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Whedon has his particular tastes which are guaranteed to be more sensible than 'Anonymous' below. This was a case where Snyder was facing an uphill struggle and a personal tragedy. He left the project. Josh came on board and he does not think highly of the RCP school, as anyone with a sensible ear will do. So he hired Elfman who did Age of Ultron for him after Tyler copy-pasted himself too much. It's ironic that fanboys here lambast Elfman for not being Zimmer enough in scope while Tyler does whatever he does, sounding EXACTLY the same on all projects. <br><br>But it's also heartening to see that all of the good RCP composers like Jackman, Junk, Balfe are now going for scores that sound a lot like 1990s or 2000s - Silvestri (Jumanji), Jones (Alita), or Shore (Dark Materials), respectively.Did Holkenborg finish his score and have time to record it? Is there an actual score? It seems to me he got jettisoned early in the process when Whedon came on board. It would be surprising if he had time to record an actual score with players and an orchestra.I can't decide whether or not some of the things I want to hear from him should be in his new show or a new World of Hans Zimmer show.@Ds Omar is saying that this was the direction Tom went with / what the score sounded like not that he was fired because he didnít deliver the sound heís known for :) <br>Of course he was replaced after Snyder left the project. <br><br>And yeah citation is needed.Desperately hoping we'll hear something from Dune. He's said himself how excited he is to finally work on music for a Dune movie and turned down Nolan for it, and it will be out a few months before these shows begin.
The FYC came out for this. Unfortunately, it's missing two entire tracks from the film. An extended "Busy, Busy Berk", and the film version of "Furies Captured" (which at least had a YouTube upload of the alternate version). <br><br>Guess we'll have to hope for a complete/recording sessions leak for everything else.Will he come to Sthlm / Gothenburg sweden???https://www.  axs.com/why-we-need-a-chicago-med-soundtrack-album-in-our-li ves-112620<br><br>Why they never release this?!....Omar: Well tried, but Junkie XL was replaced after Snyder was fired and Whedon came in.<br>And just in case Snyder actually wanted another sound, he would just have told Junkie at the beginning instead of firing him after he departed himself :-pCitation needed
Zimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know thatís not always reliable, but that would be awesome if he was involved. Iíve missed the ďfunĒ side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You arenít serious.I hope this one will leak very soon! A lot of great music that isnt released
Hybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.
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Additional MusicAdditional Music Arranger
Hans ZimmerLorne BalfeAndrew KawczynskiJacob Shea
ComposerComposerAdditional MusicAdditional Arrangements
Crysis 2 (VG) (Digital Volume 1)
Label: E.A.R.S. (Digital Download Only)
Length: 36'24
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6339 votes)
  1. Crysis 2 Intro (3:10)
    Hans Zimmer, Lorne Balfe
  2. Insertion (3:30)
    Hans Zimmer, Lorne Balfe
  3. Battery Park (2:45)
    Borislav Slavov
  4. New York Aftermath (2:46)
    Borislav Slavov
  5. No Escape (2:33)
    Tilman Sillescu
  6. Close Encounter (2:02)
    Tilman Sillescu
  7. SOS New York (2:06)
    Borislav Slavov
  8. Chase (2:27)
    Borislav Slavov
  9. Under Assault (2:01)
    Tilman Sillescu
  10. Crynet Shoot Him Down! (2:09)
    Borislav Slavov
  11. Sneak And Shoot (3:46)
    Borislav Slavov
  12. One Way In (1:23)
    Borislav Slavov
  13. Gate Keepers (2:20)
    Borislav Slavov
  14. Rampage (1:56)
    Tilman Sillescu
  15. Invaders (1:30)
    Hans Zimmer, Lorne Balfe
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Bondo reply Replies: 0 || 2011-04-13 00:00:00
I'm really digging the Zimmer (and Balfe?) tracks, it really sounds like a twisted version of INCEPTION. Hopefully more of the Zimmer/Balfe music will be on the Lalaland version...

Tim reply Replies: 0 || 2011-04-13 00:00:00
Well, I guess there isn't signaficantly more Hans/Lorne at all...

Anonymous reply Replies: 0 || 2011-03-29 00:00:00
Outstanding score, filling the air of the game with energy, suspans, thrill. Hans is a Genius!

Hybrid Soldier reply Replies: 0 || 2011-03-20 00:00:00
I added this digital version too, but I'm definitely looking for the La-La Land version... ;)

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Prott reply Replies: 0 || 2011-03-20 00:00:00
Yeah, me too... from what I saw there`s really more than 5 minutes of Zimmer`s (RCP-made) music in the game. :-)

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Crysis 2 (VG) (Digital Volume 1) soundtrack - Hans Zimmer - Lorne Balfe 2011