:40:53
We can hear the almost-complete album on the For Your Consideration page of the movie...

warnerbros2011.warnerbros.com/film.php?film=happyfeet#

It's missing the songs and Tappin' to Freedom for some reason...

powellfan reply Replies: 0 || 2011-11-11 23:46:36
You know, based on the sample that i just heard, it sounded like something unlike Powell. Usually, he always implement his very obvious style into his every score, but i didn't hear that in HP2, and unfortunately, that style makes every Powell's score different and greater than any other. "We are the champions" is cringe worthy, i prefer original score though, "i don't back it up" sounded good at least, i could hear the original theme, and the only track that has the Powell-vibe in it is "Tappin'to freedom", and maybe that could be the best track of the whole soundtrack. Anyway, keep doing great thing, Powell!!! I can't wait for your score in "The Lorax".

Indiana reply Replies: 1 || 2011-11-09 21:12:52
Great news but we need samples !!!!!


Paul2011-11-10 03:28:02
'ere you go!

amazon.com/Happy-Feet-Two-Original-Soundtrack/dp/B0064WL2UA/ ref=sr_shvl_album_3?ie=UTF8&qid=1320885191&sr=301-3

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Happy Feet Two soundtrack - John Powell 2011