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This credits list absolutely reeks of bullshitI can come up with the booklet credits for Adventure Time: Awakening. So here's my booklet credits for this movie.<br><br>Music Composed by<br>STEVE JABLONSKY<br><br>Music Produced by<br>STEVE JABLONSKY <br>and HANS ZIMMER<br><br>Music Orchestrated and Arranged by<br>THOMAS FARNON<br>CZARINA RUSSELL<br>BRUCE FOWLER<br>STEPHEN COLEMAN<br><br>Additional Music by<br>LORNE BALFE<br>JOHN POWELL<br>JASHA KLEBE<br>HALLI CAUTHERY<br>RAMIN DJAWADI<br>DAVID BUCKLEY<br><br>Orchestra Conducted by<br>NICK GLENNIE-SMITH<br><br>Choir Conducted and Arranged by<br>GAVIN GREENAWAY<br><br>Vocals by<br>LISA GERRARD<br><br>Score Recorded At<br>THE EASTWOOD SCORING STAGE, WARNER BROS. STUDIOS, BURBANK, CALIFORNIA<br><br>Score Mixed At<br>REMOTE CONTROL PRODUCTIONS, SANTA MONICA CALIFORNIA<br><br>Special Thanks to<br>TREVOR RABIN<br>MATTHEW MARGESON<br>and RUPERT GREGSON-WILLIAMS*sigh* Pirates of the Caribbean: The Curse of the Black PearlFor what score are those booklet credits for, Sam?I can imagine if the booklet credits might help.<br><br>Music composed by<br>KLAUS BADELT<br><br>Score produced by<br>KLAUS BADELT<br>and HANS ZIMMER<br><br>Music orchestrated and arranged by<br>BRUCE FOWLER<br>YVONNE S. MORIARTY<br>GRAHAM<br>JAMES MCKEE SMITH<br><br>Orchestra Conducted by<br>BLAKE NEELY<br><br>Music Programmed by<br>STEVE JABLONSKY<br>GEOFF ZANELLI<br>MARC STREITENFELD<br>NICK GLENNIE-SMITH<br><br>Score recorded at<br>PARAMOUNT SCORING STAGE M<br><br>Score mixed at<br>MEDIA VENTURES, SANTA MONICA, CALIFORNIA
Is there any word or time frame on the second release?Jenny of Oldstones was an old song in Westeros about a common woman named Jenny of Oldstones, a strange woman who a Targaryen prince rejected his claim to the throne to be with. Before a big battle, a character sings this song and a montage of the various characters plays as they prepare for battle. So that is the melody. The lyrics go like this:<br><br>High in the halls of the kings who are gone,<br>Jenny would dance with her ghosts; <br>The ones she had lost and the ones she had found<br>The ones who had loved her the most;<br>the ones who've been gone for so very long, she couldn't remember their names<br>they spun her around on the damp old stone<br>Spun away all her sorrow and pain.<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br><br>They danced through the day and into the night<br>Through the snow that swept through the hall<br>From winter to summer and winter again<br>Till the walls did crumble and fall<br>And she never wanted to leave, never wanted to leave, never wanted to leave, never wanted to leave.<br>Hybrid, please update this list. Is it possible that you could include the alternate/album version of Main On Ends (AKA Taking A Stand)?COMPLETE SCORES ARE AWESOMECareful, talking about complete scores or recording sessions can get your comment removed now.
No more superhero film score for me, he said .... :DThe complete score is so amazing!! I saw on YouTube too.CD RELEASE????PosiblyA surprise reference to be sure, but a welcome one.
The same thing happened to me George@Michael Baker - I can’t be the only one who read that as Han Solo right?Yeah... Wait till CD 2 and I'm sure we'll get a much stronger idea of what's solo Hans in here.@Edmund<br>I wonder if this is one of those situations where the material in film is derived heavily from the suites, with everyone either arranging it or adding elements onto it. Just guessing of course, I’m sure we’ll get a clear picture once the bonus stuff gets released.<br><br>And apparently there is about 16 hours of music “lying around”, going off of what Hans mentioned in the Vi-Control forums."heavily influenced" indeed :D <br>I really love Amity and I love how the theme appears in several other cues:<br>Reckless which features an epic/action rendition <br>Insertion = a short quote at the beginning <br>Coda = another call back to the theme<br><br>Been listening to the score since I saw the film. Love it. Eagerly waiting for CD2. I wonder if it includes an extended version of the last 2 minutes of Insertion - INCREDIBLE.
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Mini biography from IMDB

German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.

Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”

With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.

In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”

At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.


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