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Is it just me or does the “Catwoman” riff (not the main theme) in “Bar Shootout” and “Nothing Out There” sound very much like the main Scarface theme?<br><br>I’ve also noticed that Hans sometimes will write a main tune and a series of riffs for a character, but will mainly incorporate the smaller motifs in the film (Angelica’s music from OST, Megamind’s main tune, Catwoman, etc.) Definitely not a problem though, I like the variety.<br><br>Look at the evolution of Batman’s theme from Begins, where he had the 2-note motif and the actual theme, to here where it’s just the 2 notes and the chord theme. I wonder if that was Chris Nolan’s decision.John Powell answered in Facebook there is still 45 minutes of music outside from the CD.Yep, he knows how to do BIG and small moments. He's so versatile. I'm praying rian johnson uses him for his new trilogyThank you! Glad you enjoyed it.If there is one who can replace John Williams on Star Wars than is it John Powell!!<br><br>Great Job!!
It sounds great ! I think I will listen to the CD after the hamburg concert, to keep the surprise, because they will play some cues there ! <br><br>Are some french JP fans going to Hamburg next week ? It would be great to have a beer and talk about film music !Dear Mr. Zimmer (or those interested), <br><br>  Over the years I have always enjoyed some of the higher-intensity compositions you have produced and made a point of putting my money where my mouth is and actually buying the soundtracks - money well spent. I've used specific songs of your's to get through moments of fatigue at work and also to prepare (silly as it may sound) for sporting events, even working out or running. I found them better than any rock or even electronic-type energetic music, until such a point, naturally, that I'd listened to them too many times and the magic wore off. Some of your songs rise to a crescendo that sometimes are powerful but perhaps lost on those who are unfamiliar with the corresponding movie scene ("Flight" from Man of Steel, it rises gradually but the concept you capture is magnificent, "Time" from Inception as well comes to mind). Some are obviously and undeniably potent like "A Dog Chasing Cars" or, going way back to when I learned of your work, "The Battle" from Gladiator which reminded me of "Mars, the Bringer of War", -- or even the latest "Sea Wall".<br><br>  Admittedly this is odd but I can't help but wonder if despite all the solicitations you must receive it seemed to me I might as well send the following two-fold feedback: in the same way I was pleased to learn that Daft Punk was handling the soundtrack for the modern remake of TRON (and what a fine job they did) I was also heartened to find that you were handling the soundtrack for Blade Runner 2049. It seemed a good sign to me at the time and I knew I would buy a ticket at that point. That was a movie (BR2049) I was worried they would BOTCH much in the same way they completely did whatever it was they did with remake of Total Recall (in which they completely stripped it of its cerebral essence and made it a very long chase-scene). <br><br>  All of this is to express some appreciation and also plug an obscure pianist from Montreal who has been on the CBC and all that, who, when I spoke to him after a show and compared some of his energetic imaginative work (Nostos comes to mind, and damn he hit 99% of those complex piano notes) to your's he admitted it was a dream of his to work with you under any capacity. Of course I suspect nothing will come of this but either way I think it harmless to tip my hat your way as a long-time fan who has utilized your music for motivation many, many, many times and also note that on my esoteric playlists five or six came from you and one or two came from him (Nostos, Il, Hypoctite)<br><br> Lastly, it should be noted for the historians that one time Jean-Michel Blais saved us Canadians (if you do the collective math based on viewership) a great deal of time and intellectual agony. Chevy was running commercials during the NHL playoffs (last year, not the the latest Washington Capitals win) in which an irritating scenario of "real people" were supposed to judge cars/trucks that popped out from behind sliding doors or lifted from basements (aircraft-carrier-style), and the poor fools/actors/allegedly "real people" had to say something nice about it all. It was such garbage. How splendid, how refreshing, then, that they ran a good commercial with someone just winding corners and enjoying driving the damn car to the music, which I recognized as JMB's "Hypocrite". He saved the society a good 10k hours of perniciousness.<br><br>Whew! That's all from me. Love the music, keep it up. Please give JMB a shot I think you'll find his attitude/ethic/skills refreshing. Regardless of that at least it was worthwhile of me to express my appreciation for ten years of masterful original music on your part anyway.Separate question:<br><br>Is Toby Chu part of RCP? I think he had some connections at least right?Why wouldn't Hans go all-out for something that's going to be viewed on this scale? I mean, how hard is it to compose 45 seconds of compelling, original music when you've worked on innumerable 2+ hour films?Woah, Hans actually did good work on this; it's admittedly a bit anonymous-sounding, but the combination of percussion, strings, and choir works in a way that's reminiscent of Angels & Demons (oh, those were the days...).
John just precised this point, i was just too impatient ;)Hubris: Choral Works by John Powell is now available to stream worldwide on all digital platforms! &#128526;<br><br>Also available to download in 192k/24bit high-resolution from johnpowellmusic .com<br>CDs on https ://bit.ly/2lcQ5Ig :) and coming soon to Amazon and other retailers!<br><br>Thank you, everyone, who was a part of this record!<br>Enjoy &#127926;&#127930;Mega cool :) Wann wird dieser Remix released? :)This would be really nice that as the release is only available for download, we had the choice to download it in a better quality than the CD itself. We have no material piece in the  hands, at least we would like to have such a contentment. I do have no action in Qobuz, but that should be a mandatory place for a download only music, for music lovers who like pure instrumental music. ;)<br>I'll be waiting for it !This album is absolutley wonderful!. I loved every second of it. I adore choirs in film music and an album like this is a very welcome treat!<br><br>Great job, Mr. Powell<br>10/10
Absolutely delightful score. Loved it.Where can we buy this "complete score"?What a wonderful soundtrack, I can not stop listening either. When I get home after work, Interstellar is the best soundtrack to listen to in the quiet of dawn. It's to get in touch with the Cosmos. Congratulations Hans Zimmer.from like.....4 years ago?I’m surprised nobody is talking about the expanded score that has leaked...!
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Additional MusicAdditional Music
Steve JablonskyClay DuncanJay FloodPieter A. Schlosser
ComposerAdditional MusicAdditional MusicAdditional Music
Friday The 13th (Complete Score)
Label: Unofficial Release
Length: 51'45
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3841 votes)
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  1. Opening Titles (3:38)
    Steve Jablonsky
  2. Campfire Story (1:12)
    Steve Jablonsky
  3. Romance On The Bridge (0:36)
    Steve Jablonsky
  4. Not A Porno (0:49)
    Steve Jablonsky
  5. First Kill (1:03)
    Steve Jablonsky
  6. The Locket (1:12)
    Steve Jablonsky
  7. Sleeping Bag (1:58)
    Steve Jablonsky
  8. Campers Finished Off (3:23)
    Steve Jablonsky
  9. Clay's First Stop (0:15)
    Steve Jablonsky, Pieter A. Schlösser
  10. Old Lady (0:55)
    Steve Jablonsky
  11. Pot Farmer's Harvest (0:36)
    Steve Jablonsky
  12. Pot Farmer Killed (2:41)
    Steve Jablonsky
  13. Broken GPS (0:30)
    Steve Jablonsky, Pieter A. Schlösser
  14. Lakeside Machete (0:41)
    Steve Jablonsky, Pieter A. Schlösser
  15. Dock Head Stab (1:03)
    Steve Jablonsky
  16. Jason's Canoes (3:03)
    Steve Jablonsky
  17. Whitney's Alive (2:14)
    Steve Jablonsky
  18. Jason & Whitney Bond (1:04)
    Steve Jablonsky
  19. Calling The Police (0:42)
    Steve Jablonsky, Pieter A. Schlösser
  20. Tool Shed Sports (0:58)
    Steve Jablonsky
  21. Chewie Dies (1:49)
    Steve Jablonsky
  22. Lawrence Looks For Chewie (3:17)
    Steve Jablonsky
  23. Lawrence's Death (2:32)
    Steve Jablonsky
  24. Bree, Cop Dead (3:56)
    Steve Jablonsky
  25. Trent Gets A Ride (2:24)
    Steve Jablonsky
  26. Whitney Free - Jenna Killed (2:27)
    Steve Jablonsky
  27. Escape From The Bus (2:07)
    Steve Jablonsky, Jay Flood
  28. Death Of Jason (4:40)
    Steve Jablonsky
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Hybrid Soldier reply Replies: 1 || 2016-07-10 00:13:02
Cuesheet details !


Adam2016-07-10 17:29:00
Thanks Hybrid. Although I don't need to update my set as I found all the cues that Pieter A Schlösser did on his site :P

Hybrid Soldier reply Replies: 17 || 2011-05-28 20:35:40
OK guys now you can comment ! Happy ?? :P


Evenstar2011-05-28 23:35:16
Haha, thanks Hybrid.


Epics2011-05-29 00:31:45
For a film of this genre, the score is f'n brilliant! I love Steve Jablonsky's horror works just as much as his big epic orchestral works. "The Amityville Horror" is another brilliant score of this style by him! AMAZING!


Dakota2011-05-29 07:11:14
Ths is easily one of the best horror scores. A perfect 10 for Steve Jablonsky in my book. I love the main theme. I forget where I heard it from, but I remember reading or someone telling me - a good theme is one you can always whistle or hum. Thanks Hybrid!!


Agntdman2011-11-05 04:35:33
Is this really the complete score? I know the movie itself is only around 100 minutes, so I'm just curious. Cause I'm under the impression it's just the commercial score release. I know it was never commercially released, but I think I got the point across. I just like having it labeled correctly in iTunes (complete score, original motion picture score, expanded score) because it irks my OCD. I also ask because the album art says "Original Motion picture Score"


Anonymous2011-11-05 20:14:32
COMMERCIAL CD/RELEASE refers to the (naturally) the official, store-bought CD. In the case of F13th, the commercial CD is a soundtrack album, not a score.

PROMO usually refers to something offered officially as a promotional item - either online, from the composer, their agency. This was offered for free online, as promotion, so technically its a promo.

EXPANDED usually refers to a bootleg thats longer than the commercial CD but not complete.

COMPLETE is self explanatory :)

For a completely unreleased score, I just label it as I would a regular album in iTunes. So my album tag would just read "Name of Movie".

Sooooooo to me, this is a promo. It was widely available for free on the music company's website.


Agntman2011-11-05 21:25:52
I know the difference between a commercial/expanded/promo/complete release. But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

And I'm under the impression it's the commercial score because I was told it was going to be released in stores, or at least on iTunes. That would make it COMMERCIAL. It's commercially available.

A Promo score is a shorter version of an OST's score put together. Here, like this:

h t t p://www.hans-zimmer.com/index.php?rub=disco&id=714


Agntdman2011-11-05 21:27:29
And commercial CAN refer to a score. Sherlock Holmes, all 4 Pirates, Transformers 1-3, The Da Vinci Code and Angels & Demons are all RCP scores I have physically purchased at the store, thus making them COMMERCIAL


Papapalpatine772011-11-05 21:53:56
Along with the reel slates and cue numbers, it should look like this:

(I renamed some of my tracks)

1.) 1m01 "Friday the 13th" (Opening Title)
2.) 1m02 Campfire Story
3.) 1m03 Romance Bridge
4.) 1m04 Not a porno
5.) 1m06 Wade Kill / The Voorhees House
6.) 1m07 The Lcoket
7.) 2m09 Sleeping Ke-Bag
8.) 2m10 Chasing Whitney / Campers Finished Off
9.) 2m14 Clay's First Stop
10.) 2m15 Old Lady
11.) 3m20 Pot Farmer's Harvest
12.) 3m21 Barn Kill / The Hockey mask
13.) 3m23 Broken GPS
14.) 3m27 Lakeside Machete
15.) 3m28 Dock Head Stab
16.) 3m29 Jason's Canoes
17.) 3m30 Whitney Alive
18.) 3m30 Jason & Whitney
19.) 4m35 Calling the Police
20.) 4m37 Tool Shed Sports
21.) 4m38 Chewy Dies
22.) 4m40 Lawrence Looks for Chewy
23.) 4m41 Lawrence's Death
24.) 4m42 Curtains for Bree / Cop Dead
25.) 4m43 Trent Gets a Ride
26.) 5m44 Whitney Free / Jenna is Jabbed
27.) 5m45 The Bus
28.) Death of Jason / Say Hi to Mommy

I've never known an Original Score to have the slates and cues, so I'm thinking this is the complete score.


Papapalpatine772011-11-05 21:57:11
Oops. Death of Jason / Say Hi to Mommy should be 5m46. And tracks 9, 13, 14, and 19 are by Pieter A. Schlosser. 5m45 is Steve Jablosnky & Jay Flood


Anonymous2011-11-07 01:48:07
"But this one states "Original Motion Picture Score" on the album artwork, where as the site lists it as "Complete Score"

Thats because its a fan-made cover. Original Score is fine as a title because calling it Complete would imply there was a shorter version before hand.

"A Promo score is a shorter version of an OST's score put together."

WRONG. A promo can be a complete score. The Departed FYC is a promo and its complete. Many promo CDs are complete. Do your research, Dak :)

"I've never known an Original Score to have the slates and cues"

Wtf do you mean? Any recorded score has slates and cues, lol.


//////2011-11-07 04:36:28
I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration.

I think what Agntdman means about the reel and slate numbers are that a lot of times when a complete score and or recording sessions are released the reel and slate numbers are released with them. The Dark Knight and Avatar are 2 that come to mind. But this isn't always the case. Am I right Agntdman?


Anonymous2011-11-07 21:22:56
" I disagree with you about an FYC promo being complete. They're all selections from the original score (mostly the key tracks) of the film put together for consideration."

You cannot disagree with fact. The Departed FYC promo is the complete score, check it yourself cue by cue. Its 50 plus minutes long, which is all the score heard in the film.


Areozz2011-11-07 21:29:10
Are you stupid? The slash guy is making a generalization. You've stated a fact and he's stated a generalization. Both of you are valid.


Stygian2013-02-03 00:22:45
there are a lot of "holes" in the slate #'s. are they filled by VA music?

p.s. it's been awhile since I gave this score a listen, let alone even took the time to view the film. work with me here.


Mr. Charles2013-02-07 01:56:56
It should all fit together. Let me go through it all and I'll post the tracklist with the VA songs, including slates


Stygian2013-02-08 04:41:43
thanks man.


The Dizzy Vizzy2016-07-01 19:26:27
Does anyone know where I can actually BUY this thing? It's NOT on Amazon or anywhere else I've looked.. I've even tried to find it on sites for download but with ZERO LUCK.

Anyone? I own both Killer Cut and the Blu-ray version which also has the theatrical release, but I cannot find the score anywhere.

Many thanks and I hope someone replies... :P

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Friday The 13th (Complete Score) soundtrack - Steve Jablonsky 2009