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I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :pFor me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.Now released: http:/ /filmmusicreporter.com/2018/04/19/soundtrack-album-for-sky-h unter-to-be-released/<br><br>https: //www.amazon.com/gp/product/B07C26S729/ref=as_li_qf_asin_il_ tl?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creat iveASIN=B07C26S729&linkId=18cb85bfc0aaee3094cdba507fe05649
I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...<br>That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.BOOKLET CREDITS (From The Album):<br><br>Score Composed, Produced And Mixed By<br>TOM HOLKENBORG<br><br>Additional Music By<br>ALJOSCHA CHRISTENHUB<br>ANTONIO DI IORIO<br><br>Orchestra Conducted By<br>JOHN ASHTON THOMAS<br><br>Technical Score Engineer<br>ALEX RUGER<br><br>Additional Programming By<br>EMILY RICE<br>JACOPO TRIFONE<br><br>Music Editor<br>SIMON CHANGER<br><br>Assistant Music Editors<br>BEN SMITHERS<br>ARABELLA WINTER<br><br>Music Consultant<br>BOB BADAMI<br><br>Score Orchestrated And Copied By<br>JONATHAN BEARD<br>EDWARD TRYBEK<br>HENRI WILKINSON<br>TOM HOLKENBORG<br><br>Librarian<br>JILL STREATER<br><br>Orchestra Contractors<br>ISOBEL GRIFFITHS<br>SUSSIE GILLIS<br><br>Orchestral Recording Engineer And Mixer<br>NICK WOLLAGE<br><br>Orchestra Recorded At<br>AIR STUDIO<br><br>Air Studios Managers<br>ALISON BURTON<br>CHARLOTTE MATTHEWS<br>LUCY MATTHEWS<br><br>Music Production Services<br>MICHIEL GROENEVELD<br><br>Agent<br>AMOS NEWMAN<br><br>Legal Representation<br>DAVID ALTSCHUL<br><br>Music Recorded <br>6-7 January 2018<br>At<br>AIR STUDIOS, London<br><br>Score Published By<br>UNITED LION MUSIC, INC. (BMI)<br><br>Booklet Editing & Design<br>WLP LTD<br><br>Soundtrack Acquisitions<br>MARK CAVELL<br><br>Sony Classical Product Development<br>KLARA KORYTOWSKA<br><br>Special Thanks To:<br>ROAR UTHAUG, GRAHAM KING, SASKIA, JULIAN and DARREN, ANNE COBB, SHANE GLASSThe Stark theme always left a big impression on me, but the way it plays when Jon Snow dies gives me the chills<br><br>Andrew Kawczynski scored the movie Sky Hunter. The score is available on Spotify now. <br><br>The score is probably the most melodic/heroic that I heard from him.
wtf is this? did zimmer score a porno?why hybrid when lorne himself confirmed it? <.<@Hybrid, can you confirm Lorne is scoring MI6?I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?
Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.<br><br>I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.Damn I was hoping Zimmer, Giacchino or Kraemer would do this.Ha ha! Yes again and again ! This is excellent news
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyPaul Linford
ComposerComposerAdditional MusicAdditional Music
Enemy Of The State
Label: Hollywood Records
Length: 54'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4498 votes)
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  1. Main Titles (2:00)
  2. Enemy Of The State Main Theme (2:55)
  3. Brill's Theme (3:28)
  4. The Ferry (1:26)
  5. Hotel Chase Part 2 (3:45)
  6. Zavitz Chase Part 1 (2:02)
  7. NSA Research (2:35)
  8. Brill And Dean Meet (4:13)
  9. Free Ferry (0:37)
  10. Nanny Drive (1:32)
  11. Final Confrontation (8:43)
  12. Coal Yard Part 1 (3:42)
  13. Face To Face (3:09)
  14. The Tunnel Part 1 (1:57)
  15. Coal Yard Part 2 (4:53)
  16. Rachel's Found Dead (5:18)
  17. Wish You Were Here (1:59)
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Viper5charlie reply Replies: 7 || 2012-11-27 12:34:11
Yesssss Complete!!!!!!!!!!
1M1 Opening (0:51)
1M2 Murder (1:38)
1M3 Main Titles (2:02)
1M4 Rachel (0:55)
2M5 Pintero's Social Club (2:54)
2M6 Recording (1:31)
2M7-8 Intercept (1:12)
3M9 Murder On Tape (1:31)
3M10A Zavitz On the Loose (1:47)
3M10B Zavitz Chase Pt.1 (2:05)
3M10B Zavitz Chase Pt.1 (Alt.) (2:05)
3M11 Zavitz Chase Pt.2 (2:29)
4M12 Profiling (1:01)
4M13 NSA Research (2:38)
4M14 Inquiry (0:59)
4M15 Package (1:00)
5M16-18 Night Visitors (2:12)
5M19 Bugged (1:01)
5M20 Rachel's Call (0:46)
6M21 Dean Fired (0:20)
6M22 You Wanna Blend (0:25)
6M23 Tracked (0:46)
6M24 Limousine Service (0:22)
6M25 In the Park (2:53)
6M26 The Ferry (1:17)
6M26b Free Ferry (0:44)
7M27 Taxi Ride (1:57)
7M28 Brill & Dean Meet (4:18)
7M29 Hotel Chase Pt. 1 (2:58)
8M30 Hotel Chase Pt. 2 (3:54)
8M31A The Tunnel Pt. 1 (2:01)
8M31B The Tunnel Pt. 2 (2:06)
8M32 Winning Carla Over (0:57)
8M33 The Present (0:36)
9M34 Nanny Drive (1:39)
9M35 Rachel's Found Dead (5:20)
9M36 We Got Nothing (0:54)
9M37 Phone Call (1:16)
10M38 Brill's Office (1:45)
10M39A Coal Yard Pt. 1 (3:48)
10M39B Coal Yard Pt. 2 (5:01)
11M40 Edward Lyle (0:47)
11M41-42 The Promise Turning the Tables (5:03)
11M43 Wired Room (1:16)
12M44 Bank Account (1:34)
12M45 Meeting (0:56)
12M46 Face to Face (3:12)
13M47 Brill Caught (0:21)
13M48 Final Confrontation (8:50)
13M49 Brill Disappears (1:21)
14M50 Wish You Were Here (2:03)
14M51 Enemy Of The State Main Theme (2:55)
14m52 Brill's Theme (3:28)


Real Scorefan2012-11-28 00:52:27
Finally, sorry elitist, more complete scores are coming


Dawn2012-11-28 22:45:10
"Elitists" are those who leak unreleased music. Enjoy the music and keep your mouth close, Real Scorefan ! ;)


Bondo2012-11-29 00:20:09
Did you ever stop to think that sometimes they're not ALLOWED to release music, or perhaps not allowed to release it until a certain amount of time has passed? You're trying to paint the picture of "elitist" sitting atop their throne of music, randomly deciding when to pass it out to the lower class. If you really believe that, you're a bit too cynical for my taste.


Mr. Fate2012-11-29 02:48:18
THANK YOU, BONDO! We need a way to spread the word. So many people see the elitists as the top of society and that they take pleasure in showing off what they have to the less fortunate. Well, that's true in only one situation: when the dick who has something that other people don't gets off to making people angry--and most of the time, that dick doesn't even have anything real.

No, the true elitists are the ones who have what they have and keep it to themselves--and that's largely because there are REAL WORLD reasons for them doing what they do. There truly are legal matters surrounding the 'elitists' and their music.

Add to all this the fact that just about the only people the commoners see as being 'elitists' are in no way elitists at all. The public's view of them is all wrong.


Scorefan / Real Scorefan2012-11-29 20:48:53
suck my dick Dawn, Bondo and Mr. Fate!!!!!!!!!!!!


Real Scorefan2012-11-30 00:16:04
to @Scorefan / Real Scorefan what the fuck are you doing with my name? What do you want to pretend? Please buy a life and live piece of crap


T-Mann0362012-12-09 11:40:06
The complete score leak is like MC Hammer-- 2 Legit.

Anonymous reply Replies: 0 || 2006-08-17 00:00:00
German HGWonline: www.harry-gregson-williams.de

herman reply Replies: 0 || 2005-04-29 00:00:00
Enemy of the State est de loin la meilleure bo de Trevor Rabin et Harry Gregson Williams qui ont ecrit pour le film un theme principal memorable ainsi qu'1 trés bon final confrontration
du grand art

alvaropino reply Replies: 0 || 2005-01-19 00:00:00
Who to by the music sheet of :
The Last Samurai

Thanks for your Help

Prof. Alvaro Pino N.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
I would really love if there were more tracks like the outstanding Bill's theme and the main titles, i.e. the more orchestral ones instead of all this well-organised noise --) The orchestral / dramatic bits of this score alone deserve the purchase and fans of SPY GAME or MAN ON FIRE should already own this :)

Demetris Christodoulides

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Enemy Of The State soundtrack - Harry Gregson-Williams - Trevor Rabin 1998