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RUSH or THE AMAZING SPIDER-MAN 2 has no complete score that I know of. But if you are really interested in finding the scores listed on this site, (like MAN OF STEEL or THE LONE RANGER) just f**king Google the name, BEFORE NAME-CALLING, and check the first 20-30 results.<br>This site knows about every single unofficial R.C.P. release within hours, and every official one MONTHS before the rest of the planet has a clue.<br>So, if you don't mind, USE YOUR GODDAMN FROZEN BRAINS, please.Hybrid, is there any news about the release of this score?Klaus...?<br><br>HG-W for sure!Obviously the joker idiot has no problem with stealing and pirating music.Yeah you are right Zimson, we need to ban thus Jok3rrules idiot.<br><br>@wiseguy. you are right and making my point exactly.  No one can legally "find" any of these complete scores.  So what purpose is there in posting them?
@thejok3rrules<br><br>Sorry, but you can't really "find" those complete scores. You need connections...Or, try to find for me "Rush", "TASM2" or "Tears of the Sun"! I'm sure they exist but you can't 'find' them... lolPeople like this are the reason why we should have user accounts. At least you can ban them.The theme to Run All Night almost sounds like it was from the Imaginaerum film..Hey Joke, I don't care if I'm "pissing you off".  These are self admittedly "unofficial complete scores" so tell me genius, where can I get these legally??  You're pissing me offJunkie XL said the new Mad Max trailer contained mostly his music, and well I have to say I can't wait, it looks like a very bad-ass and epic score!!
I disagree... in my opinion the best disciple of Hans Zimmer is Klaus BadeltAfter getting a 28-minute suite on Man of Steel, I consider nothing impossible anymore. :P But tons of Hans' moderately long suites that frequently appear on album beg to differ as it is, no?Watched the docking scene on YouTube...Guess this means the "film version" is indeed considered the "official" one. lol.that is because true idiot mixed scoreIt was rather awesome. I'm sure there will be others to write a large description of the night but suffice to say when the Albert Hall's organ kicked in it was rather special! Oh, and Jessica Chastain signed my programme (although Hans Zimmer didn't despite being right in front of him twice :( I was beginning to take it personally! :D)
Haha, I know what you mean about the Rafiki piece. Whenever he gets all excited over Simba still being alive, it always felt jarring when you can hear the end of that cue suddenly pop up without the full build up heard in the sessions/Legacy Collection. After being so used to listening to the score own its own so many times, one can never get used to that sudden change.<br><br>Anyway, I think more could have been added to the set, plus maybe instrumental versions of the songs too(in their faithful film mix to boot), but I'm mostly happy with how the set turned out. My only major grip is still that dopey cross-fading. Curse you, Pumbaa and your snorting!I'm waiting for my copy, but of all the download versions I've come across it has been substantially altered. I was upset too.I will check for you later today Alan!<br><br>I downloaded the 1080p IMAX torrent a few weeks ago and all the volume seemed fine to me! People must have been crazy saying the music was too loudRight... so I got my blu-ray pre-order in today, a day early, and I can't help but notice (or think I do, at least) that the loudest parts of the movie, where the music really used to drown stuff out (that I, personally, loved but everyone else complained about) has been dumbed down a bit? I realize my home theater will not sound even so much as an ounce like the IMAX I saw the film in multiple times, but damn... I really feel like those scenes that really BAM sent the score home. Scenes I am thinking of are the bigs ones: Mountains, Mann's betrayal, Docking. They're just... not loud anymore. The voices and the sound effects are great! But the music... it's toned down a bit.<br><br>Has anyone else had this issue with theirs? I even checked out the iTunes version and it's got the same volume control as well... does anyone think Nolan succumbed (or was forced) to obey a few complaints and "turned" the music down? Man I really just hope it's my system....Hans , I am a young violinist in a modest orchestra Chile, symphony orchestra in the municipality of El Bosque , I love your music and I am a fan of the trilogy of Batman, we would do very proud to play your song Rise number 15 of the pelicila the Dark Knight Rises, I tried to find scores without success to find them , please if you would be so kind as to give me a copy for playing this wonderful song.<br><br>I hope you can answer .<br><br>Atte<br>Diego Suarez
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Mini biography from IMDB

German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.

Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”

With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.

In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”

At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.


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