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Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.
Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?
Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolinger
thats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOL
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Harry Gregson-WilliamsTrevor RabinHans ZimmerDon Harper
ComposerComposerAdditional MusicAdditional Music
Armageddon
Label: Sony Music Soundtrax
Length: 50'13
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9135 votes)
  1. Armageddon Suite (5:20)
  2. Harry & Grace Make Peace (1:43)
  3. A.J.'s Return (4:27)
  4. Oil Rig (1:59)
  5. Leaving (2:30)
  6. Evacuation (3:43)
  7. Harry Arrives At Nasa (1:00)
  8. Back In Business (1:37)
  9. Launch (7:54)
  10. Words (1:37)
  11. Underwater Simulation (2:10)
  12. Finding grace (1:06)
  13. Armadillo (1:15)
  14. Short Straw (3:46)
  15. Demands (1:26)
  16. Death Of Mir (1:32)
  17. Armageddon Piano (0:33)
  18. Long Distance Goodbye / Landing (6:33)
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Corrina reply Replies: 1 || 2019-07-17 15:25:29
Just out of curiosity... what instrument is playing when Liv and Ben are running towards each other at the end? (Long Distance Goodbye/Landing? I love that instrument!


Knight2019-07-17 15:32:50
Electric violin

Knight reply Replies: 0 || 2019-01-30 23:15:46
Just realized the Harry & Grace credit is wrong, its a Rabin solo... Must have been too tired lol

Knight reply Replies: 8 || 2019-01-30 04:57:41
Credits on this album are Don Harper and Paul Linford exclusively, as all cues are Rabin ones, heres what I had before the cuesheet here got updated:

Don Harper:
A.J.'s Return
Leaving
Evacuation
Harry Arrives at NASA
Launch
Underwater Simulation
Short Straw

Paul Linford:
Armageddon Suite
Harry & Grace Make Peace
Oil Rig
Words


Mike2019-01-30 05:36:56
Hybrid, I think you've got a rival....


TrevsFan2019-01-30 09:17:44
lol :)


Hybrid Soldier2019-01-30 12:34:29
Poor journalism, if you ask me...

Did you cross check any of this ? ;)


Knight2019-01-30 13:34:28
Yep, cross-checked all of them with the complete score


Knight2019-01-30 13:43:38
Thankfully Rabin almost never significantly changes his cue names, so all of these except for Words are identical to the cues on the complete


Bayhem2019-01-30 17:11:14
Thanks for all the updates, Knight. Appreciate your work.

Keep it up!


Hybrid Soldier2019-01-30 22:48:27
You cross checked nothing, you took a look at what I wrote... lol


Knight2019-01-30 23:09:26
I assumed that's what you meant by cross-checked as Linford doesn't have a website, Harper doesn't list his additionals, and there's nothing on either ASCAP or BMI about it.

Armageddon reply Replies: 14 || 2017-09-20 12:41:38
THIS, ladies and gents, is the greatest MediaVentures-RemoteControl score. No way you can convince me otherwise. lol! No seriously, even The Rock and Crimson Tide are inferior. The Armageddon score has it all, breathtaking and epic action cues, powerful dramatic cues, adventurous pieces, comedic cues. It literally covers the entire emotional spectrum. What other score can do that? Think about it and you'll see that I'm right.

Cheers,

B.


JR2017-09-20 14:12:15
mmmh not for me, even The Peacemaker or Deep Blue Sea (both ****) are superior than this one! (I’ll give it a *** 1/2).


Edmund Meinerts2017-09-20 16:25:42
Armageddon is great fun, but I can think of plenty other scores that cover that spectrum of emotions. At World's End certainly does, and then some.


rockhound2017-09-20 17:47:58
i think Armageddon is better in covering of all emotions than Pirates III, because there is one more thing the music has to do in Armageddon....covering bad acting. without the music, all emotional scenes with bruce willis would have been a joke. he acts really bad in these scenes, but the music works wonders.


Armageddon2017-09-21 09:05:39
To rockhound,

With all due respect, sir, that's a stupid statement. Very stupid. Guess you're mad that Rockhound wasn't the main character. How is Willis acting in those scenes bad? He's not overacting, he's not crying-screaming like a little girl. His character is actually very grounded. In the scene with Liv Tyler at the end, he is actually watching a picture of his real daughter. It makes it all the more real. He's very quiet and the performance is realistic. Nothing over-the-top. And people absolutely love that scene. Go to YouTube and read all the comments under the video. So, having said all of that, what exactly is your problem with it? You want him to go all crazy emotional like Nic Cage in Face/Off? Is that it?


Armageddon2017-09-21 09:28:44
To Edmund Meinerts,

I admit I never really got the chance to listen to the entire At World's End score. But now you sir got me interested and I will check it out.

Cheers.


Edmund Meinerts2017-09-21 11:31:24
So rockhound...your argument is that the score is better because the movie is worse? That's a new one, gotta admit... :D

to Armageddon, do it! The complete score, if you can. It's incredible!


Meta2017-09-21 14:15:16
Total video game score, circa 98. This is one of those scores -
my first - that you just didn't get enough of no matter HOW many cds they released of it. Hell, it wasn't until 2000 when I finally got the complete score on 2 cds. Sadly, by that time I burned out on it...


rockhound2017-09-21 18:49:34
@Armageddon

1. i love the movie. 2. rockhound is the most annoying character in the whole movie, but at least he has a cool name. ;) 3. bruce willis is smiling in almost all his emotional scenes and not just in this movie. but you know, in germany the movies are dubbed, so his "german" voice and the music helped alot to make these scenes nontheless convincing. to be honest, the goodbye scene was even more sad than the dying scene of leonardo dicaprio in Titanic. so you see, what impact the music had.

@Edmund

i didnt say the movie is bad, just bruce willis in a couple of scenes. so....the music had alot more to do than in Pirates III. the impact of the music in Armageddon must be way stronger to make these scenes work than in Pirates III. in Pirates III these scenes would have been also convincing without the music, because the acting was strong enough. but nontheless the music in Pirates III adds alot to the scenes and makes them stronger. just my opinion.


Edmund Meinerts2017-09-22 12:39:50
Yeah, but the quality of the acting beneath the score doesn't affect the quality of the music.


rockhound2017-09-22 17:31:37
maybe quality is also not the correct word. its the function of the music. i just think the music of Armageddon is much stronger in its function as a filmscore than Pirates III. i also think the themes are stronger and rabins main theme is used in a wide range. but this also a matter of taste ofc.


Armageddon2017-09-25 09:47:50
To rockhound,

Well sir, apparently you just don't like Bruce Willis. That "smiling" you speak of is part of his charm as an actor. That's just how his face is. I don't have a problem with it, and honestly I've never heard people complaining about it. Until now. But fair enough, you have the right of an opinion. I'm just sharing mine.

Cheers.


rockhound2017-09-25 16:59:47
@Armageddon
i have nothing against bruce willis. he got an Golden Raspberry Award for that role, so im not the only one who think, he did not his best job in that movie. but hey, in the german version it worked for me and the movie is a great ride nontheless. :)


Armageddon2017-09-26 13:45:10
To rockhound,

I knew you would bring up the Razzies. I'm sure you know these awards are meant as a joke. Even the guy who created them said so. I mean Jesus, even Stanley Kubrick was "nominated" for a Razzie. And for his masterpiece The Shining!! So the last thing any person can do is to take these awards seriously. But even if we do take them seriosuly, Willis in Armageddon was nominated for Best Actor for a Blockbuster Entertainment Award. So the awards cancel each other out. And we're again left with our own opinions. Whether he did his best job in Armageddon, you are going to get different answers depending on who you ask. Still, fact of the matter is that this is one of his biggest, most popular movies. Everyone knows Armageddon. And not only the movie. The score and the soundtrack are absolute blockbusters as well. Hugely successful and popular. And that's what matters at the end of the day.

Cheers.


Meta2017-09-26 15:38:34
LOL @ Razzies
Back in 98 you had a choice between TWO comet apocalypse movies: Armageddon or Deep Impact. Armageddon was the popular vote, after the popularity of the Rock...Let's just say I never watched Deep Impact - and their "selling" point to try to one up Armageddon, from what I recall, was Morgan Freeman as the first black President ever seen in a movie....Yawn.

Whatever.

Anyway, great score. The movie wound up boosting Bruce Willis' career even more, and it helped pave the way not only for Trevor Rabin and Harry Gregson Williams careers, but also Zimmer and Bruckheimer...And of course, Ben Affleck, and other cast members, who would go on to shine in other movies.

This film and its score is SO powerful (for me anyway), all I'm gonna say is I'll never watch it again, because I simply CANT...That goes double for the score, which is rousingly awesome.

Then again, this movie serving as both the alpha and omega of a relationship I had at the time probably has something to do with it. This is what happens when you take film scores and use them as your own personal emotional, historical "diary"; you tend to appreciate them as the years go by, but never return to them because of all the energy you put into them.

Armageddon reply Replies: 0 || 2017-09-26 13:44:35
To rockhound,

I knew you would bring up the Razzies. I'm sure you know these awards are meant as a joke. Even the guy who created them said so. I mean Jesus, even Stanley Kubrick was "nominated" for a Razzie. And for his masterpiece The Shining!! So the last thing any person can do is to take these awards seriously. But even if we do take them seriosuly, Willis in Armageddon was nominated for Best Actor for a Blockbuster Entertainment Award. So the awards cancel each other out. And we're again left with our own opinions. Whether he did his best job in Armageddon, you are going to get different answers depending on who you ask. Still, fact of the matter is that this is one of his biggest, most popular movies. Everyone knows Armageddon. And not only the movie. The score and the soundtrack are absolute blockbusters as well. Hugely successful and popular. And that's what matters at the end of the day.

Cheers.

sone reply Replies: 2 || 2012-08-30 20:18:52
does anyone know on which tracks did Hans work on?


Prott2012-08-30 20:46:59
I believe it's "Asteroid Chase - Shuttle Crash" (but none of his music is present in this score).


sone2012-08-31 00:32:51
unfortunately not. But now I took this Asteroid Chase track and compared it to the tracks on this list and my conclusion is that none of them contains music from it (except the main theme muisc which wasn't composed by Hans anyway). SO nothing here :)

Phil reply Replies: 1 || 2012-01-13 11:31:33
Happy Birthday Mr. Rabin!


Trevor2012-01-13 11:42:24
thank you phil, very kind from you :)

Jane reply Replies: 0 || 2011-07-24 21:26:36
Wowza, problem solved like it never hapnpeed.

Phil reply Replies: 0 || 2011-06-23 15:00:58
can't express this masterpiece in words...just amazing and breathtaking

"Launch" the best score I'ver ever heard... everytime I hear it I get goosebumps..:)

kero reply Replies: 0 || 2010-03-06 00:00:00
This music is really awesome

rabbit reply Replies: 0 || 2009-09-09 00:00:00
THis music is really really awesome! and i agree with someone else that tracks 9 and 18 are the best!!

mike reply Replies: 0 || 2009-09-03 00:00:00
The composer is like Beethoven. If Beethoven lived today, he would be a soundtrack composer. Very good music. I believe it is a great cd.

masmek reply Replies: 0 || 2009-05-01 00:00:00
joz

qa reply Replies: 0 || 2009-04-25 00:00:00
qqqqq

guss reply Replies: 0 || 2008-02-21 00:00:00
aaaaaaaaaaaaaa

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-13 00:00:00
Great score. A pesar de faltar mucha música, el cd resulta notable y emotivo. Rabin en estado puro.

Uroš reply Replies: 0 || 2006-02-07 00:00:00
Rabin is just great! This score is very good. The tracks 9 and 18 are great. Very powerfull and romatic. Trevor Rabin is one of the best composers ever!

Zilvinas (Lithuania) reply Replies: 0 || 2006-01-27 00:00:00
Hello!I like your music and want have your music more and more...I very like film Armageddon...So I want ask you where i can download your Armageddon soundtracks?For free please :)
(My e-mail ########) Thanks :)

jose maria alcaraz gimenez reply Replies: 0 || 2005-05-02 00:00:00
es la mejor obra maestra que he escuchado nunca.emotiva ,con un poco de accion,melodias que siempre tarareo y que llevo en mi mente.simplemente fantastica

Fernando reply Replies: 0 || 2004-12-09 00:00:00
The best score of the year and the best score of Trevor Rabin. Fantastic!!! Emotive!!! Spectacular!!! Enjoy this version or the complete bootleg version. After you listening this music experience you will be absolutely fan of TREVON RABIN. Go on Rabin!!! A fan from Spain.

 HANS-ZIMMER.com© 2001-2018 OST 
Armageddon soundtrack - Harry Gregson-Williams - Trevor Rabin 1998