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No no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!
Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!
She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats true
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Klaus BadeltJim DooleyHarry Gregson-WilliamsSteve Jablonsky
Co-ComposerCo-ComposerCo-ComposerCo-Composer
WWII In HD (TV Documentary)
Label: Extreme Music (Digital Download Only)
Length: 44'39
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6159 votes)
  1. Nu Dimension (2:27)
    James S. Levine
  2. Mount Legend (2:33)
    Lorne Balfe (as Oswin Macintosh)
  3. Shaft Of Glory (3:24)
    Lorne Balfe (as Oswin Macintosh)
  4. Victory Quest (1:19)
    John Powell
  5. Rough Justice (2:50)
    Klaus Badelt
  6. Trailblazing (2:53)
    Steve Jablonsky
  7. Black Passage (2:33)
    James S. Levine, Dolph Taylor, Russel Emanuel
  8. Wicked Way (1:48)
    John Paesano
  9. Flood Rush (2:18)
    Lorne Balfe (as Oswin Macintosh)
  10. Strings Of Change (2:28)
    James S. Levine
  11. Gross Encounter (2:16)
    Atli Örvarsson
  12. Three Strikes (3:02)
    James Dooley
  13. Destiny's Wild (3:09)
    James Dooley
  14. Eruptive Force (1:32)
    Lorne Balfe (as Oswin Macintosh)
  15. All The Way (1:51)
    Lorne Balfe (as Oswin Macintosh)
  16. 8th Wonder (1:00)
    Harry Gregson-Williams
  17. Nowhere To Run (2:04)
    Klaus Badelt
  18. Stone Cold (2:18)
    Geoff Zanelli
  19. White Hope (2:54)
    James Dooley
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Mr.Unbreakable reply Replies: 0 || 2020-07-26 17:57:29
Was John Paesano working in RCP?

MacArthur reply Replies: 0 || 2013-09-02 21:22:39
It's funny all of these Composers are RCP but no Hans Zimmer. and was Oswin Macintosh Lorne Balfe

Phill B reply Replies: 0 || 2011-09-15 18:43:39
sooo epic
LOVE IT, especially Shaft of Glory
many thanks to all Composers of this Album !!!

Dakota reply Replies: 0 || 2011-06-14 03:39:00
This compilation is the sh!t! Can anyone tell me where I have heard some of these tracks from, because I'm recognizing some of them as I add each one into iTunes.

Hybrid Soldier reply Replies: 1 || 2011-06-05 17:56:24
This excellent compilation has been released lately by Extreme Music... It's all Directors Cuts series cues for the WWII in HD show, finally available !


Anonymous2011-06-09 03:18:31
Seems kinda pointless to market this as a soundtrack when its just unrelated library music... but then again it lets fan get their hands on some hard-to-find tracks!

Brad reply Replies: 6 || 2011-06-05 20:21:19
@Hybrid:
Why does Lorne Balfe go under the sur-name Oswin Macintosh for this album? Just curious.


al bundy2011-06-05 20:26:42
that was his name when the track was composed. All these tracks are from the directors cuts album (from extreme music).


Hybrid Soldier2011-06-06 07:50:55
It's just a nickname, nothing more or special with it... ;)


Taaboo2011-06-08 19:34:55
It's actually Oswin Mackintosh with a "k" after the C.

Thanks,

O.M.


Hybrid Soldier2011-06-08 20:21:15
Whatever !

It's just L-O-R-N-E B-A-L-F-E anyway !!! haha :D


Kon2011-06-08 21:15:33
@Hybrid

why does track 15 all the way sound like a transformers track, its like lorne had a big hand in the score beside the additional composer credit?


Adrian2011-06-08 21:20:06
@ Hybrid,

No you should be accurate, dude! :P

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WWII In HD (TV Documentary) soundtrack 2011