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This is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell Alexander
Hmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.
Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?
Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !you can't, it's only an info for the complete score
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samuel leys reply Replies: 0 || 2010-02-13 00:00:00
Mr Zimmer.
my name is Samuel Leys, i live in belgium and i'm 18 years of age. I have made 2 movie soundtracks for Amateur films.
I wil never become such a big composer as you are, Yet it is my dream to visit you'r studio one day... and perhaps make you listen to one of the theme's i wrote. samuelleys@live.be is my e-mail adres. I know you'r very busy with you'r work.
and i know that sending an e-mail or making it possible for me to visit you'r studio is impossible. yet it is my dream so i dream on... thanks for reading this.
hope all is good.

samuel

Jacob Crabtree reply Replies: 0 || 2010-02-12 00:00:00
Mr Zimmer,

My name is Jacob Crabtree and I am a musician in western North Carolina. I will be graduating high school this year and have to conduct a graduation project and for my project I am composing, mixing, and editing a CD that has has five different movie scores on it. Another aspect of the project is to interview a person in the business. I am a huge fan of your work and would love to get in touch with you about the interview. If you feel led to do so please e-mail me at j.crabtree350@yahoo.com. Look forward to hearing from you soon!

Best Wishes,
Jacob Crabtree

Adam reply Replies: 0 || 2010-02-09 00:00:00
Please release the extended version of the road to el dorado with all 39 songs!!! I can distinctly hear a lot missing in the ost that is in the movie.. I love ur music so much congrata on Sherlock homes I was actually able to figure out discombobulate on piano nice job!!!!!

Adam reply Replies: 0 || 2010-02-09 00:00:00
If u ever get the chance to respond adamdk96@gmail.Com. U John Williams and John powell are my favorite composers!!!! Keep up the good work

giuseppe reply Replies: 0 || 2010-02-03 00:00:00
please release the burning plain soundtrack.
I love it

hossein reply Replies: 0 || 2010-02-02 00:00:00
my dear hans zimmer . i am so proud to write for you . so sorry for my poor english . i always listen your music .


my be you make a music for free iran

so love you !
so proud of writing for you !

from iran
a freedom lover .....

evan laflamme reply Replies: 0 || 2010-01-23 00:00:00
Hans- You the man.

Evan Laflamme

x4m's reply Replies: 0 || 2010-01-22 00:00:00
I love your song !!!

Joanne Arnold reply Replies: 0 || 2010-01-11 00:00:00
Would like you as a friend :)
I'm on facebook xxx
Hope you have a good sense of humour..you will need it xxx

Joanne Arnold reply Replies: 0 || 2010-01-11 00:00:00
Ummm...I mean because my friends although they are very good people...they are sometimes a bit outrageous and we've been called Chavs xxx
;)
It's all good hun xxx

June Couture reply Replies: 0 || 2010-01-08 00:00:00
I loved the soundtrack to "It's Complicated." It was a painting in the background.
I need to see the movie again just to hear the music only. A movie has so many facets
to bring out all the colors of the rainbow. Your music is the rainbow of our lives

Toni reply Replies: 0 || 2010-01-07 00:00:00
You're a genius my friend!

I wish I would have a studio like Hans's!

LMonkey reply Replies: 0 || 2010-01-05 00:00:00
If "The Hahnenkamm-Race" ever needs a score - Zimmer is first call - Just extend the "Sherlock Holmes" end credits

Adam Zurada reply Replies: 0 || 2010-01-02 00:00:00
Your music is probably as beautiful as singing on angels in the Heaven... i would like to create like You, Sir. You are my favorite composer. my dream is to meet you and to learn something. i am 17 years old and i am starting with my own improvisations, example http://www.youtube.com/watch?v=sBhhsIKmjBU greetings, respect. Adam Żurada, mail: adamomasz@gmail.com

Mcstr reply Replies: 0 || 2009-12-30 00:00:00
Your music brings out all the human emotions in me. I never get tired of listening to your music. Thank You for making the world a better place through your passion of music.

LMonkey reply Replies: 0 || 2009-12-30 00:00:00
You really threw down on the end credits for Sherlock Holmes - the final modulation coming out of the first cue that leads to the Irish ditty was absolutely fantastic.

Alberto Fabiano in Hollywood CA reply Replies: 0 || 2009-12-20 00:00:00
Hans, I have been following your music since Gladiator and I even have "for Nancy" as a ringtone on my Iphone. What can I say, since I have that ringtone I smile inside everytime I get a call. Call me crazy but are the little things in life that makes it worthwhile... I have been finding myself looking, when a new movie trailer appear, the Music Composer credit to see if it is you: Now: It's complicated!
Thank you for your music... makes people like me very happy.

Joel Goffin reply Replies: 0 || 2009-12-19 00:00:00
Hans,

Fellow composer here. You're pretty much the grandfather of the "BIG" hollywood sound. Much respect to you... I'm curious, did someone clone Steve Jablonsky after you,,, every theme I've ever heard of his mimics one of your themes... either from gladiator (the island) transformers (pearl harbor/the island) and those are the only two OST's i can think of coming from him. however... is this a bastard son we never knew about??? You're a good man

Fuller reply Replies: 0 || 2009-12-12 00:00:00
I must say, you are a musical genius Hans Zimmerman

Marcela Mazzucchelli reply Replies: 0 || 2009-12-11 00:00:00
Dear Mr Zimmer:
My name is Marcela, I´m writting to you from Buenos Aires, Argentina.
I have fallen in love with the melodies you composed for “The Holiday” Soundtrack.
I hear them in my head all day long. They are just beautiful and I believe they are similar to what heaven might sound like. Your music is special, it is diferent, it really touches your heart.
Thanks for lighting up our lives with your music!!
I hope you continue to write great music.
I dream of metting you someday,
Lot´s of love!

Goran Skugor, Croatia reply Replies: 0 || 2009-12-02 00:00:00
Dear Hans,

these days I am fully in Hans Zimmer mode. Wherever I go, I have your music on my ears. Gladiator. Fantastic. Your incredible ability to put the exact emotions into vibrations is simply...... well, I am speechless. You have produced authentic feelings in me while listening to battle pieces. Like I am there in this very moment. It is even more interesting to me, since I research the expansion of consciousness, through integration of polarities, and this experience produced deep and genuine feelings - a pure jewel in my work.

I am completely overwhelmed with inspiration, joy and strong feelings. I and my every cell that has been enjoying these days - deeply bow to you!!

And looking to your site, I realize that I have just started to discover your work :-))

Greeting from Croatia
Goran Skugor

Francesco Armillei reply Replies: 0 || 2009-11-30 00:00:00
If you need a younger composer, i'm here (i'm only 13)
thebestcomposer@hotmail.it

You can find my music here:
http://www.youtube.com/RoyalSoldier96

ethan minkovsky reply Replies: 0 || 2009-11-28 00:00:00
Dear M.Zimmer,
iam a shame to say that i only recently discoverd you and your music and i wish i could say that i folow your work for years but it is not the case.

However in the short time that it took me to folow your work and realy listen to it, i have to say that its nothing more than a divine privilege and only now i know that music can reach inside your soul and spark something deep that hide behind so much physical and emotional walls.In relevance to the movies aspect it work wonderful in a way that the music just somehow take you and pot you inside the drama and just make you feel apart of the movie.

The strongst feeling i ever got from any movie soundtrack was in " Chevaliers de Sangreal " ,that music that scene just changed something in me and i felt love and a very strong feel of sacrifice, long after iv seen the movie still every time that i hear that beautiful pice.... can make an adult man to almost cry from feelings that just awake in a spark.

thank you for the opportunity to enjoy such brilliant and deep emotions.

minki4186@hotmail.com

Lea de Melo reply Replies: 0 || 2009-11-26 00:00:00
Dear Mr.Zimmer,
My name is Lea de Melo. I am a student in Year 11 at the International School of Geneva and taking the International Baccalaureate.
In Year 11, every student has to do a Personal Project which consists of taking responsibility for our own learning by researching and investigating a topic that interest us.
My Personal Project will attempt to answer the following question: “How does the soundtrack of a film enhance or manipulate the emotional response of the viewer?”
Mr Hand , my project supervisor and the Campus Principal, suggested I contact you because of your significant contribution to film soundtracks.
I play the piano and love film scores. For the practical / creative side of my project, I will be composing the soundtrack for a scene in a film being made by the Head of Performing Arts and some students. I thought it could be interesting to combine the two and learn about how composers go about their work and inform my own composition at the same time. I have already started conducting research by seeing how music enhances the emotion in a movie scene. I have also researched film composers and I am hoping to get some of their professional advice.
I was wondering if you would be willing to answer the few questions below so that I can try to understand and compare the different approaches to process and techniques composers use to create a film score.
1) What process(es) do you use in writing music for a film? Do you discuss the film first with the director? Do you read the script? Do you choose the scenes to be scored or does (s)he or is it a collaboration? Do you view the relevant scenes for your inspiration?
3) How do you choose the style of music you will adopt? Do you work thematically in terms of the whole film?
4) How do you choose the key, rhythm, tempo and dynamics?
5) How do you decide on the instrumentation? Do you believe that certain instruments stimulate or enhance certain emotions? Is the oboe, for example, a ‘plaintive’ instrument?
6) Do you think music can “cover up” a weak scene?
6) Has there been any time during which you were not inspired? How did you find inspiration?
7) What other advice can you give me?
If you would prefer to do this over skype we could conduct the interview verbally but that might be more time consuming for you.
Any help would be very much appreciated.
Thank you very much for your time.
Lea de Melo

email: leademelo@hotmail.com

MW2 sucks reply Replies: 0 || 2009-11-24 00:00:00
Thanks for scoring MW2 so we don't get an option to turn the music off if we don't feel like hearing it. MW1's music team was as good if not better than your score.

Hypton reply Replies: 0 || 2009-11-16 00:00:00
I love Hans Zimmer !!! :-)

alexg143 reply Replies: 0 || 2009-10-27 00:00:00
Very nice site!

Blayne Taylor reply Replies: 0 || 2009-10-19 00:00:00
Hello

I am a fan of the music. My only complaint is that there is a song that was in King Arther that I can not find any where. We will go Home. It is something that both me and my wife love hearing in acopello. if there is anything you can do ... #########

alexe955 reply Replies: 0 || 2009-10-14 00:00:00
Very nice site!

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