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man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?Music is royal and grand and the show is very good. Looking forward to more seasonsGreat score! Lots of fun.
Your Majesty is addictive and could listen to this also day long.Was Theme is last year ?Now, what do you thinnk anout the score?<br><br>There are two things that made me underappreciate the score: first these full credits (upset that perhaps a good track might havenot been written by POwell himself) and the fact that Powell will score Han Solo (expectation that this might be a trial score)<br><br>But,<br><br>"Madrid Finale" is clearly 5 star track, and so many nods to classical era of film score.<br><br>There are 4 themes that i can gather:<br>Ferdinand theme <br>Flower Theme<br>"Caring" theme<br>and "bad guy" theme<br>and all of them are good ( not as powerful as HTTYD though)<br><br>But, i find some action writing to be quite generic ( Anthony B Willis is to blame i guess)<br><br>Suffice to say that this is already a 4 star score because this is as subtle as you can get from hyperactive Powell's animation scoresThis score is BRILLIANT.Just started watching this season and the music is spot on especially the Princess Margaret episode. Gregson-Williams and Balfe have create a great score to this season.more intamint and emotional than before@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)
I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Don’t even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.
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Additional MusicAdditional Music
Steve JablonskyClay DuncanJay FloodPieter A. Schlosser
ComposerAdditional MusicAdditional MusicAdditional Music
Friday The 13th (Complete Score)
Label: Unofficial Release
Length: 51'45
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3586 votes)
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  1. Opening Titles (3:38)
    Steve Jablonsky
  2. Campfire Story (1:12)
    Steve Jablonsky
  3. Romance On The Bridge (0:36)
    Steve Jablonsky
  4. Not A Porno (0:49)
    Steve Jablonsky
  5. First Kill (1:03)
    Steve Jablonsky
  6. The Locket (1:12)
    Steve Jablonsky
  7. Sleeping Bag (1:58)
    Steve Jablonsky
  8. Campers Finished Off (3:23)
    Steve Jablonsky
  9. Clay's First Stop (0:15)
    Steve Jablonsky, Pieter A. Schlösser
  10. Old Lady (0:55)
    Steve Jablonsky
  11. Pot Farmer's Harvest (0:36)
    Steve Jablonsky
  12. Pot Farmer Killed (2:41)
    Steve Jablonsky
  13. Broken GPS (0:30)
    Steve Jablonsky, Pieter A. Schlösser
  14. Lakeside Machete (0:41)
    Steve Jablonsky, Pieter A. Schlösser
  15. Dock Head Stab (1:03)
    Steve Jablonsky
  16. Jason's Canoes (3:03)
    Steve Jablonsky
  17. Whitney's Alive (2:14)
    Steve Jablonsky
  18. Jason & Whitney Bond (1:04)
    Steve Jablonsky
  19. Calling The Police (0:42)
    Steve Jablonsky, Pieter A. Schlösser
  20. Tool Shed Sports (0:58)
    Steve Jablonsky
  21. Chewie Dies (1:49)
    Steve Jablonsky
  22. Lawrence Looks For Chewie (3:17)
    Steve Jablonsky
  23. Lawrence's Death (2:32)
    Steve Jablonsky
  24. Bree, Cop Dead (3:56)
    Steve Jablonsky
  25. Trent Gets A Ride (2:24)
    Steve Jablonsky
  26. Whitney Free - Jenna Killed (2:27)
    Steve Jablonsky
  27. Escape From The Bus (2:07)
    Steve Jablonsky, Jay Flood
  28. Death Of Jason (4:40)
    Steve Jablonsky
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Hybrid Soldier reply Replies: 1 || 2016-07-10 00:13:02
Cuesheet details !


Adam2016-07-10 17:29:00
Thanks Hybrid. Although I don't need to update my set as I found all the cues that Pieter A Schlösser did on his site :P

Hybrid Soldier reply Replies: 17 || 2011-05-28 20:35:40
OK guys now you can comment ! Happy ?? :P


Evenstar2011-05-28 23:35:16
Haha, thanks Hybrid.


Epics2011-05-29 00:31:45
For a film of this genre, the score is f'n brilliant! I love Steve Jablonsky's horror works just as much as his big epic orchestral works. "The Amityville Horror" is another brilliant score of this style by him! AMAZING!


Dakota2011-05-29 07:11:14
Ths is easily one of the best horror scores. A perfect 10 for Steve Jablonsky in my book. I love the main theme. I forget where I heard it from, but I remember reading or someone telling me - a good theme is one you can always whistle or hum. Thanks Hybrid!!


Agntdman2011-11-05 04:35:33
Is this really the complete score? I know the movie itself is only around 100 minutes, so I'm just curious. Cause I'm under the impression it's just the commercial score release. I know it was never commercially released, but I think I got the point across. I just like having it labeled correctly in iTunes (complete score, original motion picture score, expanded score) because it irks my OCD. I also ask because the album art says "Original Motion picture Score"


Anonymous2011-11-05 20:14:32
COMMERCIAL CD/RELEASE refers to the (naturally) the official, store-bought CD. In the case of F13th, the commercial CD is a soundtrack album, not a score.

PROMO usually refers to something offered officially as a promotional item - either online, from the composer, their agency. This was offered for free online, as promotion, so technically its a promo.

EXPANDED usually refers to a bootleg thats longer than the commercial CD but not complete.

COMPLETE is self explanatory :)

For a completely unreleased score, I just label it as I would a regular album in iTunes. So my album tag would just read "Name of Movie".

Sooooooo to me, this is a promo. It was widely available for free on the music company's website.


Agntman2011-11-05 21:25:52
I know the difference between a commercial/expanded/promo/complete release. But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

And I'm under the impression it's the commercial score because I was told it was going to be released in stores, or at least on iTunes. That would make it COMMERCIAL. It's commercially available.

A Promo score is a shorter version of an OST's score put together. Here, like this:

h t t p://www.hans-zimmer.com/index.php?rub=disco&id=714


Agntdman2011-11-05 21:27:29
And commercial CAN refer to a score. Sherlock Holmes, all 4 Pirates, Transformers 1-3, The Da Vinci Code and Angels & Demons are all RCP scores I have physically purchased at the store, thus making them COMMERCIAL


Papapalpatine772011-11-05 21:53:56
Along with the reel slates and cue numbers, it should look like this:

(I renamed some of my tracks)

1.) 1m01 "Friday the 13th" (Opening Title)
2.) 1m02 Campfire Story
3.) 1m03 Romance Bridge
4.) 1m04 Not a porno
5.) 1m06 Wade Kill / The Voorhees House
6.) 1m07 The Lcoket
7.) 2m09 Sleeping Ke-Bag
8.) 2m10 Chasing Whitney / Campers Finished Off
9.) 2m14 Clay's First Stop
10.) 2m15 Old Lady
11.) 3m20 Pot Farmer's Harvest
12.) 3m21 Barn Kill / The Hockey mask
13.) 3m23 Broken GPS
14.) 3m27 Lakeside Machete
15.) 3m28 Dock Head Stab
16.) 3m29 Jason's Canoes
17.) 3m30 Whitney Alive
18.) 3m30 Jason & Whitney
19.) 4m35 Calling the Police
20.) 4m37 Tool Shed Sports
21.) 4m38 Chewy Dies
22.) 4m40 Lawrence Looks for Chewy
23.) 4m41 Lawrence's Death
24.) 4m42 Curtains for Bree / Cop Dead
25.) 4m43 Trent Gets a Ride
26.) 5m44 Whitney Free / Jenna is Jabbed
27.) 5m45 The Bus
28.) Death of Jason / Say Hi to Mommy

I've never known an Original Score to have the slates and cues, so I'm thinking this is the complete score.


Papapalpatine772011-11-05 21:57:11
Oops. Death of Jason / Say Hi to Mommy should be 5m46. And tracks 9, 13, 14, and 19 are by Pieter A. Schlosser. 5m45 is Steve Jablosnky & Jay Flood


Anonymous2011-11-07 01:48:07
"But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

Thats because its a fan-made cover. Original Score is fine as a title because calling it Complete would imply there was a shorter version before hand.

"A Promo score is a shorter version of an OST's score put together."

WRONG. A promo can be a complete score. The Departed FYC is a promo and its complete. Many promo CDs are complete. Do your research, Dak :)

"I've never known an Original Score to have the slates and cues"

Wtf do you mean? Any recorded score has slates and cues, lol.


//////2011-11-07 04:36:28
I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration.

I think what Agntdman means about the reel and slate numbers are that a lot of times when a complete score and or recording sessions are released the reel and slate numbers are released with them. The Dark Knight and Avatar are 2 that come to mind. But this isn't always the case. Am I right Agntdman?


Anonymous2011-11-07 21:22:56
" I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration."

You cannot disagree with fact. The Departed FYC promo is the complete score, check it yourself cue by cue. Its 50 plus minutes long, which is all the score heard in the film.


Areozz2011-11-07 21:29:10
Are you stupid? The slash guy is making a generalization. You've stated a fact and he's stated a generalization. Both of you are valid.


Stygian2013-02-03 00:22:45
there are a lot of "holes" in the slate #'s. are they filled by VA music?

p.s. it's been awhile since I gave this score a listen, let alone even took the time to view the film. work with me here.


Mr. Charles2013-02-07 01:56:56
It should all fit together. Let me go through it all and I'll post the tracklist with the VA songs, including slates


Stygian2013-02-08 04:41:43
thanks man.


The Dizzy Vizzy2016-07-01 19:26:27
Does anyone know where I can actually BUY this thing? It's NOT on Amazon or anywhere else I've looked.. I've even tried to find it on sites for download but with ZERO LUCK.

Anyone? I own both Killer Cut and the Blu-ray version which also has the theatrical release, but I cannot find the score anywhere.

Many thanks and I hope someone replies... :P

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Friday The 13th (Complete Score) soundtrack - Steve Jablonsky 2009