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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Conductor
Steve JablonskyClay DuncanNick Glennie-SmithSuzette Moriarty
ComposerAmbient Music DesignConductorOrchestrator
Your Highness
Label: Varese Sarabande
Length: 60'13
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (14599 votes)
  1. Let Us Quest! (4:29)
  2. Isabel The Strong (4:30)
  3. Goodbye My Tinys (2:53)
  4. Best Man (1:26)
  5. The Greatest Most Beautifullest Love Song In All The Land (1:33)
  6. The Virgin Is Plucked (3:04)
  7. Not In My Castle (1:43)
  8. Leezar's Date, Belladonna's Hate (1:21)
  9. Playful Secrets! (1:52)
  10. Mean Knights And Horsies O' My! (3:16)
  11. Here Come The Marteetee (2:27)
  12. A Fistful Of Snakes (1:47)
  13. Isabel Thrashes (2:36)
  14. Muldiss Darton, City Of Lore (1:39)
  15. The Same Betrayal As Before (0:59)
  16. Labyrinths And Humps (5:21)
  17. Kill-Trophy And The Warrior's Birth (1:45)
  18. The Effening (1:02)
  19. Tis I, Thadeous The Hero (1:57)
  20. Heroes Unite (1:05)
  21. Orgy Of Violence (6:35)
  22. 'Til We Meet Again (1:50)
  23. Way Of The Warriors (1:11)
  24. Thadeous (3:52)
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Joshua reply Replies: 0 || 2015-08-10 07:05:52
Man, the all synth version of the themes for the end credits of this film is fantastic. Almost wish they would have used those instead. Wish they would have included an end credits suite with those versions on the album.

Geofcraze634 reply Replies: 0 || 2014-02-02 06:11:54
Some soundtracks like Kill-Throphy And The Warrior's Birth imagines that I'm playing Age of Empires 2: The Age of Kings... Awesome soundtrack, Steve Jablonsky

Evenstar reply Replies: 4 || 2012-03-07 23:00:20
Varese Sarabande will release "Battleship" on 05/08/12.


Adrian2012-03-08 02:07:48
As in May or August?


Areozz2012-03-08 02:48:34
....Well, when is the movie coming out? It's May 8, not August 5.


Ds2012-03-08 15:37:59
The movie comes on april 11th in Europe, i hope there will be a digital release at the same time!


T-Mann0362012-03-08 17:24:06
Next two months-- This I gotta listen to!

Stevie reply Replies: 0 || 2011-07-25 09:58:15
That's way the besstet answer so far!

Dakota reply Replies: 2 || 2011-04-17 00:00:00
I freaking love Steve's take on the Universal theme. It is so good.


T-Mann0362011-04-29 15:34:19
I love Steve's Universal logo theme as well, Dakota!!!!!


Phil2011-07-15 17:19:54
simply nice score... :)
well, done by Jablonsky ;)

T-Mann036 reply Replies: 1 || 2011-04-29 01:49:20
I'm looking forward to Steve's next film score-- Transformers 3!!!!!


Dakota2011-04-29 02:06:00
F yeah man, it's gonna be epic!!!

T-Mann036 reply Replies: 0 || 2011-04-24 17:23:35
I'm having problems with the Your Highness complete score. In track 7 "Angry Boremont", it was corrupted. Either it's from the burned CD or otherwise, I think. If anyone has the original source, please let me know.

OKKU reply Replies: 0 || 2011-04-24 10:42:37
Heroes Unite is not bad.

Evenstar reply Replies: 0 || 2011-04-19 00:00:00
Linkin Park & Jablonsky about Transformers 3 (+Video Interview with Jablonsky!)
comingsoon.net/news/movienews.php?id=76623#ixzz1Jz6aWgkL

Anonymous reply Replies: 0 || 2011-04-17 00:00:00
THIS IS THE TRACKLIST OF THE COMPLETE SCORE:
1.- Universal Logo (Steve Jablonsky Version)
2.- Prologue / Maiden Saved
3.- Thadeous and Dwarfs
4.- Run From Dwarfs
5.- Introducing Belladonna
6.- Best Man
7.- Angry Boremont
8.- The Greatest Quest
9.- Leezar Kidnaps Belladonna
10.- The King's Decree
11.- Leezar's Trick
12.- Belladonna's Fate
13.- Thadeous & Courtney Wake Up
14.- Thadeous Falls Down Steps
15.- Wizard's Lair
16.- Wizard Foretells Quest
17.- Camp Action
18.- Eat Heart
19.- Brothers In Tent
20.- Julie Captured
21.- Julie & Boremont Alliance
22.- Carriage Chase
23.- Leezar's Dinner
24.- Tracking The Knights
25.- Fabious Tells of Love for Belladonna
26.- Girl Lures Thadeous
27.- Captured by White People
28.- Marteetee
29.- Snake Fist Attack
30.- Snake Fist & Isabel
31.- Meeting Isabel
32.- Fabious and Courtney
33.- Leezar Snorts Fairies
34.- Travel to Muldiss Darton
35.- Knights Attack Fabious
36.- Tavern Fighting - Part 1
37.- Tavern Fighting - Part 2
38.- Courney Has Compass
39.- Work Together
40.- Labyrinth
41.- Minotaur Penis Trophy
42.- Fabious Torture
43.- Mothers Prepare Belladonna
44.- Fabious Rescued
45.- Warriors Unite
46.- Heroes Battle Leezar
47.- Isabel and Thadeous
48.- Heroes Return
49.- Isabel Returns

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
To the anonymous person who've posted the complete score tracklist... THANKS FOR EVERYTHING!!!!! We needed that.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
Wow the Complete Score is 1hours and 13 minutes long.
pff the score release 1 hours.
we all die 13min not on cd
13 minutes is a joke!!! buy the score release and not the illegal download bullshit!

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
@ /&/

Quit being such a hater. Just because the additional 13 minutes wasn't in the official soundtrack doesn't mean you'll have to whine and complaint about it. And besides, the additional 13 minutes isn't a joke... it is 100% real and legit.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
T-Mann036
13 minutes!!!!

Its been so boring! for 13 minutes, the cry begin. one hour film score in a public score publication better is not. you comedian!

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
I never joke around /&/. Sometimes (if not all), the official soundtrack doesn't have a lot of film scores. Case in point-- Transformers: Revenge of The Fallen.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
T-Mann036

We are talking about your Highness and not have transformers - revenge of the fallen. Your problem is with nothing to harmony that it since! Perhaps Transformers 3 score is longer? Can do what no one if RC is too lazy to publish longer score.


You make very good music, but are not the only who make good music.


John Debney, Trevor Rabin, Brian Tyler, or bear McCreary would be the best alternative.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
It is me personally to buy prefer official publications. When illegal uploads to download and I think it also not very much. But there was once a time as it was to film remember to continue to publish. Thinking of times about it!
It will come out every year to enough music from Zimmer and co. Because, similar to many things that were for the other score not on it.

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
While I was listening to the complete film score, it appears to me that track 7 (Angry Boremont) was interrupted. If anyone has the full track, please let me know.

Per reply Replies: 0 || 2011-04-17 00:00:00
Well, the tracklist of the 'complete' shown below leaves out the 3 theme suites, so it has closer to 25 min more than the official, not just 13 min... not that it's very important though, just thought I would mention it.

Dakota reply Replies: 0 || 2011-04-17 00:00:00
@ /&/

I don't think illegal downloads will be the end of physical CD releases. You would think that 8 tracks, cassettes, and MP3s would have ended vinyl, but it's still kickin'. And T-Mann036 is right, just because there's an additional 13 minutes is nothing to cry about. The film itself is an hour and 42 min, so that's a difference of about a half hour. There is not music in every single scene. That would mean that there's music continuously from when the Universal logo comes up to the time the end credits finish playing. Stop your complaining.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
Have you ever thought? If ever illegal gedownload is that at some point ever no CD publications appear more?

Dakota reply Replies: 0 || 2011-04-16 00:00:00
@T-Mann

I didn't realize you have it. I just got it, I'll let you know what I think. I'm baffled that there's a complete score for a film that has only been out for a week, especially by Steve. He's my favorite right below Hans.

T-Mann036 reply Replies: 0 || 2011-04-16 00:00:00
@Dakota

At first, I had doubts that it was fake. But after listening to the complete film score, I was epically blown away. Although I haven't seen the picture at a theater, Steve have done an outstanding job composing as well as the conducting of Nick "The Rock" Glennie-Smith.

49 tracks in 1 hour, 13 minutes!!!! Let me know what you think of Jablonsky's complete score.

T-Mann036 reply Replies: 0 || 2011-04-15 00:00:00
LZ isn't lying at all, Dakota. It is no longer a rumor. The "Your Highness" complete film score is real.

Dakota reply Replies: 0 || 2011-04-15 00:00:00
I know. I realized that when Hyrbid pretty much stated it's real

Joshua reply Replies: 0 || 2011-04-11 00:00:00
Great Score! Just saw the film, its silly as hell an i was laughing all the way threw it. The score really is its own character in the film. Its the music Thadeous undoubtedly hears in his head when he goes on his quest lol

MK reply Replies: 0 || 2011-04-10 00:00:00
@Miles Blitch

Yes, you are right.

Miles Blitch reply Replies: 0 || 2011-04-10 00:00:00
@MK

I've been listening to the score, and I wouldn't say that there is a "heavy" Transformers influence, any more than usual in Jablonsky's works. That said, some parts are heavily influenced by Pirates of the Caribbean (Thadeous' theme in particular), but I can live with it.

MK reply Replies: 0 || 2011-04-10 00:00:00
This is a treat! Great fun to listen although there is very heavy influence taken from Transformers... but hey! It is Steve! Can't wait to hear Transformers 3!!

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Your Highness soundtrack - Steve Jablonsky 2011