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Not only am I perfectly fine with Hans not returning for 5, I wish he hadn't been dragged back for On Stranger Tides either. At World's End ties up that series of scores so phenomenally well, there really was no more need for him to continue (or for more films to be made, but that's a debate for another time...).<br><br>If you ask me, you couldn't find a more appropriate steward of the franchise than Geoff Zanelli, who is the only other person than Hans to have worked on all four scores so far. I'm really excited to see what he does. I have no doubt we'll hear plenty of familiar music, though hopefully in fresher renditions than the straight rehashing of On Stranger Tides.<br><br>Also, is it even confirmed that Powell is legitimately returning to work on Bourne? Or is it going to be a Buckley score using Powell's themes and Powell's only credited for the latter? And what happened to the no-RC-no-Powell-no-Greengrass-no-way thing?For once my fears not become real with a movie score.<br><br>Not. Warcraft Score is not Pacific Rim additional music.<br><br>Not. Warcraft Score is not Game of Thrones bastard.<br><br>Yes. Warcraft Score is just Warcraft Score, <br>And what a original score that's Ramin Djawadi has wrote!<br><br>I love how the Main Theme is implemented in some parts of the tracks along the album.<br>The music for the Orcs (A.K.A. the Horde) is a brilliant mix of beautiful and darkness. And I consider that this music is the central part of the album.<br>That's good, ok, but this make that the music for the human heroes (Allianz of Azeroth) is really really scanty and not developed at all.<br><br>Not the case with Medivh theme, OMG what a magnificent theme!<br>Listen how is mixed with the Horde music is just great.<br><br>My biggest surprise is the few action-tracks that this soundtrack includes. Coming from a movie that talks about WAR is surprising the slow pacing in a lot of tracks and in general is my feeling with the Album experience.<br>Nothing bad I must say, only strange .<br><br>Now 8.5 out 10 is my score for this amazing work. Probably if this music work well in the film I will turn up to 9 or more, Who knows?<br><br>And yes, of course....listening this you can breathe Real Epic.Does he returning to Titanfall 2?Because he spent many years on this saga and it was time to move on, and the production of the fourth was horrendous... lolWell he has done the job since Pirates 3, the 4th was unexpected so it's more a patchwork than a very strong score. So it's not a surprise if Hans is not back on the 5th, it's better in that way I think.
I agree also with Ds, I need to see it all again! It was fucking awesome@HybridSoldier<br>Do you know WHY Hans is not returning for Pirates 5?? I'd really like to hear his reasons... <br>Because he did an amazing job with the other scores and I'm not really looking forward to seeing a Pirates movie without a true Hans Zimmer score... And I'm sure lots of people think the same way.<br><br>So, if you could tell a bit about his reasons, I'd really appreciate it :) Thanks!Thanks for clearing that up. It's a shame Badelt alone got top credit.HZ will not return... The score is being done as we speak, and Hans is touring ! lol<br><br>He will probably give his opinion since they always ask for it, but he will not return... :PI really hope Hans returns! He could co compose it with Zanelli John Williams returned to Star Wars and indiana jones, john powell returned to Bourne so I think HZ should do the same:)
Patience !!He didn't "write only demos"... First he only wrote one, and he actually co-wrote a lot of the cues...In the movie, Sherlock Holmes: Game Of Shadows, there is one short piece that drives me nuts.  It is only about 1 min long.  When Sherlock opens the steel vault door and enters the laboratory at 1:17:35.  The music turns to this deep, throbbing tuba music.  It sounds so familiar.  Did I hear it in another movie?  Is it part of a larger piece?  Does it have a title?<br>Could you be so kind as to email me if you answer?  <br>TheBushwacker1947@gmail.comYes. Same with dead man's chest and at worlds endI couldn't have put it better myself.
Should the tracklist reflect the use of other previous composers' themes? I'm sure there's lots of composers from 1 2 and 3 whose themes were adapted in this score. Should they get a (parentheses) credit as well? That's why his name is in parentheses right? because theyre using his themes?Why is Hans Zimmer credited for almost every track on here? Didn't he only write like 3 demos and then the other composers arranged from them? Why is it fair to credit him on almost all tracks? Or is it that each track he's on is an arrangement or uses the themes he composed in the couple demoes he did? I'm still really confused about the total extent of his involvement with the score, both behind the scenes and actual compositions.Lothar is the one that stands out for me. It's just so perfect.<br>rgtry 67yurfth eWell, holy crap, need it, sounds amazing
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