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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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Goran Skugor, Croatia reply Replies: 0 || 2009-12-02 00:00:00
Dear Hans,

these days I am fully in Hans Zimmer mode. Wherever I go, I have your music on my ears. Gladiator. Fantastic. Your incredible ability to put the exact emotions into vibrations is simply...... well, I am speechless. You have produced authentic feelings in me while listening to battle pieces. Like I am there in this very moment. It is even more interesting to me, since I research the expansion of consciousness, through integration of polarities, and this experience produced deep and genuine feelings - a pure jewel in my work.

I am completely overwhelmed with inspiration, joy and strong feelings. I and my every cell that has been enjoying these days - deeply bow to you!!

And looking to your site, I realize that I have just started to discover your work :-))

Greeting from Croatia
Goran Skugor

Francesco Armillei reply Replies: 0 || 2009-11-30 00:00:00
If you need a younger composer, i'm here (i'm only 13)
thebestcomposer@hotmail.it

You can find my music here:
http://www.youtube.com/RoyalSoldier96

ethan minkovsky reply Replies: 0 || 2009-11-28 00:00:00
Dear M.Zimmer,
iam a shame to say that i only recently discoverd you and your music and i wish i could say that i folow your work for years but it is not the case.

However in the short time that it took me to folow your work and realy listen to it, i have to say that its nothing more than a divine privilege and only now i know that music can reach inside your soul and spark something deep that hide behind so much physical and emotional walls.In relevance to the movies aspect it work wonderful in a way that the music just somehow take you and pot you inside the drama and just make you feel apart of the movie.

The strongst feeling i ever got from any movie soundtrack was in " Chevaliers de Sangreal " ,that music that scene just changed something in me and i felt love and a very strong feel of sacrifice, long after iv seen the movie still every time that i hear that beautiful pice.... can make an adult man to almost cry from feelings that just awake in a spark.

thank you for the opportunity to enjoy such brilliant and deep emotions.

minki4186@hotmail.com

Lea de Melo reply Replies: 0 || 2009-11-26 00:00:00
Dear Mr.Zimmer,
My name is Lea de Melo. I am a student in Year 11 at the International School of Geneva and taking the International Baccalaureate.
In Year 11, every student has to do a Personal Project which consists of taking responsibility for our own learning by researching and investigating a topic that interest us.
My Personal Project will attempt to answer the following question: “How does the soundtrack of a film enhance or manipulate the emotional response of the viewer?”
Mr Hand , my project supervisor and the Campus Principal, suggested I contact you because of your significant contribution to film soundtracks.
I play the piano and love film scores. For the practical / creative side of my project, I will be composing the soundtrack for a scene in a film being made by the Head of Performing Arts and some students. I thought it could be interesting to combine the two and learn about how composers go about their work and inform my own composition at the same time. I have already started conducting research by seeing how music enhances the emotion in a movie scene. I have also researched film composers and I am hoping to get some of their professional advice.
I was wondering if you would be willing to answer the few questions below so that I can try to understand and compare the different approaches to process and techniques composers use to create a film score.
1) What process(es) do you use in writing music for a film? Do you discuss the film first with the director? Do you read the script? Do you choose the scenes to be scored or does (s)he or is it a collaboration? Do you view the relevant scenes for your inspiration?
3) How do you choose the style of music you will adopt? Do you work thematically in terms of the whole film?
4) How do you choose the key, rhythm, tempo and dynamics?
5) How do you decide on the instrumentation? Do you believe that certain instruments stimulate or enhance certain emotions? Is the oboe, for example, a ‘plaintive’ instrument?
6) Do you think music can “cover up” a weak scene?
6) Has there been any time during which you were not inspired? How did you find inspiration?
7) What other advice can you give me?
If you would prefer to do this over skype we could conduct the interview verbally but that might be more time consuming for you.
Any help would be very much appreciated.
Thank you very much for your time.
Lea de Melo

email: leademelo@hotmail.com

MW2 sucks reply Replies: 0 || 2009-11-24 00:00:00
Thanks for scoring MW2 so we don't get an option to turn the music off if we don't feel like hearing it. MW1's music team was as good if not better than your score.

Hypton reply Replies: 0 || 2009-11-16 00:00:00
I love Hans Zimmer !!! :-)

alexg143 reply Replies: 0 || 2009-10-27 00:00:00
Very nice site!

Blayne Taylor reply Replies: 0 || 2009-10-19 00:00:00
Hello

I am a fan of the music. My only complaint is that there is a song that was in King Arther that I can not find any where. We will go Home. It is something that both me and my wife love hearing in acopello. if there is anything you can do ... #########

alexe955 reply Replies: 0 || 2009-10-14 00:00:00
Very nice site!

Lauren reply Replies: 0 || 2009-10-06 00:00:00
You have an amazing talent and I am proud to say that you are my role modle:D
Please continue producing such wonderful music and I really hope that you will produce some posters of yourself soon because I would love to hang one up on my wall.

ritesh reply Replies: 0 || 2009-10-05 00:00:00
hello sir i am big fan of ur music .you are doing a grest job .It seems which ever movie that you give music to does very well at the box office . keep going!!!!


thanks ,
Ritesh

Anders reply Replies: 0 || 2009-10-02 00:00:00
Hi

you are wanted.........


your prescence.......is needed.......¨


your voice........is neccessary


You....are essential


/Anders

web investigations reply Replies: 0 || 2009-09-20 00:00:00
So much music, awards, credits, movies, money, team, skills etc. about this amazing man and his gifted team! But still the same old shitty inofficial website! What a pity! Is there anybody who feels responsible?
I know at least 5 guys who can conjure within 10 days a website that looks appropriate/suitable for RCP-artists...
Hey...and never forget the fans who make all this possible!

No harm meant guys...:o)

Frances Rodriguez reply Replies: 0 || 2009-09-16 00:00:00
Hello,
My name is Frances Rodriguez and I am senior president of Humanities High School located in Manhattan. I am in a drumming class that has very little but we try to manage with what we have. We are the main attraction for our christmas and spring concerts. We are 16 to 18 year old kids and our drum class is just 8 students. I believe anything is possible, as young as we may be, we aspire to some day entertain the world with music as you have. We love the enchantment of it and the joy in doing it. Today i write to you to ask for suggestions on how we can get new materials for our show. My school is struggling and we cannot afford great/new instruments. I ask of you even if you could donate one barrel it would be enough to make our show a blast. We have used paint buckets and desks and chairs and people love it because we can make it happen. I have written to Carlos Santana and last year him and his management sent us drum heads for our Christmas concert. I ask of you to please help us out in anyway possible even if its a suggestion we would greatly appreciate it. I have written to the president but unfortunately the office said that they could not act on it because i was writing on behalf of the school but now i just ask to please make my peers last year the best ever. We admire great musicians such as yourself and hope that in any way possible you can reach us. My email is FRANLRODRIGUEZ@AOL.COM,

Thanks for your time in hearing me out. Please write back with anything. Thanks again.

Ernest Klimovich reply Replies: 0 || 2009-09-13 00:00:00
Hello Hans.
Please check my music maybe you like it.
www.ericsam.com
Thank you.

M. Raetzel reply Replies: 0 || 2009-09-09 00:00:00
Dear Hans,

So I know you probably have WAY too many people trying to contact you and get you to go check out their music, and if I was in your shoes, I know I wouldn't have time to look at everyone's work. But I think you might be quite interested in some of the work I have done. I'm not a genius, nor a prodigy like many, but one thing I know I'm good at as a composer is writing a memorable theme. And I ask you to please take a mere 5 minutes of your time, check out my compositions, and let me know what you think. You could tell me it sucks if you want, and that I'm wasting your time. All in all, I just really want to know from the perspective of a professional like yourself, if I really have what it takes to make it in this business. You can hear my work at www.myspace.com/mraetzel. My email address is matt_raetzel@hotmail.com. Thanks Hans, and I really hope to hear from you!

-M-

Rhona reply Replies: 0 || 2009-09-02 00:00:00
Dear Mr. Hans Zimmer
I'm a South African musician with a licenciate in music, currently busy with an FTCL in piano and was born with a perfect pitch ,therefor I can play almost any instrument. I have composed numerous pieces, teach and perform.
You know the saying: I'f you can hum it, I can play it" is literally true in my case.
Is there a posibility that I can enter a career in movie soudtracking, as this is my life long dream.
rhona.kriel@vocamail.co.za

Paul Murashov reply Replies: 0 || 2009-08-30 00:00:00
My email adress paulmurashovmd@gmail.com

Paul Murashov reply Replies: 0 || 2009-08-28 00:00:00
Dear Hans,
Let me say that you are amazing gifted composer, love your music. And you are like a musical father for me. Thank you for what you are doing. You are a real blessing for all the people musicians and composers on the planet earth,and it's truth. You know i am from small country in Europe , Latvia. Please if you can listen my soundtracks and send some comments it will be a miracle for me. www.myspace.com/pavelmurashov and tell me what i can do with all these stuff. thank you very much.
God Bless You.
paul.

Anonymous reply Replies: 0 || 2009-08-24 00:00:00
Hi , My name is Vladimir . I based in Dubai and working at music post production .
Please check my ShowReel at www.vladimirpersan.com also my offline video channel at www.myspace.com/vladimirpersan

Wish to collaborate with you gays one day . I am planning to visit US in December , maybe will pass by Santa Monica .

Best Regards.

Vladimir Persan

Alexander Stabell reply Replies: 0 || 2009-08-22 00:00:00
Dear Hans,

Your music brings feelings up from the inside, you have writen many incredible songs. I'm only 15 years old, and many people thinks that i'm a guy who listens to rap and all those crap who is made, but no. They looks weird, when i tell i'm listening to your and other componist's formidable work. I thank the lord, for bringing you to earth, and i thank you for making this indescribable piece of work, you've made.

Salute Alexander S.

George reply Replies: 0 || 2009-08-19 00:00:00
hello mister hans, I am creating my music on the piano, and I wish to show you them, please contact me +99597511107, or mail to me gio1786@yahoo.com I promise you will like it, your bigest fan "George"

Komsan reply Replies: 0 || 2009-08-18 00:00:00
Dear Mr.Hans Zimmer

I am very love you song. now i was see every of your movie. It's wonderfull. You are my real idol.
I am present working as a music composer at Lulaby Music, and have a wide range of responsibilities. There include determine how to composer film score, Arrange and recording in studio.

this is my demo

http://www.youtube.com/user/looktone

I would like to know your comment

my email is looktone@hotmail.com

(sorry for my english)


thank you

Anna reply Replies: 0 || 2009-08-13 00:00:00
Dear Mr Zimmer,
I love your music! It's amazing, incredible! I'm 17 and I must think about my studies. In the future i want to be a composer like you, Mr Zimmer :) Can you tell me what kind of studies you were? Sorry for my english... Thank you :)

Girl From Norway reply Replies: 0 || 2009-08-04 00:00:00
I love his music!!! :D I am from Norway, and I think Hans is the Best!
ANd you are my Idol! :)

Emeka reply Replies: 0 || 2009-07-27 00:00:00
I was wondering what the lyrics to 160 bpm from angels and demons was?

Ali reply Replies: 0 || 2009-07-23 00:00:00
This is a really cool site! I never knew that Hans Zimmer was so involved in some of my favorite movies! The only thing I would suggest is perhaps improving the look of the site by using a higher quality prgram that allows you to use better themes and make the site look more accomplished.

nahman reply Replies: 0 || 2009-07-20 00:00:00
hans for me you are the best composer of all time one of my biggest dream is to meet you buti doubt the will ever happened i love you hans zimmerkeep making good music you are my idol

Josip and Alen reply Replies: 0 || 2009-07-11 00:00:00
My friend and I have one small favor. Our best friend Mislav Polegubic is celebrating his 18th birthday today on 08th July 2009 and we want to give him something special. He's huge fan of Hans Zimmer and admires the way he has been making his life achievements. While our best friend was watching Pirates of Caribian he was amased by music that was made by Hans Zimmer. Few days after he went to a music shop and he bought CD of Hans Zimmer. Today because of Hans Zimmer he's trying to make something similar to Hans Zimmer arts.
What we want to ask you is there any chance that we can get a Hans Zimmer's signature and some notes or some advices to encourage him to countinue with his dream. What we want isn't expensive but it would mean a lot to him.

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