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Last August, to be exact :)Yep a while back actually ! I almost forgot about it ! :PHad it been announced previously? Totally missed that!Well, I knew it all along, so... ;)The trailer for Zhang Yimou's The Great Wall confirmed that Ramin Djawadi will do the score! Somebody on this board will be VERY happy! :-)
Yea I already have it, Meet John Connor is the best3m15 Still After Us1m04 1984Nobody seems to have mentioned anything about this, so I'll post it here. Here is the list of cues in this leaked version:<br><br>1m01 Better Days<br>1m02 Meet John Connor<br>1m03 Work Camp Speech<br>1m04 [no title]<br>1m05 I Volunteer<br>1m06 Reese Going Back<br>2m09 Reese Arrives<br>2m10 Griffith Park<br>2m11 Alley Confrontation<br>2m12A Meet Sarah Connor<br>2m12B Meet Pops<br>2m12C Flashback #2<br>2m14 T1000 On The Prowl<br>2m14B Old Not Obsolete<br>3m15 [no title]<br>3m16 1997 or 2017<br>3m17 Alcove<br>3m18 Sarah-Reese Into TDD<br>3m20 Sarah-Reese Drop In<br>3m21 Sarah's Story<br>4m22A Hospital Room<br>4m22B Time Travelers<br>4m23 John Shows Up<br>4m24 Guardian Shows Up<br>4m25 It's Really Me<br>4m26 Family-Pops Shoots<br>4m27 I Am More<br>4m28 Hospital Fight<br>5m29 Cyberdyne<br>5m30 Memories<br>5m31B Hatching The Plan<br>5m32 If You Love Me You Die<br>6m33 Bus Ride<br>6m34 Guardian On The Move<br>6m35 Golden Gate<br>6m37 Interrogation<br>6m38 Helicopter Chase<br>6m39 Cyberdyne Lobby<br>6m40 Come With Me<br>7m41 Come With Me Pt.2<br>7m42 Fight<br>7m43 Sacrifice<br>7m44 What If I Can't<br>7m45 End Credits<br>8m46 System Online<br><br>The suites were not included in the leak but the leak did confirm that the following tracks from the OST are suites:<br><br>-Fate And Hope<br>-Sarah And Kyle<br>-Sarah Kicks Ass<br>-John Connor<br>-GuardianshipHey Hybrid, what's with some be Complete Score Sites here:)
Right, he has, but I guess Lorne has done it so much in his own stuff (and Hans has, in some ways, backed off from that approach a just a bit) that now it sounds more Lorne-like than Hans-like when I hear it. Especially in the Volvo thing. If Hybrid were to say Lorne co-wrote that, I'd believe it wholeheartedly.Hans has been doing that since The Thin Red Line!Don't wait for a release. Not to be a spoil-sport, but it won't happen. What they gave us is what we're getting. That said, so many fans have recreated the film version that we can all be satisfied, really.<br><br>Now if only fans would do a solid edit of "Batman Chased"... still waiting for that one, 4 years on... lolSo this just hit me...the first 40 or so seconds of the full Harvey Dent suite are basically HZ's two-note Batman theme, in JNH French horn style. <br><br>It's a tragedy the full suite wasn't what we got on album. Beautiful stuff. I do feel like TDKR was missing a bit of its heart without JNH, to this day. HZ's "Dark Knight" theme has its own kind of beauty, but JNH has a special touch, you know?It was in a cue list that got leaked.
Because they made dozens of versions of it and Hans' final one is the one released on the OST.<br><br>The film version was assembled by music editors with stems of other cues at the very last minute.Has anyone ever explain why the movie version of "No Time For Caution" is not in any commercial album?<br><br>I am still waiting for a future release.i think hans started the approach (da vinci code did it too) and then lorne learned how to do it and now does it a lot himself. remember too hans was a producer on 13 hours and terminator, so maybe he suggested that approach to lorne, and then lorne suggested it to him right back for the volvo stuff.Something I've been wondering, and maybe Hybrid has an answer... Both Hans and Lorne have done the "take 2 to 4 notes and make a crescendo for three minutes" out of it. Hans did it in "A Dark Knight" and "Time," while Lorne did it in Terminator Genisys and 13 Hours. <br><br>Hans did it again for the Volvo campaign prologue, and Lorne was producer here. So my question is, who's "guiding" this style? Is it more Hans or more Lorne influencing Hans? Just something I've wondered.If the alternate to CoL hasn't been heard, how do people know of its existence?
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Mini biography from IMDB

German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.

Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”

With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.

In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”

At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.


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