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Oh my god. It's time to put an end to this. There is NO timeline as to when complete scores are leaked. They leak when the person in possession of them feels like leaking them. TF4 was November of 2014 because that's when the files were uploaded to Paramount's guilds/FYC site for academy members to listen to. Same with interstellar. It has absolutely nothing to do with time. I have some scores that haven't leaked yet. And I'm not going to. Why? Because I was asked not to. Not because I feel the time is right. K? Glad we cleared that up.Does anyone remember around when the TF2 and TF3 complete scores were leaked? I know TF4's was around November 2014, I figured that might give an idea of when TF5's will get out.hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.
Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the posts
This is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?
I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.
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Additional MusicAdditional Music
Steve JablonskyClay DuncanJay FloodPieter A. Schlosser
ComposerAdditional MusicAdditional MusicAdditional Music
Friday The 13th (Complete Score)
Label: Unofficial Release
Length: 51'45
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3524 votes)
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  1. Opening Titles (3:38)
    Steve Jablonsky
  2. Campfire Story (1:12)
    Steve Jablonsky
  3. Romance On The Bridge (0:36)
    Steve Jablonsky
  4. Not A Porno (0:49)
    Steve Jablonsky
  5. First Kill (1:03)
    Steve Jablonsky
  6. The Locket (1:12)
    Steve Jablonsky
  7. Sleeping Bag (1:58)
    Steve Jablonsky
  8. Campers Finished Off (3:23)
    Steve Jablonsky
  9. Clay's First Stop (0:15)
    Steve Jablonsky, Pieter A. SchlŲsser
  10. Old Lady (0:55)
    Steve Jablonsky
  11. Pot Farmer's Harvest (0:36)
    Steve Jablonsky
  12. Pot Farmer Killed (2:41)
    Steve Jablonsky
  13. Broken GPS (0:30)
    Steve Jablonsky, Pieter A. SchlŲsser
  14. Lakeside Machete (0:41)
    Steve Jablonsky, Pieter A. SchlŲsser
  15. Dock Head Stab (1:03)
    Steve Jablonsky
  16. Jason's Canoes (3:03)
    Steve Jablonsky
  17. Whitney's Alive (2:14)
    Steve Jablonsky
  18. Jason & Whitney Bond (1:04)
    Steve Jablonsky
  19. Calling The Police (0:42)
    Steve Jablonsky, Pieter A. SchlŲsser
  20. Tool Shed Sports (0:58)
    Steve Jablonsky
  21. Chewie Dies (1:49)
    Steve Jablonsky
  22. Lawrence Looks For Chewie (3:17)
    Steve Jablonsky
  23. Lawrence's Death (2:32)
    Steve Jablonsky
  24. Bree, Cop Dead (3:56)
    Steve Jablonsky
  25. Trent Gets A Ride (2:24)
    Steve Jablonsky
  26. Whitney Free - Jenna Killed (2:27)
    Steve Jablonsky
  27. Escape From The Bus (2:07)
    Steve Jablonsky, Jay Flood
  28. Death Of Jason (4:40)
    Steve Jablonsky
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Hybrid Soldier reply Replies: 1 || 2016-07-10 00:13:02
Cuesheet details !


Adam2016-07-10 17:29:00
Thanks Hybrid. Although I don't need to update my set as I found all the cues that Pieter A SchlŲsser did on his site :P

Hybrid Soldier reply Replies: 17 || 2011-05-28 20:35:40
OK guys now you can comment ! Happy ?? :P


Evenstar2011-05-28 23:35:16
Haha, thanks Hybrid.


Epics2011-05-29 00:31:45
For a film of this genre, the score is f'n brilliant! I love Steve Jablonsky's horror works just as much as his big epic orchestral works. "The Amityville Horror" is another brilliant score of this style by him! AMAZING!


Dakota2011-05-29 07:11:14
Ths is easily one of the best horror scores. A perfect 10 for Steve Jablonsky in my book. I love the main theme. I forget where I heard it from, but I remember reading or someone telling me - a good theme is one you can always whistle or hum. Thanks Hybrid!!


Agntdman2011-11-05 04:35:33
Is this really the complete score? I know the movie itself is only around 100 minutes, so I'm just curious. Cause I'm under the impression it's just the commercial score release. I know it was never commercially released, but I think I got the point across. I just like having it labeled correctly in iTunes (complete score, original motion picture score, expanded score) because it irks my OCD. I also ask because the album art says "Original Motion picture Score"


Anonymous2011-11-05 20:14:32
COMMERCIAL CD/RELEASE refers to the (naturally) the official, store-bought CD. In the case of F13th, the commercial CD is a soundtrack album, not a score.

PROMO usually refers to something offered officially as a promotional item - either online, from the composer, their agency. This was offered for free online, as promotion, so technically its a promo.

EXPANDED usually refers to a bootleg thats longer than the commercial CD but not complete.

COMPLETE is self explanatory :)

For a completely unreleased score, I just label it as I would a regular album in iTunes. So my album tag would just read "Name of Movie".

Sooooooo to me, this is a promo. It was widely available for free on the music company's website.


Agntman2011-11-05 21:25:52
I know the difference between a commercial/expanded/promo/complete release. But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

And I'm under the impression it's the commercial score because I was told it was going to be released in stores, or at least on iTunes. That would make it COMMERCIAL. It's commercially available.

A Promo score is a shorter version of an OST's score put together. Here, like this:

h t t p://www.hans-zimmer.com/index.php?rub=disco&id=714


Agntdman2011-11-05 21:27:29
And commercial CAN refer to a score. Sherlock Holmes, all 4 Pirates, Transformers 1-3, The Da Vinci Code and Angels & Demons are all RCP scores I have physically purchased at the store, thus making them COMMERCIAL


Papapalpatine772011-11-05 21:53:56
Along with the reel slates and cue numbers, it should look like this:

(I renamed some of my tracks)

1.) 1m01 "Friday the 13th" (Opening Title)
2.) 1m02 Campfire Story
3.) 1m03 Romance Bridge
4.) 1m04 Not a porno
5.) 1m06 Wade Kill / The Voorhees House
6.) 1m07 The Lcoket
7.) 2m09 Sleeping Ke-Bag
8.) 2m10 Chasing Whitney / Campers Finished Off
9.) 2m14 Clay's First Stop
10.) 2m15 Old Lady
11.) 3m20 Pot Farmer's Harvest
12.) 3m21 Barn Kill / The Hockey mask
13.) 3m23 Broken GPS
14.) 3m27 Lakeside Machete
15.) 3m28 Dock Head Stab
16.) 3m29 Jason's Canoes
17.) 3m30 Whitney Alive
18.) 3m30 Jason & Whitney
19.) 4m35 Calling the Police
20.) 4m37 Tool Shed Sports
21.) 4m38 Chewy Dies
22.) 4m40 Lawrence Looks for Chewy
23.) 4m41 Lawrence's Death
24.) 4m42 Curtains for Bree / Cop Dead
25.) 4m43 Trent Gets a Ride
26.) 5m44 Whitney Free / Jenna is Jabbed
27.) 5m45 The Bus
28.) Death of Jason / Say Hi to Mommy

I've never known an Original Score to have the slates and cues, so I'm thinking this is the complete score.


Papapalpatine772011-11-05 21:57:11
Oops. Death of Jason / Say Hi to Mommy should be 5m46. And tracks 9, 13, 14, and 19 are by Pieter A. Schlosser. 5m45 is Steve Jablosnky & Jay Flood


Anonymous2011-11-07 01:48:07
"But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

Thats because its a fan-made cover. Original Score is fine as a title because calling it Complete would imply there was a shorter version before hand.

"A Promo score is a shorter version of an OST's score put together."

WRONG. A promo can be a complete score. The Departed FYC is a promo and its complete. Many promo CDs are complete. Do your research, Dak :)

"I've never known an Original Score to have the slates and cues"

Wtf do you mean? Any recorded score has slates and cues, lol.


//////2011-11-07 04:36:28
I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration.

I think what Agntdman means about the reel and slate numbers are that a lot of times when a complete score and or recording sessions are released the reel and slate numbers are released with them. The Dark Knight and Avatar are 2 that come to mind. But this isn't always the case. Am I right Agntdman?


Anonymous2011-11-07 21:22:56
" I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration."

You cannot disagree with fact. The Departed FYC promo is the complete score, check it yourself cue by cue. Its 50 plus minutes long, which is all the score heard in the film.


Areozz2011-11-07 21:29:10
Are you stupid? The slash guy is making a generalization. You've stated a fact and he's stated a generalization. Both of you are valid.


Stygian2013-02-03 00:22:45
there are a lot of "holes" in the slate #'s. are they filled by VA music?

p.s. it's been awhile since I gave this score a listen, let alone even took the time to view the film. work with me here.


Mr. Charles2013-02-07 01:56:56
It should all fit together. Let me go through it all and I'll post the tracklist with the VA songs, including slates


Stygian2013-02-08 04:41:43
thanks man.


The Dizzy Vizzy2016-07-01 19:26:27
Does anyone know where I can actually BUY this thing? It's NOT on Amazon or anywhere else I've looked.. I've even tried to find it on sites for download but with ZERO LUCK.

Anyone? I own both Killer Cut and the Blu-ray version which also has the theatrical release, but I cannot find the score anywhere.

Many thanks and I hope someone replies... :P

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Friday The 13th (Complete Score) soundtrack - Steve Jablonsky 2009