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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Mailén reply Replies: 0 || 2010-08-18 00:00:00
Hans, I'm using a translator to write, please excuse if there are grammatical errors. I have 15 years and when I saw the film Spirit was fascinated with your music. I started searching all your discography, and further, that film (with music) made me feel new things: love of horses (now I practice riding), passion for music (I play the piano) and a taste for film music.
Frankly, I consider you a genius, and thank you for what you do, because otherwise I would have loved your music would never be doing so many things that I'm happy.
I want you know, sure I'm not the only person that improve lives, and wanted you to know, because as an artist, you might like to see than people changed with your work.
I send a big welcome, and sincerely I would contact you by e-mail, but I know that is impossible with the artists.
I hope you keep writing more, delighting your audience.
Mailén.

Little Directors reply Replies: 0 || 2010-08-17 00:00:00
Hi. We are Hans Zimmer's fans. Can we use his songs to our ameteur movie? Is it licit to use to our ameteur movie with unpermitted. Please send this to him.


Turkey

Annabelle Morison reply Replies: 0 || 2010-08-17 00:00:00
Hello Hans, my name is Annabelle Morison, but you can just call me Annabelle.
I am a blind young woman who is a sound designer, Audio Engineer, Producer, Singer, and Songwriter, and I love to make virtual instruments and sample libraries of all kinds. I'm especially into guitars, and I want to send you an Email with a question I have for you. Please feel free to Email me at any time, as I check my Emails several times each day.
Thank you so much,
Annabelle
foristnights@comcast.net

Deutscher Soldat reply Replies: 0 || 2010-08-10 00:00:00
Guten Abend Herr Zimmer,

ich hoffe dieser Eintrag erreicht Sie. Als erstes vielen Dank für Ihre Music sie berührt und hat sehr viel Klasse nur weiter so, wir sind Stolz auf Sie. Als zweites bringe ich den Wunsch vieler Soldaten der Bundeswehr zum Ausdruck. Ein eigenes Lied für die gefallenen Kameraden in Afgahnistan zu Komponieren. Ich kann mir vorstellen das es bei Ihnen unmöglich ist zweck Ihrer Termine. Jedoch will ich es nicht unversucht lassen. Mit Kameradschaftlichen Grüßen Stabsunteroffizier ND

Michael from Quakenbrueck reply Replies: 0 || 2010-08-10 00:00:00
hi,
saw "inception" tonight... what a great movie... with such brillant music! congratulations for a masterpiece!

Lindsay Huddleston reply Replies: 0 || 2010-08-06 00:00:00
Hello Mr. Zimmer,

I am a graduate student studying Music Technology with an emphasis in Electronic Composition. I want to become a composer for films and video games. I have been a huge fan of your music ever since The Lion King, when I was growing old enough to appreciate film music =) You are incredibly talented! Your music makes each film so much more powerful. It would be an honor to have a chance to intern or work with you. I am also interested in any general advice you have about getting started in the music business. I would be more than happy to send you a résumé and/or some samples of my music. My email address is lnhuddleston@gmail.com. I know you are extremely busy, but I would be ecstatic to hear from you!

Thank you,
Lindsay

Maurice Fais reply Replies: 0 || 2010-08-04 00:00:00
thank you for you genius musik. you are for me the mozart of the film musik.
my bach my goethe. ich danke ihnen.

Rebecca Jimenez reply Replies: 0 || 2010-08-04 00:00:00
Mr. Zimmer,
I promised my sister named Jessica Jimenez I wouldn't but she is a fourteen year old girl who is striving to be more like you. She is constanally trying to go to one of your concerts, but fails to do so. At the moment she is learning to play the guitar, and has picked up the flute, piano and is very good at making her own notes. I want to say thank you very much because without you as her rolemodel she'd be lost. Her words to me are that one day she'll meet and train with you...the best! Thank you and have a wonderful day! :) Becca

mark jones reply Replies: 0 || 2010-08-02 00:00:00
I would like to know if concerts featuring Pirates of the Caribbean soundtrack music has or will be scheduled. My son and I enjoy the music very much and would love to go to a live concert featuring POTC. Thanks in advance!
Cheers!

Lloyd reply Replies: 0 || 2010-08-02 00:00:00
Hans Please come to Manchester UK or somewhere in the UK soon, I have a lady who loves you're music and would do anything to see you live. Anyway I really want to impress her and this is the way to do it. Or if you cant be bothered send me over a signed CD and we will make do.
Thanks hans they should call you super-hans
Lloydy

Orkhan Jafarov reply Replies: 0 || 2010-07-27 00:00:00
Thanks, Mr. Zimmer.
Even your "A Way of Life" all alone can change a human mind and thought and vision of life..

Guarani Girão reply Replies: 0 || 2010-07-25 00:00:00
Hello, first of all sorry my english, i´m portuguese and if you now someone portuguese it´s more better to understand my e-mail. My father Fernando Girão is a musician fabolous, he has many cd, and a talent "unique", he play´s underful song´s and write even better the lyric´s.
He also plays with Ruben Dantas, (percussionist who plays many years with PACO DE LUCA), Flora Porin, Luis Avelar, Ao longo da sua carreira profissional, trabalhou com grandes nomes da música internacional, como John Beasley, Airto Moreira e Flora Purim, Alphonso Johnson, Alex Acuña, Harvey Mason, John B. Williams, Abe Laboriel, John Patittucci, Joey Heredia, Luís Conte, Ernie Watts, Rick Pantoja, Ricardo Silveira, Luís Avellar, Justo Almario, Walfredo Reyes, Dany Reyes, Ephrain Toro, Lou Pardini e Cássio Vargas.

Meddi Müller reply Replies: 0 || 2010-07-25 00:00:00
Hi,

this ist just to say thank you for the fantastic music. Go on !!
Your are the new Beethoven!

Grüße aus der Heimatstadt Frankfurt!

M.Müller

Anthony reply Replies: 0 || 2010-07-23 00:00:00
your the king zimmer.



your the king.

Adam reply Replies: 0 || 2010-07-23 00:00:00
Dr Mr.Zimmer
I watched the movie Madagascar 2 yesterday and noticed that there were a lot of instrumental songs not on the soundtrack? Are these non commercial songs or what? are they on a different soundtrack?

alexe73 reply Replies: 0 || 2010-07-18 00:00:00
Very nice site!

Juliane Tenuta reply Replies: 0 || 2010-07-13 00:00:00
Sir, I'm Brazilian and I wanted to tell you that I've never admired an artist so much. I've loved movies since I was born and your scores are truely the essence of most remarkable and unforgettable scenes. You own a real gift. When I close my eyes and listen to your work I feel all emotions one could feel. I have recorded many of them and they give me stregth to wake up every day. They've helped me through tough times. Thank you for presenting humanity with your music implented with spirituality. If you ever come to Brazil, you will feel the warmth the Brazilian people have for you. And if you feel like meeting the alligators from Pantanal, they are like my neighbors. !! Have a nice day.
jutenuta@hotmail.com

Juliane Tenuta reply Replies: 0 || 2010-07-13 00:00:00
Also, if yu could, I'd like to know if you have any interest in coming to Brazil for an orchestra. That would be most delightful!
jutenuta@hotmail.com

Stefan reply Replies: 0 || 2010-07-10 00:00:00
sehr geehrter herr zimmer,

Sie sind wahrlich einer der besten künstler unserer zeit. ausgezeichnete arbeit.
viele grüße aus deutschland ;-)

Tom reply Replies: 0 || 2010-07-07 00:00:00
Mr. Zimmer,
Just wanted to tell you that you are an extremely talented guy. The movies I've seen that you have done the score for are amazing. They help push the movie from something good/ok/great into something fantastic. The music complements the mood and setting and pretty much whatever is going on in the movie so well. I am a particular fan of the action movies you have done like Broken Arrow, The Rock, Dark Knight, the Gladiator score was absolutely beautiful. Big fan, keep doing what you are doing.

Diego Aldonza Crespo reply Replies: 0 || 2010-07-06 00:00:00
Dear Mr. Zimmer,
My name is Diego Aldonza Crespo and I am a percussionist from Spain, really passionate about your music, specially one of your later releases "Batman - The Dark Knight". I have always wished to play soundtracks music, because I think it's the next natural step of classical music, and it talks about modern life.
I finished my Bachelor studies in Zaragoza (Spain), and I have a percussion duo with wich I have performed a lot of concerts including Bach music, tango pieces, Zivkovic duos... but it was always too tipical. So listening to your music I had a great idea that would allow me to achieve one of my dreams!! And it is to make some arrangements of your music for duo and electronics, including Midi sounds and tape. I'm writting because I would like to know what you think about it and because counting with your support would be great. I know it sounds very crazy and probably you will never read this, but I hope you understand that I had to try!!
If you want I can send you my resume so you can see that I'm serious about music.

Thank you very much in advance!
Sincerely,
Diego

Diego Aldonza Crespo reply Replies: 0 || 2010-07-06 00:00:00
Dear Mr. Zimmer,
My name is Diego Aldonza Crespo and I am a percussionist from Spain, really passionate about your music, specially one of your later releases "Batman - The Dark Knight". I have always wished to play soundtracks music, because I think it's the next natural step of classical music, and it talks about modern life.
I finished my Bachelor studies in Zaragoza (Spain), and I have a percussion duo with wich I have performed a lot of concerts including Bach music, tango pieces, Zivkovic duos... but it was always too tipical. So listening to your music I had a great idea that would allow me to achieve one of my dreams!! And it is to make some arrangements of your music for duo and electronics, including Midi sounds and tape. I'm writting because I would like to know what you think about it and because counting with your support would be great. I know it sounds very crazy and probably you will never read this, but I hope you understand that I had to try!!
If you want I can send you my resume so you can see that I'm serious about music.
My e-mail is: diegopercusion@hotmail.com

Thank you very much in advance!
Sincerely,
Diego

danny reply Replies: 0 || 2010-07-01 00:00:00
you produce amazing music for the movie pirates of the caribbean, it goes along so well but im 13 now, but when i get older i hope i become jusy like you

Torsten Gran-Ruaz reply Replies: 0 || 2010-06-26 00:00:00
Dear Mr.Zimmer,
My name is Torsten Gran-Ruaz. First and foremost I just wanted to say that I really love your work, and it has inspired me to want to do film composing. I live on Vancouver Island in British Columbia, Canada and I play mostly guitar and piano. I know that the road to a musical career is a difficult one but I am willing to work as hard as I possibly can to make it happen. I am currently in grade 11 at high school, but I am planning on going to Humber College/University in Toronto for a bachelor's degree in contemporary music. I was inspired to contact you when I heard about Ramin Djawadi, because he seems to have been in a similar situation (guitar player, written for bands, etc) and I heard that he was helped greatly by you to achieve his goals. I was wondering if you could recommend maybe some schools or paths I could take to one day perhaps be taken under your wing, or if you're too busy, if maybe there's someone else who could help me out that you could recommend. Again I love your work and thank you for helping to inspire me! I understand that you're a very busy man, and it would be a treat to hear from you.

Thanks and have a great summer!

Torsten

Torsten Gran-Ruaz reply Replies: 0 || 2010-06-26 00:00:00
sorry, my e-mail is torsten@shaw.ca
-thanks

Gao Hongyuan reply Replies: 0 || 2010-06-19 00:00:00
Dear Mr.Zimmer,
My name is Gao Hongyuan,I'm a Chinese student.I 'm deeply impressed by the theme music in the movie Pirates of the Caribbean.Now,I just finished my college entrance exam.I really want to become a composer like you.But I don't know what should I do.So I hope you can give me some suggestions.I'll appreciate it if you can email me at wgtrc@yahoo.com.cn.Thanks again.

James:Swansea reply Replies: 0 || 2010-06-14 00:00:00
Love Hanz Zimmer, I think his best stuff for me personally was the Broken Arrow OST.

certain parts are so chilling, I know a big part of it is the choir, but the way it goes from calm to chaos is really engaging.

Germany should be so proud.

Mr Cans reply Replies: 0 || 2010-06-12 00:00:00
Heir Zimmer,
Firstly, Thank you for the music. Second I'd like to ask permission to Remix your track (Catatonic).
I have already completed the work and would love for you to hear it, for your benefit I have uploaded it to a small comunity online named soundcloud, the address is

http://soundcloud.com/mr-cans/f-a-o-miz-v3

If you like my working then please contact me via e-mail to mr-cans@live.co.uk

Yours Faithfully

Nick Anderson

AKA

Mr Cans

ahmad hamdi reply Replies: 0 || 2010-06-11 00:00:00
hello mr zimmer my name is ahmad hamdi i am from iran i very very love you and your works your musics are the best symphony music for films and for everything .
if you email to me i very very very tanks form you
very thanks my email : hamdiahmad18@yahoo.com

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