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Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>
Wallfisch has shown himself to be a superior composer to XL, let's face it. I do not even see why he's running after Zimmer since he's able to run a career himself.<br><br>@TheZimmerFan <br><br><But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)><br><br><br>The music is less simplistic and may please the purists, but, no, MoS and BvS are better by a small margin than JL by one factor: thematic material and characterization of the movie.  Elfman should have had more freedom to work on the themes he and Williams wrote.<br>It's a half-truth to everyone who makes up the RCP team, unfortunately. <br><br>But I honestly doubt that ANYONE wants to work with XL.<br><br>Snyder worked with him 3 times. 300, BvS and Man of Steel. Sometimes I even get the impression that he's always liked Tom's approach more than Zimmer's approach. See all the percussion and synths of all those scores that are far more present in the Xl field than Zimmer's.Got this today..well not my music type so pass it...Andrew's second solo feature...<br><br><br>Now still waiting for that Sky Hunter release... :(@Hybrid, what happened with Trevor? Why his scores are not listed in the page? Thanks

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Additional MusicAdditional Music
Steve JablonskyClay DuncanJay FloodPieter A. Schlosser
ComposerAdditional MusicAdditional MusicAdditional Music
Friday The 13th (Complete Score)
Label: Unofficial Release
Length: 51'45 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3723 votes)


  1. Opening Titles (3:38)
    Steve Jablonsky
  2. Campfire Story (1:12)
    Steve Jablonsky
  3. Romance On The Bridge (0:36)
    Steve Jablonsky
  4. Not A Porno (0:49)
    Steve Jablonsky
  5. First Kill (1:03)
    Steve Jablonsky
  6. The Locket (1:12)
    Steve Jablonsky
  7. Sleeping Bag (1:58)
    Steve Jablonsky
  8. Campers Finished Off (3:23)
    Steve Jablonsky
  9. Clay's First Stop (0:15)
    Steve Jablonsky, Pieter A. SchlŲsser
  10. Old Lady (0:55)
    Steve Jablonsky
  11. Pot Farmer's Harvest (0:36)
    Steve Jablonsky
  12. Pot Farmer Killed (2:41)
    Steve Jablonsky
  13. Broken GPS (0:30)
    Steve Jablonsky, Pieter A. SchlŲsser
  14. Lakeside Machete (0:41)
    Steve Jablonsky, Pieter A. SchlŲsser
  15. Dock Head Stab (1:03)
    Steve Jablonsky
  16. Jason's Canoes (3:03)
    Steve Jablonsky
  17. Whitney's Alive (2:14)
    Steve Jablonsky
  18. Jason & Whitney Bond (1:04)
    Steve Jablonsky
  19. Calling The Police (0:42)
    Steve Jablonsky, Pieter A. SchlŲsser
  20. Tool Shed Sports (0:58)
    Steve Jablonsky
  21. Chewie Dies (1:49)
    Steve Jablonsky
  22. Lawrence Looks For Chewie (3:17)
    Steve Jablonsky
  23. Lawrence's Death (2:32)
    Steve Jablonsky
  24. Bree, Cop Dead (3:56)
    Steve Jablonsky
  25. Trent Gets A Ride (2:24)
    Steve Jablonsky
  26. Whitney Free - Jenna Killed (2:27)
    Steve Jablonsky
  27. Escape From The Bus (2:07)
    Steve Jablonsky, Jay Flood
  28. Death Of Jason (4:40)
    Steve Jablonsky
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Hybrid Soldier reply Replies: 1 || 2016-07-10 00:13:02
Cuesheet details !

Adam2016-07-10 17:29:00
Thanks Hybrid. Although I don't need to update my set as I found all the cues that Pieter A SchlŲsser did on his site :P

Hybrid Soldier reply Replies: 17 || 2011-05-28 20:35:40
OK guys now you can comment ! Happy ?? :P

Evenstar2011-05-28 23:35:16
Haha, thanks Hybrid.

Epics2011-05-29 00:31:45
For a film of this genre, the score is f'n brilliant! I love Steve Jablonsky's horror works just as much as his big epic orchestral works. "The Amityville Horror" is another brilliant score of this style by him! AMAZING!

Dakota2011-05-29 07:11:14
Ths is easily one of the best horror scores. A perfect 10 for Steve Jablonsky in my book. I love the main theme. I forget where I heard it from, but I remember reading or someone telling me - a good theme is one you can always whistle or hum. Thanks Hybrid!!

Agntdman2011-11-05 04:35:33
Is this really the complete score? I know the movie itself is only around 100 minutes, so I'm just curious. Cause I'm under the impression it's just the commercial score release. I know it was never commercially released, but I think I got the point across. I just like having it labeled correctly in iTunes (complete score, original motion picture score, expanded score) because it irks my OCD. I also ask because the album art says "Original Motion picture Score"

Anonymous2011-11-05 20:14:32
COMMERCIAL CD/RELEASE refers to the (naturally) the official, store-bought CD. In the case of F13th, the commercial CD is a soundtrack album, not a score.

PROMO usually refers to something offered officially as a promotional item - either online, from the composer, their agency. This was offered for free online, as promotion, so technically its a promo.

EXPANDED usually refers to a bootleg thats longer than the commercial CD but not complete.

COMPLETE is self explanatory :)

For a completely unreleased score, I just label it as I would a regular album in iTunes. So my album tag would just read "Name of Movie".

Sooooooo to me, this is a promo. It was widely available for free on the music company's website.

Agntman2011-11-05 21:25:52
I know the difference between a commercial/expanded/promo/complete release. But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

And I'm under the impression it's the commercial score because I was told it was going to be released in stores, or at least on iTunes. That would make it COMMERCIAL. It's commercially available.

A Promo score is a shorter version of an OST's score put together. Here, like this:

h t t p://

Agntdman2011-11-05 21:27:29
And commercial CAN refer to a score. Sherlock Holmes, all 4 Pirates, Transformers 1-3, The Da Vinci Code and Angels & Demons are all RCP scores I have physically purchased at the store, thus making them COMMERCIAL

Papapalpatine772011-11-05 21:53:56
Along with the reel slates and cue numbers, it should look like this:

(I renamed some of my tracks)

1.) 1m01 "Friday the 13th" (Opening Title)
2.) 1m02 Campfire Story
3.) 1m03 Romance Bridge
4.) 1m04 Not a porno
5.) 1m06 Wade Kill / The Voorhees House
6.) 1m07 The Lcoket
7.) 2m09 Sleeping Ke-Bag
8.) 2m10 Chasing Whitney / Campers Finished Off
9.) 2m14 Clay's First Stop
10.) 2m15 Old Lady
11.) 3m20 Pot Farmer's Harvest
12.) 3m21 Barn Kill / The Hockey mask
13.) 3m23 Broken GPS
14.) 3m27 Lakeside Machete
15.) 3m28 Dock Head Stab
16.) 3m29 Jason's Canoes
17.) 3m30 Whitney Alive
18.) 3m30 Jason & Whitney
19.) 4m35 Calling the Police
20.) 4m37 Tool Shed Sports
21.) 4m38 Chewy Dies
22.) 4m40 Lawrence Looks for Chewy
23.) 4m41 Lawrence's Death
24.) 4m42 Curtains for Bree / Cop Dead
25.) 4m43 Trent Gets a Ride
26.) 5m44 Whitney Free / Jenna is Jabbed
27.) 5m45 The Bus
28.) Death of Jason / Say Hi to Mommy

I've never known an Original Score to have the slates and cues, so I'm thinking this is the complete score.

Papapalpatine772011-11-05 21:57:11
Oops. Death of Jason / Say Hi to Mommy should be 5m46. And tracks 9, 13, 14, and 19 are by Pieter A. Schlosser. 5m45 is Steve Jablosnky & Jay Flood

Anonymous2011-11-07 01:48:07
"But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

Thats because its a fan-made cover. Original Score is fine as a title because calling it Complete would imply there was a shorter version before hand.

"A Promo score is a shorter version of an OST's score put together."

WRONG. A promo can be a complete score. The Departed FYC is a promo and its complete. Many promo CDs are complete. Do your research, Dak :)

"I've never known an Original Score to have the slates and cues"

Wtf do you mean? Any recorded score has slates and cues, lol.

//////2011-11-07 04:36:28
I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration.

I think what Agntdman means about the reel and slate numbers are that a lot of times when a complete score and or recording sessions are released the reel and slate numbers are released with them. The Dark Knight and Avatar are 2 that come to mind. But this isn't always the case. Am I right Agntdman?

Anonymous2011-11-07 21:22:56
" I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration."

You cannot disagree with fact. The Departed FYC promo is the complete score, check it yourself cue by cue. Its 50 plus minutes long, which is all the score heard in the film.

Areozz2011-11-07 21:29:10
Are you stupid? The slash guy is making a generalization. You've stated a fact and he's stated a generalization. Both of you are valid.

Stygian2013-02-03 00:22:45
there are a lot of "holes" in the slate #'s. are they filled by VA music?

p.s. it's been awhile since I gave this score a listen, let alone even took the time to view the film. work with me here.

Mr. Charles2013-02-07 01:56:56
It should all fit together. Let me go through it all and I'll post the tracklist with the VA songs, including slates

Stygian2013-02-08 04:41:43
thanks man.

The Dizzy Vizzy2016-07-01 19:26:27
Does anyone know where I can actually BUY this thing? It's NOT on Amazon or anywhere else I've looked.. I've even tried to find it on sites for download but with ZERO LUCK.

Anyone? I own both Killer Cut and the Blu-ray version which also has the theatrical release, but I cannot find the score anywhere.

Many thanks and I hope someone replies... :P© 2001-2017 OST 
Friday The 13th (Complete Score) soundtrack - Steve Jablonsky 2009