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I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.<br><br>Really great score!I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen NightAbout his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).
a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for me
Aw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.
Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronicsSo I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter egg
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Christian reply Replies: 1 || 2017-07-12 00:30:21
Please help! I really want to find out what this piece is at the very beginning of the trailer here: https://www.youtube.com/watch?v=Z8lL0EItUvU&t=95s
and it sounds to me like it really could be Hans Zimmer piece. Anyone have any ideas or am I totally wrong?!


Christian2017-07-12 00:43:57
https://www.youtube.com/watch?v=Z8lL0EItUvU&t=1s
Sorry, link from the start. And its about the first 30 seconds

James reply Replies: 1 || 2017-07-09 00:11:50
"The World of Hans Zimmer"

This is a show without Hans?


Alexander2017-07-09 00:42:52
Yes it's without Hans in person. It is Gavin Greenaway who conducts the orchestra.

Gaëlle C reply Replies: 0 || 2017-06-28 13:55:26
Dear Hans,

I'm french and drove 400 km to be in Nîmes on june the 24th and I've never felt so lucky than this day.
To see and to hear your musicians and you playing was a dream. I fell in love with your music when I was about 15 and had tears in my eyes when hearing the Rain Man theme.
You're a great composer M. Zimmer and a great man. Respectful to your musicians and audience.

I hope you'll be back in France soon, not just for me but for all those who couldn't see you until then and, even if I have more kilometers to drive, I'll do them easily to have the chance to see you again on stage.

Affectionately.

Gaëlle

Julien C ( 20 years ) reply Replies: 1 || 2017-06-21 03:27:50
Live on Tour - Antwerpen 2017

Dear Hans

the experiment whom I have just lived this day was fabulous, you and your orchestra did nothing but climb levels throughout this extraordinary concert and I hope that it will climb of them others during the rest of your round and your life.

During all the concert, I did nothing but admire your work which is stunning like your production and your fastener towards your orchestra and your public .

Pirate of the Caribbean was brilliant especially the solos of Tina Guo, I had even shivers of them on my chair like for Gladiator, Inception, The Dark knight Small channels without forgetting celebrates it King lion where one was pleased immense to hear the voice of Mr Lebo M (Lebohang Morake) at the time of the beginning of the music.

I hope to re-examine you one day on the Belgian territory for your next round while hoping that there is one of them.

I wish you a good wind for your future productions, it was a pleasure of listening to you and to see you in truth even if I were far from the scene and it will be always a pleasure of listening to your musics.

Sincere greetings still a large whole thank you for what you do and courage for the continuation.

Julien C

Traduction Français

Cher Hans

L'expérience que je viens de vivre ce jour était fabuleuse, vous et votre orchestre n'avez fait que gravir des échelons tout au long de ce concert extraordinaire et j'esp&#232;re qu'il va en gravir d'autres durant le reste de votre tournée et de votre vie.

Durant tout le concert, je n'ai fait qu'admirer votre travail qui est époustouflant ainsi que votre mise en sc&#232;ne et votre attache envers votre orchestre et votre public

Pirate des cara&#239;bes était géniale surtout les solos de Tina Guo, j'en avais m&#234;me des frissons sur ma chaise ainsi que pour Gladiator, Inception, The Dark knight Rises sans oublier le cél&#232;bre Roi lion o&#249; on a eu l'immense plaisir d'entendre la voix de monsieur Lebo M (Lebohang Morake) lors du commencement de la musique.

J'esp&#232;re vous revoir un jour sur le territoire belge pour votre prochaine tournée tout en espérant qu'il y en ait une.

Je vous souhaite un bon vent pour vos futures productions, c'était un plaisir de vous écouter et de vous voir en vrai m&#234;me si j'étais loin de la sc&#232;ne et ce sera toujours un plaisir d'écouter vos musiques.


Sinc&#232;res salutations encore un tout grand merci pour ce que vous faites et courage pour la suite.

Julien C


Jimmy2017-06-24 11:00:56
Dear Hans Zimmer and all the artists, i saw your performance in amsterdam and it was amazing.. loved it. hope this is only the first live tour of many to come, if so i will be there for sure... beautiful medley's. Can't get enough of it... Thank you for a great/amazing night.. hope to see you all again in amsterda, stay well, true fan, jimmy

Jess reply Replies: 0 || 2017-06-19 22:28:24
Live Tour Sound Levels - Glasgow edition

Leaving this comment here as not sure where else one would feedback on such things but...

I was at the show in Glasgow last night (18/06/2017) and sadly had a similar experience to quite a few of the posters below. The sound levels were really, really off and made the melody inaudible for most of the concert. For the first half of the concert it seemed there was some effort to counteract this (i.e. the pieces would find their level about half way through each one) but the second half of the concert was just a wall of sound. For example, The Wonder Woman Theme ("Is She With You?") was utterly unrecognizable except that Hans Zimmer made reference to it once the piece ended. It made me sad that all the build, nuance and explosive musical climax that HZ and his team are known for were lost in the cacophony.
I left feeling really angry and to be honest angry for the performers most of all. You can see that they play their socks off, are ridiculously talented and love what they do, but they were greatly misrepresented by the poor levels last night.

To be clear, I saw this concert last year in another city and it was amazing. When the music is allowed to shine it is truly wonderful. So my issue was with the poor sound quality rather than the music selection itself. I find it quite shocking that for a tour that has been going for well over a year, with a set running order, talented musicians and crew, and with the technology that we now have, that the sound could be such a disaster.

That being said, if you get a chance go see this tour. The lighting and staging are done well. Hans' anecdotes are charming and the musicians are a joy to watch. When the sound levels are on point the music is powerful and moving, and if you are fan of his body of work you really need to hear Hans Zimmer's compositions live.

Alan Roberts reply Replies: 0 || 2017-06-17 20:42:43
Thanks you for cheering me up in London on the 16th June. My Dad had a near fatal heart attack at the age of 85. He's only just alive but insisted I came to the concert at the SSE. Although a sad time you helped me get through the day and night. Gladiator was done so beautifully that night I balled my eyes out throughout the performance.

Your're an inspiration and one the greats.

Alan

Vinibash reply Replies: 0 || 2017-06-16 09:56:38
Hans

Thank you for your kind donation of the proceeds of last nights show to the victims and survivors of the Grenfell Tower Fire. Your generosity is an example to us all!

The show rock as usual, a fitting tribute to London!

We are all London!

Tom Grice reply Replies: 3 || 2017-01-17 19:11:08
I saw Hidden Figures this weekend and as a former adolescent NASA geek from the 60's I thoroughly enjoyed the movie and the stories. There were only two places in the film where the music grabbed my attention. Those times were after John Glenn's lift-off as he climbed into orbit and when he had his ticker tape parade. Can you tell me, is that a snippet of Carmen Ohio I am hearing?" If so, it is a great tribute to Sen. Glenn and his love for the Buckeye State. If not, chalk it up to failing hearing and an vivid imagination.


BuckeyeinFL2017-02-01 00:15:58
I caught Carmen, Ohio too. Awesome!


MissouriBuckeye2017-02-01 21:01:21
Having been a member of the OSU Marching Band, I assure you that you did hear the first 5-6 notes of "Carmen, Ohio" (the Ohio State alma mater) during the launch sequence.

Glenn himself went to Muskingum College, about 50 miles away from Ohio State. I don't know what their alma meter is.


Tom Grice2017-06-11 20:15:03
Thank you for the confirmation.

I tried out for I-Row in '74. B player/C marcher kept me out.

OSU HEC '87

Mehmetcan Gler reply Replies: 0 || 2017-06-08 21:47:47
Which ones are Blake's composed Themes for the movie "The Da Vinci Code"?

Sarah Connor reply Replies: 0 || 2017-06-04 00:07:43
Hi Mr Hans Zimmer. I am from Turkey. Big fan of your work.My favorite tune from yours is that Davy Jones theme you created for Dead Men Chest movie.

can you give any feedback/comment about a fan lyrics that somebody made which i found superior version of song

https://www.youtube.com/watch?v=n_LApFnTfP8
thank you

Sara reply Replies: 0 || 2017-06-03 15:01:06
Dear Mr Zimmer,

I would also like to join the comments about the concert in Budapest. I traveled with my mother from Novi Sad, Serbia and we bought the best tickets available, since we are both devoted fans. My mother started following Your work since she was a teen from the early 80s and she introduced me to movie scores for the first time when I was a child. Ever since, we listened to every new score with great admiration and excitement and we were hoping to have the opportunity to hear the live performance.

Finally, we bought the tickets for Budapest, but instead of the long anticipated evening filled with divine beauty of music, we were devastated during the second part of the concert.

The first part was truly what You are known for and what people want and expect to hear. I must say that the theme from the Gladiator moved me deeply and it represented the high-peak of the evening. The themes from The Lion King and the DaVinci Code were simply perfect and incredibly emotional as well. I would especially like to praise the solo sections of Ms Tina and Mr Lebo.

From all the magnificent and beautiful themes from King Arthur (which I consider inevitable to perform), Pearl Harbor, Rush, Spirit the Stallion of the Cimarron, The Last of the Samurai and Tears of the Sun and many many others, the setlist of the second part of the concert was a painful disappointment.

Instead of blissful peace it brought nothing but aggression and destruction with that much emphasis on the electric guitar. It is the type of music that goes quite well with the superhero movies, nevertheless we expected more themes with the symphonic orchestra instead of all that electronics. When I came home, the first thing I did was to listen to the good old themes I mentioned above, just to erase the memory of the evening before.

However, I would go to the concert again without a second thought if the setlist would be modified and performed with more acoustic instruments and piano to represent the very best of Your work, which is how You initially won the audience.

All of the above was said and written in hope that You will take these remarks and the comments of Your longterm fans in consideration.

Yours faithfully,
Sara

Deacon John Berstecher reply Replies: 0 || 2017-06-02 23:46:36
Thank you for the joy you bring. And for the joy to come, as I'm sure your love of music see no bounds!
And thank you to your musical family.

John

Churchillfan reply Replies: 0 || 2017-06-02 15:17:29
Hybrid - do you have any audio from Churchill ??????

  Your name :   

Please enter number: 0 

Harry reply Replies: 0 || 2017-06-02 14:49:16
Oh ... I'm supposed to write in English ... this will be nothing :-) Sorry guys ... I want to talk about my emotions here ... I can not bend in the language ...

Oh... Ich soll in englisch schreiben... das wird nichts :-) Sorry Jungs... ich möchte hier über meine Emotionen Reden... da kann ich mich nicht in der Sprache Verbiegen...

Meine Freundin schenkte mir zum 50. Geburtstag Karten für Hans Zimmer in Leipzig... wir selber wohnen bei Köln... und wollten eigentlich 2016 ins Konzert nach Köln... leider hat es sich nicht ergeben und meine Freundin hat gemerkt, dass ich deswegen etwas traurig war... also dann nun 2017 die große Überraschung zum Geburtstag -> Karten für Hans Zimmer in Leipzig. Und ich kenne Leipzig. Eine tolle Stadt mit tollen Menschen... also riesen Freude... hat sie super gemacht.

Und was waren wir begeistert. Ich kann die negativen Kritiken hier nicht verstehen. Scheinen ja viele super Livemusiker dabei zu sein, die schon Konzerte ohne Ende gegeben haben, um sich hier als Fachmänner austauschen zu können... Ich sag dann gerne -> selber besser machen :-)

Aber natürlich kann auch ich Meckern ;-) Aber nicht wirklich... Das Konzert war großartig und wir waren drei Stunden lang Begeistert... und meine Freundin hat für Filmmusik nichts übrig... nun ist sie Hans Zimmer Fan... Wir waren von der ersten bis zur letzten Minuten wie elektrisiert... was bestimmt auch an der Bühnenshow gelegen hat... mit diesen fantastischen Musikern... einer besser als der anderen... und doch eine große musikalische Familie... Fantastisch... Herzlichen Glückwunsch Hans, dass Du dich mit so tollen Leuten umgeben kannst und so toll zusammenarbeiten könnt... Mein Traum - einmal mit Euch auf der Bühne stehen... ich kann nur kein Instrument... vielleicht Triangel ;-)

Ich habe mich schon als Kind für Filmmusik begeistert und hatte/habe eine entsprechend große LP/CD-Sammlung von Hunderten von Filmmusiken... In den Anfängen noch Ennio Morricone (wo das Konzert leider abgesagt wurde) John Williams, Nino Rota, John Berry, Henry Mancini... usw. und mit Rain Man gesellte sich die erste Hans Zimmer LP dazu... und da sind noch einige wundervolle dazu gekommen... Black Rain, Backdraft, Crimson Tide, usw.

...und hier kommt nun mein Meckern am Konzert... warum nur drei Stunden? Wer so viele tolle Filmmusik geschrieben hat kann doch Ruhig ein acht Stunden Konzert geben :-) Jeder Fan hat bestimmt die eine oder andere Filmmusik vermisst... so hätte ich wahnsinnig gerne etwas aus Rango gehört. Das Thema aus Rango würde sich auch perfekt für Live eignen... meine Meinung... Und ich wollte eigentlich in Leipzig nach dem Konzert noch "Zugabe Rango" rufen... aber Ihr hatte Euch den Feierabend redlich verdient. Da wurde über drei Stunden mit einer Leidenschaft und einem Einsatz ein Konzert zelebriert... Großartig!

Aber lieber Hans, warum will ich unbedingt Rango hören? Weil dies eine kleine Geschichte von mir ist... die Du, falls Du mal Rango in die Live-Liste mit aufnimmst, gerne erzählen kannst... was Fans von Dir beim Filmschauen denken... :-)
Ich habe damals mit meiner Freundin und ihren Kindern im Kino Rango gesehen... und habe mich die ganze Zeit gefragt "Verdammt. Vom wem ist diese geniale Filmmusik???" Wie gesagt, ich habe mich von Kindheit an für Filmmusik interessiert... und kannte auch einiges von Dir... aber ich überlegte "Morricone? Nein zu modern... Williams? Bestimmt nicht... Wer macht den noch Western Musiken? Horner? Passt auch nicht... und so grübelte ich über diese fantastische Musik, anstatt mir den Film anzuschauen :-) ...und als der Abspann kam... und alle Leute aufstanden und gehen wollten, blieb ich sitzen... Ich musste Wissen wer das Komponiert hatte - HANS ZIMMER! Ja klar... der Hans der kann's ;-) Am nächsten Tag hatte meine Sammlung eine neue CD

Lieber Hans... vielen Dank für das großartige Konzert. Der Dank gilt allen großartigen Musikern die an diesem Abend auf der Bühne waren und uns begeistert haben. Ein unvergessliches Erlebnis... und ich erzähle all meinen Freunden von diesem Erlebnis... Wir freuen uns noch auf ganz viele tolle Filmmusik von Dir und wünschen Euch allen das Beste...

Liebe Grüße

Henrike + Harry

Endre reply Replies: 1 || 2017-06-01 23:56:26
Dear Hans Zimmer,

I just came home from your 2017.06.01 Budapest concert. I have to say that the first half of your concert was superb (which included Gladiator and Pirates of the Caribbean), but the second half was a huge disappointment. It resembled more a heavy metal concert than an actual symphonic concert. I could scarcely recognize any musical themes during the second half, seemed like you just left your talent in the first half. Also I deeply missed the music of King Arthur, which is one of your (if not) best score. Please next time try harder and leave out the heavy metal stuff, your audience loves you for your melodic orchestra and not the brainless bass.

Sincerely: Endre


Péter2017-06-02 14:39:46
Hello Hans Zimmer,

We visited your concert yesterday here in Budapest. Unfortunately it was a big disappointment. The first half was OK, but the second half was terrible. It was like a very loud heavy metal concert, we had to cover our ears and not just our ears, but we also had to close our eyes, because of the constant, annoying stroboscope. It was harmful for both eyes and ears and we have seen children and even a pregnant woman in the concert. I am sure it was not healthy for them either. We had to leave 10 minutes before the end because my wife got sick.

What a disappointment...

Regards, Peter

Rick reply Replies: 0 || 2017-05-28 23:56:14
Dear Hans,

me and my wife visited the concert in Leipzig, Germany on May 24th 2017. We are big fans of Hans’ music and were in joyful anticipation to see him playing live some of our most favorite songs.

We had tickets for the best category right in front of the stage. By the way: we also visited John Williams and we have tickets for James Newton Howard as well.

But sadly this concert was a total disaster and we drove back home with nothing else than disappointment and anger. Compared to John Williams, where we were totally excited and told everybody about the great concert, we weren’t able to do this for the Hans Zimmer concert.

Let me explain in short, how we experienced this Hans’ concert.

1) Sound
The sound was horrible. The bass (especially sub-bass) was way to loud. Everything was booming, the sound was ‚muddy‘ and totally distorted. Vocals were hearable and understandable only if the band was playing very quitely.

At least, many people had to cover their ears because of the high loudness. And some people left the concert because of the bad sound. And just as a note: such high levels are harmful to health and if you like your fans to hear your music in the future, you shouldn’t kill their hearing ability!

Front of House was at the very end of the hall - so they didn’t hear how bad it was in front of the stage - and the most expensive seats.

I have to say this was no professional work. It seems like they just tried to kill any noise by turning up the volume to the max (like in the 80s) instead of optimizing sound and setup adjusted to the hall and the audience.

2) Lightshow and screen
The lightshow was a lowlight as well.

Almost the whole lightshow was based on strobe effects and flashing lights - no matter if the moving hads were flashing or the psychedelic moving images on the big screen were flickering and flashing. I was not able to watch this concert longer than a few seconds and then I had to close my eyes for a few seconds before I was able to watch again. Two hours of strobing and flickering lights, all the way from light to dark and back again in high frequencies was very exhausting. And it wasn’t only me. I saw a lot of people keeping their heads down and were watching the ground and not the stage.

Lucky me, I’m not an epileptic….

The big screen was used only for this irritating images and sometimes for pre-recorded! scenes, where some of the musicians were playing their instruments instead of showing the band or Hans’ playing live or if Hans’ is telling stories about the songs, his live or his friends and band colleagues.

At least this kind of lightshow and use of the big screen didn’t make it possible to see the artists faces. So it’s a bit like with the sound… You couldn’t hear them, but you couldn’t see them as well.


So why do you visit a concert? Right, to see the artist play and hear, what they play. Both wasn’t possible or a joy that day.

There are many clips on YouTube, where you can see and hear what we experienced. And no, the distorted sound is not caused by „bad mics“ of the smartphones...


I’m very sad to say this, but this was the worst concert of my live. I’m not able to tell anything good about this event - and everybody was expecting the total opposite. And to be honest - I wish I could get my money back, for the very first time in my live after visiting a concert. It was such a waste of time and money :(

Rick

Philipp Meyer reply Replies: 0 || 2017-05-26 16:12:31
Dear Hans Zimmer Team,
what is up with your Live-Tour sound? Almost all of the eventim-FanReports for your live tour talk about deafening bass, drowned-in-noise vocals, actually exploding speakers and people leaving early. I was in Leipzig, your technicians might remember the guy who asked them for earplugs.

I will alert the emissions-protection-bureau about this. Because submitting People to 100+dB without proper warning is actually illegal here.

In truth, I would like my money back.



Jill W. reply Replies: 0 || 2017-05-25 21:06:24
Hi Hans!

Your scores helped me pass through difficult times, in life.
Never heard music that touches me so deep inside.
Thanks - to you and your Team - and go on like this.
When do you come to Germany with your Team (live in concert)?

If you like to answer: atlantis42195@gmail.com
------------------------------------------
Hallo Hans!

Ein dickes Lob an Sie und Ihr Team.
Ihre Musik half mir, durch schwere Zeiten im Leben zu kommen.
Nie zuvor kannte ich Musik, welche mich derart berührt.
Wann kommen Sie wieder nach Deutschland, mit Ihrem Team?

Weiter so und beste Grüße, aus Düsseldorf!
Falls Sie antworten möchten:atlantis42195@gmail.com

Jill W.

Mille reply Replies: 0 || 2017-05-23 12:30:52
Hello Hans Zimmer,

My boyfriend and i went to your concert in Forum yesterday.
My boyfriend have been a fan of you, since he was a teenager, renting your soundtracks in the public libary. He is 32 now. I gave his tickets for the show as a surprise and he had been talking about it every day for more than 2 months. He knows facts about dreams you had when you were younger, why you chose a certain tune and he has watched the thin red line at least a 1000 times, just for the music.
We came an hour early yesterday all ready and so happy. Then you began. Everyhing was wrong. The music was at least 25 % too loud. We had no chance what so ever to the seperat instruments. People were covering their ears most of the time. The light show was enough to make anyone get an epileptic seizure.
What we love about your music and you, is that you can create a universe with one sound. Yesterday was more like being at a heavy metal concert. You had no reason for the gospel singers, because you could not hear ONE word they were saying.
The last song you played, on the piano alone, was amazing. And half of the lion king and half of pirates o t c. But the rest sounded like being at copenhagen hell (a rock festival).
You have meant everything for my boyfriends musical taste. And he was so sad yesterday, because you completly shattered his idea of that.
We had to walk home instead of taking the train, because we were just so angry and had so much to talk about.

I am so so sorry about last night. I wish it had never heppened.
Regards Mille

Fernando reply Replies: 0 || 2017-05-16 23:54:35
I will be at Liverpool Arena on 17 June. Are you going to play the song Tennessee? I really like it. Thanks!

Sergey reply Replies: 0 || 2017-05-15 09:24:25
Come to Russia, please.

Balbi Sanfelix reply Replies: 1 || 2017-05-04 11:28:20
I´m very big fan of Hans Zimmer since I was a child. I would very happy if this fantastic tour visit Spain. I hope someone of the team read this.

Congratulations for the fantastic work!!


JBSO992017-05-04 16:26:56
I'm with you! Many of the tours visit different places of Europe but no Spain. I sure would go if there was one in Spain. Thanks!

Maria reply Replies: 0 || 2017-05-04 11:22:23
Is it possible that The Borgias soundtrack for season 2 and 3 composed by Trevor Morris will ever be released?

Jayhamel reply Replies: 1 || 2016-11-22 08:42:51
Big fan of
hans Zimmer
https://soundcloud.com/jeremie666/sets/jay-hamel


hattie2017-04-30 17:46:06
this is really cool :)

Louis Ferrelli reply Replies: 0 || 2017-04-17 14:46:10
Hut ab ...Hanz Zimmer...

Pit reply Replies: 0 || 2017-04-15 15:45:04
Sehr geehrter Herr Zimmer

In Ihrem Fall macht das Wort geehrt sogar wirklich Sinn und Freude. Ich weiss nicht woher Sie diese Tiefe aus Ihrer Inspiration in Ihren Werken hervor bringen, die Art wie Sie Gefühle durch Ihre Kombinationen auslösen ist sehr berührend. Das wissen Sie selbstverständlich, haben Sie ja vermutlich schon tausend Mal gehört.

Auf diesem Weg möchte ich Ihnen gerne mitteilen, dass Sie in mir eine unglaubliche Kraft für das Positive entfachen. Als ich gesehen habe bei wievielen Filmen die mich in bestimmten Sequenzen berührt haben, Sie die Musik dazu gemacht haben, war ich "fast" schockiert. Der Höhepunkt für mich persönlich ist zwar Time, aber es gibt unzählige viele Stücke mit dem gewissen Etwas.

Nun wie dem auch sei, vielleicht erfahren Sie eines Tages auf welche Reise mich Ihre Lieder mitgenommen habe. Seien Sie nicht erstaunt. Ich danke Ihnen für Ihre Ausdauer und Ihr Wesen. Das ist eine "wahre" Freude!

Beste Grüsse
Pit

Daniela Barillas reply Replies: 0 || 2017-03-28 17:29:57
Hi Hans! I'm a big fan and also a Film Composer!

Currently I will be doing the music score for this short film, but the filmmakers need help with raising funds, could you help us with our crowdfunding?

https://www.gofundme.com/help-us-to-make-a-good-short-film

It's for a nice cause! This will be my first music score in a film ever! Thank you and god bless you all!

Zviad reply Replies: 0 || 2017-03-14 02:41:24
https://www.youtube.com/watch?v=-CM4VRiOIMc
this soundtrack i mad for horror movie.
check out .. if you like the way i tell the story just contact on facebook :
Zviad Mgebry
I Would Really like to collaborate eaves for free
i work with orchestra with band ets. thats my band BTW

Falco Biltz reply Replies: 1 || 2017-02-09 14:24:01
Hello ladies and gentlemen,

I am actually very interested into Orchestras and Scores.
I have seen tons of footage and also did some recherche how to arrange and organize an orchestra, when I suddenly stumbled about two and a half questions.

Question one:
why are string and woodwindinsruments the only ones with a static position?

Question two:
on what does it depend, that Xylophones, Drums, Pianos, Harps and sometimes Brassinstruments, vary their position?

Question two and a half:
does this depend on the acustic of a room or is there any certain specialty to define the seating?


Andrew Perry2017-03-02 01:50:15
If you're really want to know more about score, as odd as it sounds, Facebook is how I learned the basics that really readied me. I'm a part of several groups on FB and they're all very welcoming! Feel free to find me on FB!

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