NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Sorry, that is the wrong link above (film version)<br><br>This is the track I'm talking about. Does anyone recognize this version.<br><br>https://youtu.be/etkri6OKLpEThere is an expanded score album with the track called "Sniper/Border Post". It is different from the piece used in the film. Does anyone know the true identity of that track. I like the synth sound and the male vocal singing/wailing/crying in this cue.<br><br>https://youtu.be/DbENmej_cH0But the scores comes out in 1th NovemberThe movie is out this Wednesday in some territories."In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is UNMEMORABLE"<br><br><br>Aaaaaaaaaaaaand your whole analysis falls flat right there ! :P
Thanks Edmund.<br><br>@PaulH I am not meaning to say that Balfe cannot compose good music. There are compositions that I like: the Picasso theme is creative and well-written. Just that I find his arrangements of others more compelling usually than his own material.<br><br>An example that is good of this is kung fu panda. His arrangements of themes are really fun and energetic. In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is unmemorable. Contrast to Hans: the Po theme and Spirit theme are precise, fun, harmonically clever, and memorable. But his score cues sometimes feel lacking: his transitions are clunky, the bridge material is uncreative and basic. <br><br>It must be so much fun to work on those projects together. Coming up with idea and hearing what someone can turn it into, or getting to play with someone's idea without the pressure of starting from scratch.And also, be prepared for more Studio Time for the scoreTom said in his Twitter: 'Details very soon'<br><br>Altough, is only a week awayThe Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.
Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.
Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans Zimmer and other composers from Remote Control do not accept demos or unsolicited audio/video material. Please, don't ask us how to contact them either.



The www.Hans-ZIMMER.com Team :


Antas / Nicolas / Stephane H.


The Team :

Antas De Philvei / Stéphane Vidali
Webmaster - Programmer - Design - Editor - Press - News - Contact
antas@hans-zimmer.com
Nicolas Cabarrou
Webmaster - Editor - Press - News - Contact
ncabarrou@hans-zimmer.com
Stéphane Humez
News / Disco guru
Damien


Thank you :

Pierre
Karel Antonín


For any problems on the website : antas@hans-zimmer.com
Contact information for Hans : hans@ID-PR.COM





Create Topic

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 >>

Joseph LeGrand reply Replies: 0 || 2006-04-21 00:00:00
I am beside myself now that I have found this web site. I was listening to The Last Samurai soundtrack and I was wondering why I was so mesmerised and satisfied by its hypnotic content. I decided to surf the web in search of anything Hans Zimmer, low and behold I came across Remote Control Productions. Now I know that all the music I was fasinated with like Gladiator, Hannibal, The Lion King, The Last Emporer, Prince of Egypt all came from the genius of Mr. Zimmer. As an amateur composer, I draw intense emotional inspiration from his works. From one Virgo to another, Thanks for the enjoyment!!!

Justin Boggan reply Replies: 0 || 2006-04-21 00:00:00
Just looking for old score lover buddyof mine, Yann Champion -- whom I haven't talked to in a few years. tharpdevenport@hotmail.com

Ernest reply Replies: 0 || 2006-04-21 00:00:00
Full of useless, young people information!

Tony reply Replies: 0 || 2006-04-21 00:00:00
OMG! I was checking this feedback comments on this page and read the comment by Shadee Nassar below. I am amazed on how beautiful his music is. People u must check out his link. If his music was orchestrated it would be magnificent!. Shadee i give you my props. You will go far with your talents. Sorry Hans, now to compliment you. Your music is excellent. I wish your bio was in english though. Im a great fan of hans. I can't wait for Divinci code soundtrack.

Anonymous reply Replies: 0 || 2006-04-05 00:00:00
Who the hell is Yoshiki????

Anonymous reply Replies: 0 || 2006-04-05 00:00:00
Yoshiki is one of the greatest composers and and musicians of the probably the past 20 years. He created a social phenomenon with his break all the rules hard rock band 'X Japan'. Since then he's produced many original artists in both asia and the US and Europe.

He was asked to compose and play a song on the KISS tribute album. He's also received many honours in Japan such as writing and performing a song for the Emporer's 10th anniversary and more recently the 2005 Aichi World Expo theme song.

He is now perparing to unleash his talent on the world music market with his long time in recording "--VIOLET UK"--. A project more ambitious than Axel Roses Chinese Democracy album.

You will hear and see more of this man very soon~ so stay tuned

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 >>

 HANS-ZIMMER.com© 2001-2018 OST 
Stephane Vidali / Antas - Nicolas Cabarrou