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Where can we find some other samples of the soundtrack ?whoops... misread<br><br>It goes before Mountains<br><br>my bad lolThat's what I love about people: Their incapacity to be real to themselves. Instead we get assholes like this Anonymous who come here only to insult the score, going undercover because they're afraid.  <br><br>Like Matthew McConaughey's Cooper in Interstellar would say: ''You fucking coward''.Its the exact same theme that is overused through the entire boring score.  You're not missing anythingYippie, now we will have 5 more tracks of the same monotonous boring background music to look forward to.
Atmospheric entry> landing on the 1st planet <br>the wormhole > the endurance through the wormhole <br>The moutain > the giant wave on the 1st planet <br><br>... sorry but i don't understandyesatmospheric entry before the wormhole ?Add and "Edit" fonctionOh, that DOES make me happy!
It's the complete score of the film, not the measly 15 minutes of score all the previous albums had. So yes, if you're a fan of The Lion King's score (and not just its songs), then this comes warmly recommended. lol.Oh they do... just go look at their Facebook lolYour score for "Interstellar" is truly your finest work. I am a sound designer/composer myself, and a former professor of sound design. When I taught, I used movie scores to help the student understand good design (in context with the moment shown on screen). <br><br>"Interstellar" goes beyond 'good' - it is profound with its expressions of joy, hope, anguish, faith, anger, fear and other emotions too numerous to mention, invoking a sense of majesty.  Thank you.theeaglesfan005's is the only right one.Yeah I'm wondering the same thing... Still no word from WaterTower on a release date? Figured they've got a whole lot of messages by now...
IDK why you people changed the order here... it goes:<br><br>No Need to Come Back (When Prof. Brand dies)<br>A Place Among the Stars (After Dr. Brand watches Murph's video and Dr. Mann explains stuff)<br>Running out (When Murph is driving through town)Here's the chronological playlist again, JUST IN CASE people missed it:<br><br>Dream Of The Crash (3:55)<br>Cornfield Chase (2:06)<br>Flying Drone (1:53)*<br>Dust (5:41)<br>Day One (3:19)<br>Stay (6:52)<br>Message From Home (1:40)<br>The Wormwhole (1:30)<br>Atmospheric Entry (1:40)*<br>Mountains (3:39)<br>Afraid Of Time (2:32)<br>A Place Among The Stars (3:27)<br>Running Out (1:57)<br>No Need To Come Back (4:32)*<br>I'm Going Home (5:48)<br>Coward (8:26)<br>Imperfect Lock (6:54)*<br>Detach (6:42)<br>S.T.A.Y. (6:23)<br>What Happens Now? (2:26)*<br>Where We're Going (7:41)<br>-----------------------------------------<br>First Step (1:47)*<br>Day One Dark (6:57)**<br>Do Not Go Gentle Into That Good Night (1:39)*<br><br>No need to thank me!whats so special about this release? is it worth spending hard earned money on?No need to copy paste the tracklist 200 times to say EXACTLY the same thing each time.<br><br>Thanks.I meant to say that No Need to Come Back and Place Among the Stars are switched around<br>the bonustrack plays first, then the CD track

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Mini biography from IMDB

German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.

Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”

With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.

In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”

At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4. 2001-2014 OST