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The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
Hybrid, yes!wow man, hybrid. this isn't right from you. actually really embarrasing and an absolute no-go from a staff/member of this site to write such a comment. even if it's a joke, this is a shame and sad.I was a bit over the line, I admit. I should have made it clearer that all of that "hottest shit in town" bit was meant purely as a part of my personal opinion regarding his output. I never saw or read any interviews with him. <br><br>I also know about his wife, of course... but I guess I'm just too cynical to accept it as an all-encompasing excuse while seeing such massive fanbase clamoring for his new music. I don't know, I admittedly feel a bit bad about what I'm saying myself. I AM an asshole, sure, but only to an extent. <br><br>I think that saying "he is writing scores that he feels comfortable with" and "living his life however he wants", albeit understandable, is still ignoring the fact that he is an artist with a fanbase. We are living in a time when film composers are slowly getting a mainstream recognition as a type of musicians comparable to bands or singers. And that creates a certain responsibility towards that fanbase. An artist doesn't have to fulfill it, sure, but he should at the very least acknowledge and address it.<br><br>Which brings to mind an image of Hans going on a massive tour whilst giving zero fucks about the CD presentation of his scores, but I digress.<br><br>I wouldn't dare giving Powell advices about how to deal with a pain of the loved one's loss. But on the other hand, I strongly believe in artist's responsibility towards the fans. <br><br>For example, that's why I would kick everybody saying "GRRM is not your bitch" right in the goddamn nuts.Now I have ONE true reason to want this score to win !<br><br>PEACE ! lolI stand corrected. Though it's still possible that the score is a combination of live orchestra and samples, a lot of RCP music does that.
Ds beat me to a few of the points I was going to make, so thanks. :) I'll try to keep this brief, but it won't be.<br><br>Macejko, the only part of your statement that I would 100%, strongly, absolutely disagree with is the "pretentious douche" part. When has he ever "acted like the hottest shit in town"? Do we have any record of him actually refusing assignments? I mean, clearly his output has slowed down since 2012, but why do you act like he's doing that because he thinks he's better than everyone else? I don't see that as pretentious. Especially not given what we know about his personal circumstances. For all we know his decision to take on less work was caused by the knowledge that his wife was sick and wanting to spend as much time with her and with their son as he could. You really still want to call him pretentious?<br><br>Now, what I do agree with is the impression that Powell is no longer really developing as an artist. He's found his niche and is writing scores that he feels comfortable with, but I haven't been "surprised" by anything he's written since probably 2010 or 2011. Is that a problem? Well, depends on what your priorities are. I don't rate innovation as highly as I do music that speaks to me on an emotional level, that I love listening to and want to hear over and over again. And with scores like Pan and HTTYD2 Powell has definitely provided that, while Hans Zimmer for all of the "pushing the envelope" and "breaking boundaries" he's done (or claimed to have done) in the last 7, 8 years has in the process left behind many of the things that made me love his music in the first place. He's written some fine and certainly interesting scores in those years (and some I never want to hear again), but I'd throw out every single one of them to hear another At World's End or King Arthur, just a big old epic larger-than-life fun time that cares more about entertaining you than trying to musically divide by zero or whatever. But now I'm turning this into a Powell vs. Zimmer argument which was never really my intention. :p<br><br>At the same time I can't pretend that it doesn't hurt to see how much Powell has slowed down. I mean his run of form from 2003-2011 is the stuff of legend, 3-4 scores a year in all sorts of different genres, all of it quality stuff. He was pretty much hitting the sweet spot: innovating, developing his style, trying out new things but not sacrificing his voice or the accessibility of his music. If he were to keep up that trajectory for a career spanning several decades he'd be in contention for greatest of all time IMO. Sadly it doesn't look like that's going to happen anymore. I think it's a fair criticism to say he's dropped off, or at the very least leveled out. I just don't think it's fair to call him pretentious for doing so. The man's a human being and he has the right to live his life however he wants.But you know he never said he has nothing to prove. I don't think he even think such a thing, actually he seems like a very humble and nice guy, much like Hans. I just tell you this based on all the great things he did in many genres throughout his career.<br><br>I guess he just want to write music he likes and the way he likes it. Many producers/directors want something more restrained for their movies, that's ok, they can get someone else. If you can afford doing what you like for a living, why the hell would you accept jobs you don't like?<br><br>And SW isn't about "creativity", it's just about this kind of busy orchestral music with lots of frenetic parts which Powell seems to really like these days.If only every annoying film music fan would be so willing to take his own life as this one...If this nominated for golden globe or even Oscar and win the title I'll kill my self.<br><br>This score is nothing compared to interstellar or even to POTC 3.The moment an artist thinks he has "nothing more to prove", he is creatively dead. <br><br>Also, thinking that only animation and Star Wars provide a field for any kind of innovation and experimentation is just ludicrous beyond words, Ds. SW especially is the most musically restricted franchise on the planet.
Fair point. Just look at what Balfe did this year, Lego Batman, Churchill, Genius, The Crown, Geostorm... and all are somewhat different in tone. He was on fire this year for sure.Here is another comparison which to me seems more relevant than yours :<br>Lorne is doing a lot of projects and getting better and better in various styles.<br>And Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity. I'm not saying he doesn't evolve, but at this rate he will need 3 lifes to catch up on Balfe's current level.<br><br>Powell has nothing to prove, he has already mastered all genres and is now able to write the music he likes most : crazy orchestral pieces where nothing is forbidden. Today, only animated movies allow this style of scores to exist. And also Star Wars :-pEdmund wrong again !!!!!balfe posted some photos of the recording sessions for the crown^ lol. Harsh, but he’s not wrong. Although, I hate to say it, we could say the same for Zimmer in my opinion.I must admit I'm starting to think of Powell as sort of a pretentious douche. All the time he acts like the hottest shit in town, refusing to score basically everything they offer him, and when he finally descends from his golden throne and graces us peasants with a new score for his beloved kiddie animated genre, even then he doesn't handle the majority of the score himself.<br>This might be a fun score, I'm sure it's gonna be, but I'm also pretty sure that it's going to sound like every other Powell score from the last 6 or so years. The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ. Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better.
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Anonymous reply Replies: 1 || 2016-06-15 01:10:24
To all the mods, to Hybrid, to the community here... since this is the feedback section, I'll go ahead and leave this here:

It may sound funny to say, but thanks for this great site. It's truly a resource for anyone interested in RCP and background on RCP / Zimmer scores, and it's been an awesome place for discussion and learning about all these scores for as long as I've been visiting (5 years or so now). There are lots of great film score / composer sites, but this one tops all of them for me (even though RCP isn't necessarily my favorite in the film score world). So to everybody who makes this site awesome... thank you. :)


Hybrid Soldier2016-06-15 10:00:43
Thanks ! :)

Jana reply Replies: 0 || 2016-06-09 15:55:52
Dear Nick,
I would like to thank you for nice music you are composing. My family is a big fan of your work.
My son (9 years) like your music very much too and he is playing flute. We are looking everywhere for music sheet for flute from the film The Man in the Iron Mask but no succesfull. I would like to kindly ask you if you can send me this music sheet Heart of the King. He would like to train it and surprise his flute teacher. :-)
Thank you a lot.
Jana
e-mail: jananas1@email.cz

Jean-philippe S reply Replies: 0 || 2016-06-07 23:40:41
Hi,
I was at your final show in the city of Orange, in France.

I was there with my two little girls ( 4 and 5 years old ) and my girlfriend, and i just can tell to you and your team that this show was awesome.

The entire show frightened me, from the Thelma and Louise theme to The thin red line, Interstellar, Inception.

The whole work you and your team do is fantastic, and we (my little girls, girlfriend & me) were glad to be there.

All of these movies wouldn't have been so great without your songs.

Thanks a lot.

Jean-philippe

Dmitry Kovalev reply Replies: 0 || 2016-06-03 12:28:50
Dear, Hans!
I made a small amateur film about the rescue of orca and used your song entitled "Rise" from the movie about Batman. You can give permission for its use in non-commercial purposes to display a larger audience of people?
https://www.youtube.com/watch?v=DhROS2NJ0Ek

Jerome reply Replies: 0 || 2016-06-01 22:07:24
Sehr geehrter Herr Zimmer
Mein Sohn und ich möchten uns sehr herzlich für das mega Konzert am 23 Mai in Luxemburg bedanken. Ihre Musik inspiriert mich sehr. Aber auch ihre Worte und lebendigen Geschichten haben mich sehr berührt.
Vielen lieben Dank

Wir würden uns über eine DVD des Konzerts freuen. :-)

Nick reply Replies: 0 || 2016-05-31 14:21:14
would love to see you come to Austraia..

Brett reply Replies: 0 || 2016-05-31 03:08:32
Is Hans Zimmern aware of the fact that his score from Gladiator has moments of very distinct similarly to works by Gustav Holst? Portions of the score sound almost exactly like "Mars".

Javier Clemente García reply Replies: 1 || 2016-05-25 17:08:36
Greetings. I'm searching for the OST which plays on the following clip:

https://www.youtube.com/watch?v=Vzd3xi4EGcI

Something makes me think it's from Hans Zimmer and I basically want somebody to verify that for me. Cheers!


tim2016-05-25 18:03:16
No Zimmer.

Daniela Barillas reply Replies: 0 || 2016-05-23 09:40:23
Hi Mr Zimmer!

I'm a big fan of yours from Venezuela. I'm a filmmaking student and really interested in the film composing area. For college work, I'm doing a research about your music on these films: Interstellar, Inception, Gladiator and Thelma & Louise.

I would love to show you my work. My email is danielabarillasortega@gmail.com

Thank you for your wonderful work on cinema!

ALexander reply Replies: 0 || 2016-05-22 10:42:55
Hi Mr Zimmer, I am a big fan of your work. Recently a Colorbond Steel advertisement was posted on YouTube and the music played in it sounds all to similar to your 'Cornfield Chase' piece from Interstellar. I know i wouldn't want my music to be copied like that so i just thought I'd inform you.
Thanks

Carlos Medina reply Replies: 0 || 2016-05-19 07:50:09
Zimmer, simple question. I love music and I love composing, where do I start to make movie music like you.

Peter Fox reply Replies: 0 || 2016-05-18 20:22:13
I recently read that much of the music written for The Thin Red Line was not used in the movie. Is this extra music available anywhere?

Thanks.

Raimo van der Klein reply Replies: 0 || 2016-05-17 09:41:37
Dear Mr. Zimmer,

Two years my co-founder and myself decided to work together for the next ten years. The only thing we knew is that we wanted to use our full potential to make something important for our children.

It was your music for Interstellar that enabled us to dream, travel to the future and to look at the earth from a distant place.

Now two years later we are at the brink of entering in the light.

Our venture is about the power of teams. We believe that in our near future it is not the products that define success it is the team behind it.

Many teams these days live in the “dark” like we did. Still with nothing to show. They are not the ones in the news. They are building muscles, finding courage to do what we are doing. Which is the impossible.

We want to motivate those teams just like your music has motivated us.

We are now in the process of making a video in which we acknowledge the teams that operate in the dark still and give them the courage to step into the light together and shine.

In this video we would love to use the music from the track Mountains from the Interstellar soundtrack. It is the track that helped us in our darkest days to keep pushing and believing. It gave us the means to dig deep inside ourselves.

We would be honored to be able to use your music. Of course we would pay any needed royalties or license fees.

Please contact us on raimo@teamily.com or call us on +31641171116

Thank you for your wonderful music.

Raimo van der Klein

Bryan Fury reply Replies: 6 || 2016-05-15 13:17:05
Greetings sir Zimmer. I'll try to keep my comment short. I've been in love with Your music since Crimson Tide and The Rock movie, where I first heard Your master pieces. I own most of Your discography on CDs. I've been to Your concert in Bratislava, and I'm sorry for my boldness, but it was sheer disaster. Nothing Your fan would want. You made the worst of the worst out of some nice songs of Yours, You driven a lot of fans out of the hall in second half, not sure if You noticed, plenty of ViP places were vacant after. With hard heart I write this, but Your so called "concert" was the biggest disaster of my life. It has almost nothing in common with Your divine works, it was just a pure plunder for cash and money. I strongly suggest You use something like Symphonic Orchestra next time. What You did in Bratislava will forever be engraved in the souls of Your true fans, as a day You sold Your soul to some drum'n'bass, grunge and whatever-c*ap music You turned Your master pieces into.


Ds2016-05-15 15:30:16
I really wonder what kind of fan would buy a VIP seat, then be put off by the 1st half of the concert (which includes very faithful interpretations of The Da Vinci Code, Pirates of the Caribbean or Gladiator, among many others), in such a way that they would LEAVE at the intermission, consequently missing other classics such as True Romance, Rain Man, The Thin Red Line or Inception.

And if you really think his music would sound better with a symphonic orchestra... then your so called collection of CDs must be pretty thin... From the start Zimmer's music has been more about rock and electronics than classical music. Try to play Crimson Tide or The Rock or Broken Arrow or Inception with only a symphonic orchestra, good luck with that! It would sound nothing like the original.


DavidS2016-05-15 16:18:34
You know nothing Bryan Fury ;) ...no seriously, the music in the concert was exactly like Hans' music is ment to be!


Bryan Fury2016-05-15 16:54:11
Ds: I actually sat in ViP lounge after first half, for a few minutes, since there were tons of free places, and the true ViP lounges [in the upper rim] were 60-80% empty. Sound in the upper ring was horrid, You couldn't hear a thing, just overwhelming and ultra low quality bass.

ViP places at the bottom were so so, but still, when the Batman theme started, I fleed, because it was nearly tearing my internal organs apart, how strong the bass were. His concert had absolutely nothing to do with his art. Crimson Tide had only a very part of the main theme composed within, there was his choir, which was very weak, all You could hear was always the drums and bass like hell. Lionking was some mix of Lionking 1 and 2 soundtrack, only one part, the first track and some pseudo theme from second. Pirates of Carribean were almost good, yes, they were enjoyable, but they still missed some crucial parts of the main theme. Afaik it was the dead mans chest intro theme, what was played on "concert". Davinci code was of no interest for me, indeed. I wasn't there for Inception, that part I miss [mombasa], it was an encore. I just left, alive, at the Batman theme. Also, back to Crimson Tide. That ending addition of drums was poor excuse for music. There was like few minutes of something that looked like Crimson Tide, and the rest of the track was just bashing into drums, without any notion or reminder of the original theme, nor soundtrack parts.

Whole concert wasn't concert at all, it was just a ruckuss, bashing into drums and totaly cra*tacular sounds stuck together.

Also, I was so dissapointed, there was no The Rock theme, it's one of his best opuses ever.

And I'm not sure if You're having some hearing issues, but Hans's soundtracks are mainly orchestral, vocal, and they have some rock parts in them, very neatly and softly incorporated. I'm listening to Zimmer's opus for almost two decades now, so I believe I still can differ among genres. And Hans's art has nothing to do with drum'n'bass nor grunge, afaik, with rock, yes, a lot, but very good incorporated rock, though mostly, it has to do with orchestral instruments [well, so speaking, he's doing or used to do most of his work on synths, in early 80/90s afaik.].


Hybrid Soldier2016-05-15 18:14:18
"And I'm not sure if You're having some hearing issues, but Hans's soundtracks are mainly orchestral, vocal"

Apparently I've been wrong for many many years... :O Thanks for pointing this out ! lol


Ds2016-05-15 18:54:00
Thanks for the lengthy answer Bryan, but your statement is full of mistakes. Apparently you think you know Hans' music, but it is pretty obvious you dont know it that good. Driving Miss Daisy and Sherlock Holmes were almost copy-pasted from the original tracks. Madagascar was a superior rearrangement and a great intro for the orchestra. Crimson Tide was like the original version, except they extended the climax (which is a spectacular idea). Then Angels and Demons sounded 100% like on album, with a drums intermede inserted in the middle (I net you thought that was still Crimson Tide, lol). Gladiator was a glorious 15min of all the very best pieces from that movie, faithfully arranged. Da Vinci Code was genuine beauty (but you had no interest in it, too bad for you). Then Pirates had the Jack theme, the love theme, an unreleased, fan-favourite cue (awesome gift to the fans, and proof that Hans knows very well how to please us), and then the famous theme everyone on this planet knows.

Dont tell me it is a cashgrab, it is an absolutely wonderful selection, with diverse styles and instrumentation.

Second part had very faithful arrangements of Man of Steel, The Amazing Spiderman 2, Inception, True Romance, Rain Man, Thin Red Line and Interstellar. Admittedly the Dark Knight was full of drums, distorsion, guitars in a very Dark, agressive mood, even more than in the official soundtrack, but those scores were pretty savage to begin with.

So dont blame Hans for being faithful to his music or his fans. Blame yourself for having such a poor knowledge of Hans Zimmer's music. My advise: re-listen to your collection, and purchase the dozens of albums you obviously never checked out :-)


Zimson2016-05-15 19:49:03
I was at the Vienna concert this friday and it was breathtaking. 16000 people came and the crowd went absolutely crazy when the band started to play Dream Is Collapsing at the end. Nobody left before the end.
The sound was amazing, I can't even think of one thing to complain about.
If you're more into the likes of Hannibal, Last Samurai or Beyond Rangoon then this wasn't the concert for you but there were plenty of recordings from the two london concerts on youtube that would have warned you beforehand that it's going to be loud.

Evamaria Nowak reply Replies: 0 || 2016-05-13 10:10:52
Lieber Hans Zimmer!

Gestern Abend in Graz durfte ich Sie live miterleben und war unglaublich begeistert. Tausend Dank, dass Sie und ihr Team ihr Talent mit uns teilen und wir so an ihrer Welt teilhaben dürfen. Ihre Musik live zu erleben war für mich und meinem Freund einfach eine große Bereicherung. Wir waren emotional äußerst ergriffen und wir wurden tief in unseren Herzen berührt. Ein riesiges Danke dafür und wir sind uns einig dass wir noch lange von ihrem Konzert zehren werden.

Nader reply Replies: 0 || 2016-05-12 17:51:39
Dear Mr.Zimmer
Your soul and talent in music are the best
in 21St century.thank you for unique times with your musics.
How and whith which instruments I can begin creating solitude times melody???

Wolfgang Ziegler reply Replies: 0 || 2016-05-12 10:43:49
Dear Mr. Zimmer,

ich danke Ihnen für dieses außergewöhnliche Musikspektakel gestern Abend in Budapest. Ich war nicht schlecht erstaunt, als Sie zu Beginn über Ihre Hartneckigkeit erzählten, in Ihrer Filmmusik auch Chor zu verwenden. Bravissimo und Chapeau dafür.
Weiterhin viel Erfolg wünscht Ihnen
Wolfgang Ziegler, Präsident des Chorverband Österreich

Kakan reply Replies: 0 || 2016-05-11 21:35:14
Dear mr Zimmer,

Two years ago I made some big changes in my life. I got divorced, moved into my own apartment and went back to the university to finally become a special education teacher. This has been a dream for me for a long time, but I have never found the time to do something just for myself. I have soon finished my second year and by the next summer I will be able to help my students more. I´m specializing in helping young people who have trouble with reading and writing.

Now to the reason why I´m writing to you. I just wanted to say thank you for your beautiful music! Every time I´m going to write a text or a paper to hand in to the university I listen to the soundtrack to "Inception". I don´t know why, but that music makes it so much easier to write! I get inspired and the fingers just dances like water on the keyboard! So, thank you for helping me while struggling with all my homework! (To be honest, I think the music helps me dream a little bit about Leo too, but that´s a whole different story... ;)

So, thank you!

Best regards,
a fan in Sweden

Yana reply Replies: 0 || 2016-05-11 03:17:56
Dear Hans Zimmer and team!
My dream is for you to check my music, it would be such an honor.
I want to create soundtracks to movies! Maybe you'll have a few minutes to listen to it? I have a lot of original music which I don't share much online yet.
But I've got a few of my originals on YouTube! Maybe you will delete this message, but either way, would be an honor if you could at least listen to some of my music!!! Thank you for everything that you do! You're truly inspiring!!!!
All the best, Yana
Original: https://youtu.be/cpHPch9QhI4
Original 2: https://youtu.be/zqHfOAfYZwM

Corinna H. reply Replies: 1 || 2016-04-28 22:17:15
Good evening,

My boyfriend and I visited the Concert in Munic at 26th april. And i have to say: We were speechless!! The only thing we were able to do was starring at the stage and listen to this awesome concert.
Respect tot he whole team, you guys are truly amazing!
I hope i have another chance to visit a conert again.

My boyfriend said: „I will never hear such an amazing concert again in my whole life“ – and i think he’s right.
There are so much feelings in this Music. We were really touched, exspecially „The Lion King“ touched us so much! Tears were running over our cheeks and there were goose bumps all over our bodies.

Keep going on like this, you Guys are truly amazing! It was such a wounderful evening!

Thank You so much
Corinna


Yana2016-05-11 03:12:34
Hi Corinna! It's must be so great to hear Hans Zimmer live!
If you like this kind of music, maybe you'll be interested to hear mine?
There're more originals to come though, it's just the beginning! &#128522;
youtube.com/yanachernysheva

Anonymous reply Replies: 0 || 2016-05-10 16:50:30
Sono stata al concerto di Zurigo del 9 maggio.
E' stata una delle esperienze pi&#249; memorabili della mia vita, il concerto &#232; riuscito a superare tutte le mie alte aspettative, la sua musica ha forza, grande energia, &#232; un'esperienza fisica e mentale che coinvolge tutti i sensi e ti pervade l'anima.
Un vero genio.
Paola


Luis reply Replies: 0 || 2016-05-07 09:30:47
Hello:

I'm a big fan of Zimmer's music, but I have encountered a problem that has puzzled me.
I have a mobile terminal with Windows 10, and z+ application does not exist for that operating system.

I think it would be interesting and good to create a version for that system, so we can use this feature.

Thank you.

Daulet Shozhikov reply Replies: 0 || 2016-05-06 20:09:34
Yesterday, it was my birthday. Me and my wife went to Bratislava and enjoyed the amazing performance made by Hans Zimmer. Thanks a lot, Mr Zimmer for such a nice atmosphere you and your team created. I wish you all long live and inspiration for making more beautiful music!

Sincerely,

Daulet


Lukas reply Replies: 0 || 2016-05-06 19:57:51
Thank you for amazing show in Krakow. That was the best evening in my life! All the best from Poland. <3

HansZimmerFan :o) reply Replies: 3 || 2016-05-05 21:57:24
Hello,
can anybody tell me the name of the bass to the far left on stage?


Hybrid Soldier2016-05-05 22:19:57
Double bass ! Andy Pask !


HansZimmerFan :o)2016-05-05 23:51:59
THANKS!


HansZimmerFan2016-05-06 00:46:11
So I collect:
front (left to right)
Andy Pask, Tina Guo, Rusanda Panfili, Aleksey Igudesman, Ann Marie Simpson (well Einzinger), Mike Einzinger, Czarina Russel, THE MASTER, Yolanda Charles, Guthrie Govan, Richard Harvey, Mel Wesson, Andrew Kawczynski.
behind (left to right)
Lucy Landymore, Nathan Stornetta, Nick Glennie-Smith, Satnam Ramgotra, Gary Kettel, Steve Mazzaro, Holly Madge.
Background:
15 strings, 7 horns
24 Choir members

Steffen Schwarz reply Replies: 0 || 2016-05-01 02:30:19
Danke für das großartige Konzert in Berlin. Es war einfach sensationell !! Mehr als 2 Stunden Gänsehaut. Eine Live-DVD der 2016er Tour wäre mehr als wünschenswert. Alles Gute weiterhin für den "Maestro" und das gesamte Team auf und hinter der Bühne !

Wilfried reply Replies: 0 || 2016-04-30 19:20:13
Ich habe Ihr Konzert in Köln sehr genossen. Das Beste, was ich bisher in meinem Leben gehört habe. Sehr ergreifend. Bitte produzieren Sie eine DVD von den Liveauftritten des Orchesters.

Tobias Lehmberg reply Replies: 0 || 2016-04-29 02:27:03
Hallo und danke für das tolle Konzert in Köln!
Der Sound war phantastisch und auch der LJ hat hat ganze Arbeit geleistet - einziger Wermutstropfen war, daß ich mich sehr über einen persönlichen Kontakt bei einer Signierstunde gefreut hätte, Ihre Signatur hätte sich sicher auf dem ein oder anderen Booklet sehr wohl gefühlt neben der von Lisa. Ich freue mich auf alles weitere aus Ihrer Feder und hoffe auf künftige Konzerte. MfG, Tobias

Dmitry Kovalev reply Replies: 0 || 2016-04-27 10:25:14
Hello!

My name is Dmitry Kovalev, we recently rescued orca sandwiched ice floes on the coast of the Sea of Okhotsk (Sakhalin Island, Russia). We have successfully rescued the animal and want to make a video as we struggled with ice, standing in cold water. I ask permission to use the song in the album Rise Hans Zimmer - The Dark Knight Rises - OST. This is a non-profit project aimed to show people that they can help animals in severe situation for them! I really hope for your positive response!
The short film will be used photos with this report and video made the night!

My small tip for the salvation of orca.

"The ice captivity":

His ears still stands weeping and killer whales. Crying literally tearing you apart, feeling that this is your baby cries and you are uncomfortable trying to help him, and you have bad it turns out.
Feeling limited time to give to know salvation. tide time within which it was necessary to help get through the pile of Orca ice and get into clean water.

Floe tossed all that can only be used - hooks, hands, feet, pulling the rope, pushing the boat. We provide an approach to the orca, who was sitting on the rocks.
"Wave," cried the elder. We have deployed a boat sideways to the orca, and the guys in the water, starting from the feet side pull it forward to salvation.
I flew by hour hour was not to sleep. Tired, chosen on the shore, quickly warming up again in cold water, again on ice barricades.
It was evident that the orca is exhausted to the limit, but even in this state has helped swimmers to move. They came to a standstill, stranding !!! blazed a new route. Cold and fatigue do their dirty work, but we are not retreating, we sought to bring the killer whale.
Waves of increased boat in a drunken waltz began to wobble. On the breast of a camera in his hand a pole, a sleeve dripping water, but it is a trifle, which stopped paying attention. The guys in the water was even worse, some experienced involuntary shivering, but you can not give up!
It remained the last ridge of ice, behind which there was clear water.
Swim, native! Oh please! With these thoughts, where aloud to myself, where we continued to remove the animal from the labyrinth.
Gritting his teeth, hits the ice floe, we take them on board the ship
and take off in hand! The path is open! But why did not the killer whale swims ?! It turns out that the engine is heated !!!))))))
I do not know what the sound was like when he gathered himself and swam !!! Our jubilation knew no bounds! We shouted, shouted, cried and smiled at the same time! Orca proudly raised fin and headed for the open sea!

We were overwhelmed with intoxicating happiness of knowing that we saved someone's life !!!
On the right side of the breakwater is slowly engaged colorful dawn! It was delightful!

Translated with Google.translate

with respect,
Dmitry Kovalev,
member of the Russian Geographical Society,
Sakhalin island,
Russia
my e-mail:fredericlorsan@yandex.ru

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