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Oh my God. 94 tracks? Any chance of this getting a leak?There's a 2 CD set coming, but I think it will only add the songs used, which isn't so bad really. Maybe it could have some additional tracks, you never know.<br>It's up in Amazon as Deluxe Soundtrack, it's coming November 6I just noticed that there's an almost 9-minute cue on this credited to Marc Streitenfeld, among others. That seems weird - shouldn't this have been way back in the day when he was still Hans' chauffeur? :pGreat score, I'm not dissapointed. :DMike, interesting you mention Nemo. I swear I was listening to Wall-E. Lol. Great score, though.
"Sprouting Potatoes" too. Beautiful little track. Should have been longer though.It's true. There is almost like 50% songs. It works though but I would have liked to hear more score of course!Why?<br><br>He is good :)Nah...<br><br>I have zero motivation to work on T. Morris right now...Hey Hybrid can you add something by Trevor Morris?<br><br>Killing Jesus Promo<br><br>01 - The Family Theme (02:50)<br>02 - Might of the Roman Empire (02:52)<br>03 - Intro & Ghost (01:54)<br>04 - Magi Arrive (01:00)<br>05 - Jesus Chooses (01:22)<br>06 - Massacre (03:43)<br>07 - Pilate Arrival (01:08)<br>08 - Dead Zealots (01:04)<br>09 - Baptism (01:29)<br>10 - Fishing Miracle (02:11)<br>11 - Demon Child (02:46)<br>12 - The Boy is Alive (01:27)<br>13 - John the Baptist is Arrested (02:15)<br>14 - Jesus At the Market (02:13)<br>15 - Jesus Descibes His Path (01:00)<br>16 - We Shall Use His Weakness (01:22)<br>17 - Jesus & Mary With the Lepers (01:18)<br>18 - The Cup Cometh (01:41)<br>19 - You Are Peter (01:22)<br>20 - Matthew & Judas Talk to Asher (02:23)<br>21 - Your Anger is Gone/Donkey for Messiah (02:39)<br>22 - Put Him Before Me (01:33)<br>23 - Joanna Goes to Jesus (00:35)<br>24 - Cleansing of the Temple (02:51)<br>25 - Judas Betrays Jesus (01:59)<br>26 - Mary to Be Taken to Nazareth (01:12)<br>27 - One Will Betray Me (01:33)<br>28 - Jesus is Arrested (02:41)<br>29 - Judas Buys A Rope (01:33)<br>30 - A Miracle Could Save You (02:52)<br>31 - Jesus is Whipped (03:56)<br>32 - The Crucifixion (05:07)<br>33 - The Empty Tomb (01:38)<br>34 - Simon Fishes Again (01:49)<br>35 - Epilogue (02:18)<br>36 - End Credits (01:54)<br><br>Total Duration: 01:13:33<br><br><br>Fire With Fire (Recording Sessions)<br><br>01 - 1M2 Weest/Wilbert Milo II (00:41)<br>02 - 1M6-7 We Can't Do Buisness (03:07)<br>03 - 1M8A Coleman Escapes (00:49)<br>04 - 1M8B Coleman Shot (00:25)<br>05 - 1M9 Hagan Gets Info (00:58)<br>06 - 1M10 The Line Up (01:06)<br>07 - 1M11 I'll Do It (00:43)<br>08 - 1M12 Main Titles (02:08)<br>09 - 2M1 In Town (02:44)<br>10 - 2M3 Target Practice (02:54)<br>11 - 2M4 Stay With Me (02:17)<br>12 - 2M5 I Can't Help You (01:50)<br>13 - 2M6 I Need to See Her (01:54)<br>14 - 3M1 Tell Him I'm Sorry (02:31)<br>15 - 3M2-3 Let's Just Talk (05:47)<br>16 - 3M4 Lock Him Up (00:15)<br>17 - 3M7 Can You Kill Hagan (01:12)<br>18 - 4M1 Come Back In (02:19)<br>19 - 4M2 Jeremy Fucking Coleman (05:02)<br>20 - 4M3 Coleman Get's the Address (01:01)<br>21 - 4M5 Shower Flashback (02:04)<br>22 - 4M6 Nobody is Safe (01:23)<br>23 - 4M7 The Right Information (02:02)<br>24 - 5M1A Coleman Breaks Into Obispo Pt.1 (01:18)<br>25 - 5M1B Coleman Breaks Into Obispo Pt.2 (00:37)<br>26 - 5M3 Coleman Breaks Into Obispo Pt.3 (02:52)<br>27 - 5M4 Finger Chop (01:15)<br>28 - 5M5 Coleman Get's to Gethers (01:35)<br>29 - 5M6 I Can Finish This (00:52)<br>30 - 5M7 Celle Meets Hagan (03:56)<br>31 - 6M1 He'd Do Anything (04:00)<br>32 - 6M2 You Left A Fingerprint (02:20)<br>33 - 6M3 I Wanna Hear This (01:18)<br>34 - 6M4A Ignition (01:48)<br>35 - 6M4B I'm in Here (00:31)<br>36 - 6M5A Rescuing Talia (01:24)<br>37 - 6M5B Hagan & Coleman Fight A (00:40)<br>38 - 6M5C Hagan & Coleman Fight B (01:06)<br>39 - 6M5D Hagan & Coleman Fight C (00:33)<br>40 - 6M5E Hagan & Coleman Fight D (01:19)<br>41 - 6M6 Do You Trust Me? (01:01)<br>42 - 6M7 Nothing Useful (01:24)<br>43 - 6M8 End Credits A (02:07)<br>44 - 6M9 End Credits B (01:34)<br>45 - 4M2 Jeremy Fucking Coleman (Alt.#1) (01:00)<br>46 - 4M2 Jeremy Fucking Coleman (Alt.#2) (04:06)<br><br>Total Duration: 01:24:11
But in that is additional musica little too low key for my taste but there's definitely some stuff that could grow on me like the guitar part in the first track or "House Hunting".<br><br>No from what I heard it has a loooot of songs... Not that much score... A first in Ridley's career... lolTake a listen to "Tears of the Sun" ' Ending Action Scene.. :D<br>looks like there is gonna be a lot missing<br><br>unless this is not a OSTheavy movie
Yep it's actually the first song Hans wrote with Terry Reid... It was then rearranged & rewritten with Billy Idol for "The Last Note Of Freedom"...<br><br>The Driver was much better... lol+2. Good stuff. It also has a "Finding Nemo" sound to me, in a way.has any one heard a version similar to the last note of freedom but not by coverdale but sounding similar called The Driver.By Iron and Fire, the first track of Jablonsky is truly lengthy... 11 minutes!Dear Mr. Zimmer, My little sister is watching a TV series Called "The Hamama" which is using your pieces (Dark knight, Intersteller..), No credit is given to your name which makes me believe it is stolen. <br><br>It is hosted in Israel, The creator of the series Is Giora Hamizer, And the so called "music composer" is Tal Yardeni.<br><br>Sorry for the bad English, just wanted to let you know about the situation. It is a very popular Teen's show here.<br><br>Thanks for reading<br><br>

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Mini biography from IMDB

German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.

Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”

With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.

In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”

At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4. 2001-2015 OST