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Is there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks
4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.
I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)
@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.Thanks guys, will check out these cues.
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Trevor MorrisTJ LindgrenTodd HabermanSteve Davis
ComposerAdditional MusicAdditional MusicTechnical Score Advisor
Immortals
Label: Relativity Music Group
Length: 51'03
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4574 votes)
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  1. Immortal And Divine (1:30)
  2. War In The Heavens (2:32)
  3. Hyperion's Siren (3:47)
  4. Witness Hell (1:56)
  5. To Mt. Olympus (2:54)
  6. Enter The Oracles (2:30)
  7. Theseus And Phaedra (1:37)
  8. Poseidon's Leap (1:23)
  9. This Is Your Calling (1:31)
  10. Theseus Fight The Minotaur (2:13)
  11. Theseus Fires The Bow (2:16)
  12. My Own Heart (3:03)
  13. Zeus' Punishment (2:27)
  14. Ride To The Gates (1:00)
  15. In War Fathers Bury Their Sons (1:05)
  16. The Gods Chose Well (1:18)
  17. Fight So Your Name Survives (3:07)
  18. Battle In The Tunnel (2:43)
  19. Immortal Combat (3:34)
  20. Do Not Forsake Mankind (4:33)
  21. Apotheosis (1:44)
  22. Sky Fight - End Credits (2:22)
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Warfighter reply Replies: 0 || 2012-05-16 02:52:57
Has anyone heard Morris' Scorpion King 3 score? any info about this one?

Hale reply Replies: 1 || 2011-11-02 10:41:17
This score seems to be a mix between "Angels and Demons"(Choir style), "King Arthur" (Heavy orchestra with dark percussions) but it lacks GOOD themes. We can feel "Tudors" music style in a few tracks.

I think it's a functionnal score which takes its sense only in the movie.


Richard2012-01-12 06:42:07
Excellently put.

I want to remark that it all comes together rather nicely for immortals, the whole being more than the sum of its parts.

For example I feel the ending sky fight and subsequent staff credits is one of the most memorably powerful moments I've experienced in the theater.

Edmund Meinerts reply Replies: 7 || 2011-11-17 23:53:22
Man, this is a really weak score. I thought Trevor Morris would do better on his first solo assignment but he disappointed me. The reason? TEMP TRACKS!

"Hyperion's Siren" = Inception brass chords

Second half of "To Mt. Olympus" = "The Might of Rome" from Gladiator

"Fight So Your Name Survives" = the Holstesque action rhythms from Gladiator

"Do Not Forsake Mankind" = "Journey to the Line" from The Thin Red Line

But worst of all is "Immortal Combat" and "Sky Fight/End Credits", which sound EXACTLY like "160 BPM" from Angels and Demons! What the hell? Why no creativity?

Rest of the score is dull, uninteresting along the lines of the new Conan score. What a flop.


Bondo2011-11-18 00:35:16
It's hardly a flop, it's killing at the box office. And it's not his first solo assignment.


Edmund Meinerts2011-11-18 22:50:20
The score is a flop, not the movie. And I meant first solo blockbuster assignment.


Bondo2011-11-19 03:13:50
Nah, I'm enjoying it. And it worked VERY well in the film itself.


Zantlwisder2011-11-22 08:36:42
You know what? "Immortal Combat" is 160 beats per minute! Exactly the same as "160 BPM" from Angels & Demons.


Ele2011-11-22 10:29:39
@Zantlwisder Incredible find! Awesome! I didn't see that coming. Nice one, Sherlock


Areozz2011-11-22 21:48:07
What are you talking about? this is the page for Immortals, not Sherlock Holmes...


Zantlwisder2011-11-27 01:21:12
2'20''in"Fight So Your Name Survives", the drum beats are the same in "Kraken"from POC2... but the whole score works well in the movie,really

Bar reply Replies: 0 || 2011-11-09 21:07:26
wow! the "Do Not Forsake Mankind " is my favorite...very emotional!

Agntdman reply Replies: 0 || 2011-11-03 06:09:23
Every time I come to the site and see that interview with the film's director on the main page - Tarsem Singh, I keep thinking it's Muammar Gaddafi lol

Miles reply Replies: 0 || 2011-11-02 06:36:41
Mp3 samples on Amazon now! I don't know if it would be best for me to wait until the movie to hear the score or not.

Miles reply Replies: 3 || 2011-10-17 22:36:14
The official site has some samples up now! Any thoughts, first impressions?


Ds2011-10-18 12:48:32
I hear only one little cue... where do you see more samples? Thanks :)


Miles2011-10-19 16:51:52
You have to click on the tabs for synopsis, cast, downloads, etc., to hear the other cues.


Ds2011-10-19 18:23:39
Ok thanks a lot! ... i hope the full soundtrack will be more epic than these cues... These are ambiant cues, with no theme...

NoName reply Replies: 12 || 2011-10-09 21:36:30
Äh Tyler Bates 300 Part II ??? Its not so different !


NoName2011-10-09 21:38:07
A copy from Tyler Bates 300 !


Miles2011-10-10 16:25:41
Actually, there's a small score excerpt on the official site, and it definitely sounds more "Hans Zimmer" than "Tyler Bates."


NoName2011-10-10 22:47:57
Do you hear the music complete ? Do you M.D. in Music ?


Areozz2011-10-11 02:55:12
Do you M.D. in being a jerk? Mmmmm....hmmmmm, yes. Yes, you do.


Blu2011-10-11 11:28:39
No sarcasm intended but I didn't know the term M.D. can be used for anything other than medicine. Can it?


Areozz2011-10-11 14:25:44
I'm too lazy to look it up, but I'm pretty sure you're right, Blu.

This NoName guy thinks he's a know-it-all and thinks this music sounds like Tyler Bates, possibly because Tyler Bates did the music for 300 and because this movie appears to be similar to 300. It is not clear whether he has actually heard the music.

All composers have a unique style and if you've listened to the composers involved in this conversation, you could provide a statement like Miles did. NoName appears to have not a wide range of musical tastes....

*Waits for response from NoName*


Areozz2011-10-11 15:50:34
Ah, I overcame my laziness and looked it up. M.D. does indeed stand for Doctor of Medicine which makes absolutely no sense in the context that NoName used it in. Perhaps a better choice would have been "do you major in music?" to which the response could have been, "you don't have to be a music major to state when one composer's work sounds like another's."


Papapalpatine772011-10-11 18:27:12
Actually, if it sounds anything like 300, it really sounds like Elliot Gildenthal's score to Titus. Bates copied much of the themes from it and there was even a lawsuit. Now on the back of the latest Blu-ray (the digibook), there is an asterisk next to Bates' name. At the bottom it says *based on preexisting compositions not authored by Tyler Bates.


NoName2011-10-11 21:23:38
Sory iam not from America or England, Iam from Germany ind Iam a friend of Ramin Djawadi and Michael Levine. I know many composers RCP, because of my position in Germany. Doctor in German "Doktor" in Duisburg. I can not so good English but i can music and that is not English.

I hear often music before it is published. My specialist areas is Fimmusic, there i teach in munich (Bavaria). Ramin is an old fiend from Duisburg , i visit him often ! Therefor i have hear the new music.

And its really the same.

(Please no questions, idont send everybody the music)

Sorry for my bad english, i have it learn by myself.


Luc2011-10-14 16:34:23
That already was a copy of Elliot Goldenthal's Titus...


Anon2011-10-16 13:56:13
NoName, keep throwing your job title around, honestly no one cares. You can make yourself feel big by saying that meaningless garbage if you like however :) Just know that no one here actually cares. At all.


NoName2011-10-19 17:31:43
Ok !

Ele reply Replies: 0 || 2011-10-13 09:27:28
This will be awesome! We know Trevor can write good epic score (Tudors, Pillars, King Arthur)

Ds reply Replies: 0 || 2011-10-10 22:23:00
Interview with Trevor Morris about "Immortals":

http : // scorenotes .com/interviews . html

Kusi81 reply Replies: 0 || 2011-10-10 15:33:10
great!!! :) When's the start of Preordering that? :)

NoName reply Replies: 0 || 2011-10-09 21:39:31
Todd and Michel it is not related to you!

Hybrid Soldier reply Replies: 3 || 2011-10-09 12:15:54
I. Can't. Wait.


Blu2011-10-09 16:07:31
Awesome! I hope it is loud and epic!


Bondo2011-10-09 18:28:39
Wow, Trevor is doing this?? :D


NoName2011-10-09 21:37:16
I have hear it ! Its so .....

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Immortals soundtrack - Trevor Morris 2011