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yeah realffingmusic i did because if you havent noticed i can do what i want. and my message is timely as it'll ever be cuz this movie still sucks balls 3 years laterSo hearing JunkieXL's scores recently, this has really made me wonder...did Zimmer *really* work on the Arcade and Zod theme suites, or are they really all Junkie and Zimmer's name is a nice formality? Because they don't sound especially Zimmerish *anyway,* yet they sound identical to JunkieXL's recent output. ;)The Terminator Salvation video game correctly included the T-1000 motif, even if it wasn't used in the right context.<br><br>If Balfe stays, I'm hoping he leans more towards synth in the next score. If not, then I hope whoever takes over does.The samples sound great! Looking forward to hearing this!This score should've sounded more like Chappie...
Alas, you are correct...<br><br>Since T3 all the scores have gone symphonic...Sure, there's percussion and some nifty SFX to go with the music, but as a whole it just doesn't fit and turns the movie into an action adventure. Beltrami and Elfman made good themes, but they just missed the point.<br><br>Terminator should very well sound synthetic.  <br><br>I figured with Remote Control behind the wheel this time, we'd get that. But in my opinion Balfe just went with Beltrami and Elfman and decided to turn this into a Jablonsky Transformers sounding score with more of your usual symphonic material. <br><br>Sure, it's using synths, but to be honest I would have preferred the synths Junkie used in Mad MAx over what was used here. Or hell, drag out Han Zimmer's harsh droning synths from the early 2000s...toss in some more anvil and marching band for the percussion and there you go. <br><br>I simply don't understand why this is so difficult. Or maybe it's too simple and that's why they keep missing the mark. <br><br>The Terminator Salvation video game score sounds closer to what I was hoping it would sound like than what we got.<br><br>Oh well...Nice themes though.FINALLY! :DListen carefully to the score. Its not hard to see who did the work.<br><br>Zimmer writes his simple, strong themes like the shen one and then Balfe gives them the ornate orchestrations and Powell-esque arrangements. Simple. Like I said here months ago on the batman page. Zimmer doesn't write this style of complicated cue himself. That's not his style. He doesn't do frilly and swirls and trumpets, he does austere and basic. Enter Balfe to spice it up.<br><br>Maybe that's why people are mixing up and thinking Powell did more than he did. Zimmer tunes + Balfe arrangement and you get a decent impression. Which was pretty much Megamind as well, a mini-Powell score in parts. Balfe is a very good arranger let's give him credit.Really looking forward to this.@Hybrid<br><br>Oh? That's interesting. Was it like a "Pirates" situation where everything was rushed or a producer thing?
Powell did "Po Finds the Truth," apparently. I do find it pretty funny that it seems like the two primary composers didn't have as big a role as some of the secondary ones...And yet, this score is still great!Any ideas which scenes Powell actually worked on, if any?There aren't much interviews because the projects didn't go that well during its production. And Powell actually didn't do much.I agree, to me the score mostly sounds like Lorne Balfe. <br><br>But I dunno, as I've said before, I don't think it's a case that Zimmer or Powell write a sketch and then sit back and drink coffee while the others do the work. I imagine it's very collaborative. <br><br>Unfortunately there's very few interviews/info about this score compared to a lot of others, which is a pity, because it's one of the best RCP collaborations. It's a really tight, well put-together, consistent, enjoyable score, and it's a shame none of the composers involved want to talk about it!I agree. Zimmer isn't heard obviously in much of this score, as has been repeatedly hashed out, but neither is Powell, if you ask me! It does seem like the additional guys did most of the writing here, albeit copiously using old themes and cues and doing so, presumably, under Powell and Zimmer's direction. I honestly don't see Zimmer *really* doing much of KFP3, either, even though his name is the main credit so far.<br><br>Thoughts?
it seems that Intrada will release AGENT CODY BANKS on 7/7 :) source are the hints in the Intrada or FSM forum.To me most of this score sounds like Balfe's, with a few Zimmer spices here and there. I get the feeling that Powell got the co-credit because of the significant amount of stuff that were carried over from the original.I suppose something went wrong on their last collaboration. Adrian's quote about the soundtrack album further encourages this idea.<br><br>Good riddance though. This is not Hans' area of specialty for me anyway.To me it sounds like a Zimmer theme, but put through a Powell arrangement/orchestration most of the time.forgiveness from Spain. I expect a lot of this music
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyBob Badami
ComposerCo-ComposerAdditional MusicMusic Supervisor
Enemy Of The State
Label: Hollywood Records
Length: 54'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1344 votes)
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  1. Main Titles (2:00)
  2. Enemy Of The State Main Theme (2:55)
  3. Brill's Theme (3:28)
  4. The Ferry (1:26)
  5. Hotel Chase Part 2 (3:45)
  6. Zavitz Chase Part 1 (2:02)
  7. NSA Research (2:35)
  8. Brill And Dean Meet (4:13)
  9. Free Ferry (0:37)
  10. Nanny Drive (1:32)
  11. Final Confrontation (8:43)
  12. Coal Yard Part 1 (3:42)
  13. Face To Face (3:09)
  14. The Tunnel Part 1 (1:57)
  15. Coal Yard Part 2 (4:53)
  16. Rachel's Found Dead (5:18)
  17. Wish You Were Here (1:59)
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Viper5charlie reply Replies: 7 || 2012-11-27 12:34:11
Yesssss Complete!!!!!!!!!!
1M1 Opening (0:51)
1M2 Murder (1:38)
1M3 Main Titles (2:02)
1M4 Rachel (0:55)
2M5 Pintero's Social Club (2:54)
2M6 Recording (1:31)
2M7-8 Intercept (1:12)
3M9 Murder On Tape (1:31)
3M10A Zavitz On the Loose (1:47)
3M10B Zavitz Chase Pt.1 (2:05)
3M10B Zavitz Chase Pt.1 (Alt.) (2:05)
3M11 Zavitz Chase Pt.2 (2:29)
4M12 Profiling (1:01)
4M13 NSA Research (2:38)
4M14 Inquiry (0:59)
4M15 Package (1:00)
5M16-18 Night Visitors (2:12)
5M19 Bugged (1:01)
5M20 Rachel's Call (0:46)
6M21 Dean Fired (0:20)
6M22 You Wanna Blend (0:25)
6M23 Tracked (0:46)
6M24 Limousine Service (0:22)
6M25 In the Park (2:53)
6M26 The Ferry (1:17)
6M26b Free Ferry (0:44)
7M27 Taxi Ride (1:57)
7M28 Brill & Dean Meet (4:18)
7M29 Hotel Chase Pt. 1 (2:58)
8M30 Hotel Chase Pt. 2 (3:54)
8M31A The Tunnel Pt. 1 (2:01)
8M31B The Tunnel Pt. 2 (2:06)
8M32 Winning Carla Over (0:57)
8M33 The Present (0:36)
9M34 Nanny Drive (1:39)
9M35 Rachel's Found Dead (5:20)
9M36 We Got Nothing (0:54)
9M37 Phone Call (1:16)
10M38 Brill's Office (1:45)
10M39A Coal Yard Pt. 1 (3:48)
10M39B Coal Yard Pt. 2 (5:01)
11M40 Edward Lyle (0:47)
11M41-42 The Promise Turning the Tables (5:03)
11M43 Wired Room (1:16)
12M44 Bank Account (1:34)
12M45 Meeting (0:56)
12M46 Face to Face (3:12)
13M47 Brill Caught (0:21)
13M48 Final Confrontation (8:50)
13M49 Brill Disappears (1:21)
14M50 Wish You Were Here (2:03)
14M51 Enemy Of The State Main Theme (2:55)
14m52 Brill's Theme (3:28)


Real Scorefan2012-11-28 00:52:27
Finally, sorry elitist, more complete scores are coming


Dawn2012-11-28 22:45:10
"Elitists" are those who leak unreleased music. Enjoy the music and keep your mouth close, Real Scorefan ! ;)


Bondo2012-11-29 00:20:09
Did you ever stop to think that sometimes they're not ALLOWED to release music, or perhaps not allowed to release it until a certain amount of time has passed? You're trying to paint the picture of "elitist" sitting atop their throne of music, randomly deciding when to pass it out to the lower class. If you really believe that, you're a bit too cynical for my taste.


Mr. Fate2012-11-29 02:48:18
THANK YOU, BONDO! We need a way to spread the word. So many people see the elitists as the top of society and that they take pleasure in showing off what they have to the less fortunate. Well, that's true in only one situation: when the dick who has something that other people don't gets off to making people angry--and most of the time, that dick doesn't even have anything real.

No, the true elitists are the ones who have what they have and keep it to themselves--and that's largely because there are REAL WORLD reasons for them doing what they do. There truly are legal matters surrounding the 'elitists' and their music.

Add to all this the fact that just about the only people the commoners see as being 'elitists' are in no way elitists at all. The public's view of them is all wrong.


Scorefan / Real Scorefan2012-11-29 20:48:53
suck my dick Dawn, Bondo and Mr. Fate!!!!!!!!!!!!


Real Scorefan2012-11-30 00:16:04
to @Scorefan / Real Scorefan what the fuck are you doing with my name? What do you want to pretend? Please buy a life and live piece of crap


T-Mann0362012-12-09 11:40:06
The complete score leak is like MC Hammer-- 2 Legit.

Anonymous reply Replies: 0 || 2006-08-17 00:00:00
German HGWonline: www.harry-gregson-williams.de

herman reply Replies: 0 || 2005-04-29 00:00:00
Enemy of the State est de loin la meilleure bo de Trevor Rabin et Harry Gregson Williams qui ont ecrit pour le film un theme principal memorable ainsi qu'1 trés bon final confrontration
du grand art

alvaropino reply Replies: 0 || 2005-01-19 00:00:00
Who to by the music sheet of :
The Last Samurai

Thanks for your Help

Prof. Alvaro Pino N.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
I would really love if there were more tracks like the outstanding Bill's theme and the main titles, i.e. the more orchestral ones instead of all this well-organised noise --) The orchestral / dramatic bits of this score alone deserve the purchase and fans of SPY GAME or MAN ON FIRE should already own this :)

Demetris Christodoulides

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Enemy Of The State soundtrack - Harry Gregson-Williams 1998