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That scene is one of the most gutwrenching I've seen in a film in a long, long time. And yes, Zimmer does his part to make it so. Oddly enough I find that piece to be no more than pleasant on album. Weird...Yes, it does! The cue is called "Who's They?"Does this have the music when the NASA people are explaining things to Cooper and Murphy at their base? I remember that being an interesting cue.I wasn't expecting it, but I found myself genuinely moved during the Years of Messages cue, when he realizes just how long he's been away, and sees his son as a grown up, and realizes now that he's a grandfather.... The music was so simple and yet so effective during that scene.FYC means "for your consideration." FYC is a 33-track promotional release from Paramount for Oscar consideration and is presently available in MP3 form.
That 'snoring' is holdover from track 18. It's meant to be there as it's part of the transition. It's not difficult to edit it out if you use the OST anyway.FINALLY!! Finally got my folks to let me see it.<br><br>GREAT film, beautiful music;<br>Average, run-of-the-mill album.Thank you ! :)Amen, Anonymous.Wow Hybrid you are such an asshole to people also your defense of Zimmer over OST fuck up is just pathetic.
I see you left off the "pt. 1" on I'm Going Home and S.T.A.Y. ;)<br><br>I have no idea why those are at the end of those tracks lol<br><br>I also changed "Imperfect Contact" to "Imperfect Lock" on my setIn regards to No Time For Caution <br><br>In retrospect, i didn't actually know what was annoying me about the "Zimmer" version until hearing the FYC version other than the fact it sounded so different. <br><br>Its the organ. Even though its not in the entire piece, its in the climax which is where it matters most. <br><br>The sound artefacts i think your hearing is to do with artificially increasing the volume. Don't run it on a normal media player, run it though iTunes or something (i use the Loudness setting on the equaliser)Apparently some reviews on foreign language Amazon sites have shown up that claim that the snoring noise at the beginning of track 19 disc 1 has been removed on newer copies of the cd. Can anyone confirm? Thanks.Yes this...is the cue list that's right above you in the official page. Well done.Actually I'm wondering if the Stay on OST isn't just a theme suite...<br><br>It has the part from Dreaming Of The Crash, and the big ending, quite different in the film version...
You arrived after the battle, and don't post links here please.<br><br>It'll be erased anyway.<br><br>I'm nice for the first warning...There is a "complete score" available online for free. It's only 192 kbps so not the best possible but it's better than nothing. There are 33 tracks totaling 1h58m. I did some ID3 cleanup and added cover. Enjoy.<br><br>https://mega.co.nz/#!FoVXQJ7K!w1OEBpuC7P9s18wFznD-_9P9ySglFD JyQhwI9OEcsbE<br><br>Nope!Finally, is there any version of "Quantifiable Connection" without noise??!Um... is this going to be released or is a fan-made ablum?<br>And what does FYC mean exactly?<br><br>Interstellar (Expanded Score) <br>Label: Unofficial Release
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Mini biography from IMDB

German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.

Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”

With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.

In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”

At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.


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