NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!
thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that time
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.
@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans Zimmer and other composers from Remote Control do not accept demos or unsolicited audio/video material. Please, don't ask us how to contact them either.



The www.Hans-ZIMMER.com Team :


Antas / Nicolas / Stephane H.


The Team :

Antas De Philvei / Stéphane Vidali
Webmaster - Programmer - Design - Editor - Press - News - Contact
antas@hans-zimmer.com
Nicolas Cabarrou
Webmaster - Editor - Press - News - Contact
ncabarrou@hans-zimmer.com
Stéphane Humez
News / Disco guru
Damien


Thank you :

Pierre
Karel Antonín


For any problems on the website : antas@hans-zimmer.com
Contact information for Hans : hans@ID-PR.COM





Create Topic

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 >>

Dennis reply Replies: 2 || 2012-01-07 17:10:11
I'm searching for a special track from the movie "Backdraft", that doesn't seem to be on the Soundtrack CD. Can anybody here name me anyoe who could help me with that?
Thanks.


Mycroft2012-01-07 18:04:04
Well, if it's not on the OST and there are no expanded versions of the score (are there? I've never even heard of this film), then likely the only people who can help you aren't going to. The elitist pigs have all the music us low-downs could ever dream of having but they are not allowed to share their music because of the way the world works.


Dennis2012-01-08 19:23:23
Yeah, it is not on the OST and I haven't found something like an expanded or extended version...what a pity. Searching for this track for years.

Thor Myrdal reply Replies: 0 || 2012-01-08 16:45:30
Hello Guys from RCP.

I am a Singer, live in Hamburg/Germany. if anyone of you need a voice for sounddesign or a singer, please don´t be shy and send me an email. I am going to study operasinging, sing metal since 13 years, have a huge range and can syncronice a lot of stuff.

If you want to, send it throu a lot of electronic stuff, i promise you, it sounds great.

So if you need.Send an Email to thor.myrdal@gmx.de

With the most respect for your jobs.

Thor Myrdal

Benjamin Sterling Hartman reply Replies: 0 || 2012-01-06 22:38:30
Dear Mr. Zimmer,
It is my dream to work on compositions for video games and films. I have been an accomplished musician for some time now, and I have played guitar since age six. I am now twenty-one years old, and I am pursuing a bachelors degree in video game production, and hopefully afterward, a bachelors in composition. I have so many questions before I make my final decision. I was just wondering if you could tell me how I can become a great composer if I am already memorizing my compositions, and playing them on guitar. Do you use any specific computer recording, enhancing, or mixing programs? If so, which ones? This has been my dream for such a long time, and I have been a huge fan of your mastermind compositions since "The Gladiator". Thank you for continuing to be a great inspiration!

Respectfully,

Benjamin Sterling HArtman
spainobain1234@hotmail.com
Tacoma, Washington
United States

max reply Replies: 0 || 2011-12-05 12:28:37
Yeah!!! Huge update on the media - interview - site. Cool! Thanx for all the awesome Hz-Videos!

Willian reply Replies: 0 || 2011-12-03 03:31:31
Hi!
I`d like to know if is there any score sheet for the song theme from the movie The house of the Spirits?
I love too much that composition!!!

Thank you!
willem_brightman@hotmail.com

Charlotte reply Replies: 1 || 2011-11-29 21:44:38
please come to belgium. please please please please please


Trent Easton Navarro2011-12-01 14:21:03
If you're talking about Zimmer, he's already been in Belgium twice, earlier this year and in 2000

Steffen reply Replies: 1 || 2011-11-22 17:41:38
Hallo!
Ich habe kürzlich eine Rockversion von Hans Zimmers "Dream is Collapsing" aufgenommen. Auch wenn der Traum, dass Hans Zimmer himself es mal zu hören bekommt wohl nicht in Erfüllung geht, erreiche ich hier sicher ein paar Leute die es interessiert.
Ich weiß nicht wie das mit Spam und direktem Verlinken ist, daher verzichte ich darauf. Wer Lust hat, einfach "Steffen Schöps Hans Zimmer" bei Youtube in die Suchleiste eingeben!
Ich danke euch! :)


Me again2011-11-22 18:05:12
Whoopsy... sorry, this is an international page and it deserves an english comment!
So i just wanted to say that i made a Rock Version of Hans Zimmers "Dream is Collapsing". I know that the dream that Hans Zimmer himself could hear it will not come true, but still i think that there are a few people here that could be interested.
So if you want, just write "Steffen Schöps Hans Zimmer" in the Youtube Search bar. That`s it, so easy!
Thanks a lot! :)

Tina reply Replies: 0 || 2011-11-16 19:56:55
Tut mir leid, ich habe die Meldung, dass solche Posts hier unerwünscht sind, erst im Nachhinein gesehen. Ich weiss einfach nicht mehr weiter...

Tina reply Replies: 0 || 2011-11-16 19:54:59
Als ich letztens wieder mal die Soundtracks von Disney Filmen, wie "The Lion King" angehört habe, musste ich enttäuscht feststellen, dass von "The Lion King II" nie eine Score Version erschienen ist. Das Lied von der Szene mit dem Feuer hat es mir echt angetan. Ich liebe es!! =)

Gibt es wirklich keine Möglichkeit, dieses eine Lied zu kaufen???

Timmi reply Replies: 2 || 2011-11-12 01:02:31
Kommt es eigentlich vor das man als Komponist vollständig von seinem Werk überzeugt ist bzw. das man selbst keinen Punkt mehr sieht den man verbessern könnte oder ist immer etwas nicht ganz perfekt ??


Mathi2011-11-15 18:52:10
Nein Timmi, ich bin auch seit einiger zeit ein junger komponist, und bei mir kommt es nicht vor, dass ich mit meinen stücken komplett zufrieden bin... Hans auch nicht :)


Mathi2011-11-15 18:53:20
Sry Timmi, die Information über Hans Zimmer findest du in den vielem Reportagen in Youtube..

me reply Replies: 1 || 2011-11-10 22:53:46
danke für die tolle musik für modern warfare 2


Hans Zimmer2011-11-10 23:45:27
gern geschehen! :)

Tertderhoof reply Replies: 0 || 2011-11-04 11:48:32
What about the English invent football championship?

Bondo reply Replies: 0 || 2011-11-02 01:16:32
My two cents, take it or leave it...

I LOVE this site! It's a great resource and pretty much THE go-to place for information on Zimmer and co. People need to stop destroying the integrity of this site by posting unofficial and unchecked tracklists, and requesting EVERY SINGLE SCORE in existence just because they found the track titles on ASCAP. I know Hybrid works very hard to get this information, and we should be happy with what we've got.

If you want bootlegs, do a little detective work and figure it out yourselves. Count on Hybrid to post what's real; the man does his homework.

////// reply Replies: 0 || 2011-11-02 00:41:52
Why is there no release for The Dilemma when these are on ASCAP?


TITLES
CAR SHOW
SLOW DANCE
ADVICE AT THE BANK
RONNY TALKS TO DIANE
YOU HAVE EIGHT MINUTES
HANDJOB SPY
MASSAGE/BILLIARDS
RONNY OUT LATE
PARANOID
LOWDOWN FROM FELIX
CLIMBING THE TREE
SAD SACK MISDIRECT
OH YEAH THE ANNIVERSARY
UNTRUSTWORTHY
CAMERA RETRIEVAL
NICK LEAVES INTERVENTION
IT S NOT HEALTHY
TO CHRYSLER MEETING
MOMENT OF TRUTH THE
CUT THESE LUNATICS A CHEQUE
MIRACLE ON ICE
RONNY GOES WALKING
BACK OF THE CAB
NOT GAY
BRENNAN FANFARE
DEAL MADE
GARDEN MUSIC
WE NEED TO TALK
SOMETIMES
TALKING IT OUT

Blu reply Replies: 8 || 2011-10-28 09:23:59
Congrats H-Z.com for becoming the "almost" official website! Now, please, can you do some housecleaning and remove all the bootleg discussions around this place?


Hybrid Soldier2011-10-28 12:44:24
Actually, I'm not far from thinking that it'd be a very good idea...


Anonymous2011-10-28 13:09:15
Actually, I'm not far from thinking that it'd be a very bad idea...


Hybrid Soldier2011-10-28 13:24:48
You know, "Anynonymous", if I get the order, just a few clicks and the "secondary market" stuff listed on all this site is gone forever ! ;)

Your call, Antas & Nico ! ;)


Anonymous2011-10-29 01:01:19
well do it Hybrid do it, you have the power, don't you, what kind of arrogance. What maintain this site as number one for over the years was definitely the information of many of the unreleased scores. But, like you say, just a few clicks and the secondary market in gone forever, it's your page.


Mr. Fate2011-10-29 02:04:28
You present a valid point Anonymous. Sure, some of the discussions of recent have gotten out of hand and are a mess, but there are many useful pieces of information around this site. I'd think it would be sad to lose all that information, especially since this place is about the only place you can find it.

It may be a drastic analogy (just because I couldn't think of anything on a smaller scale) but it'd almost be like the burning of the Library of Alexandria. So much information was stored there, and then it got burned down losing countless priceless documents for all eternity. What great writings could have been there that we never even knew existed? If you choose to delete whatever you want to, you could be destroying information that could have been of value for many years to come.

Perhaps, I don't entirely understand what all Hybrid was thinking about deleting, but I'd just like you to consider these sort of things before making a regrettable decision.


cheesy2011-10-29 02:41:08
Don't you think bootleg discussion would continue either way? I mean, let's be real here, most of the crap discussions about fake complete scores actually take place on the topic boards for official albums (like recent Inception, Sherlock Holmes, ect). Deleting the secondary market pages wouldn't stop these discussions. In all honesty, it would probably just make the problem even worse, due to the scramble and lack of information. I think if we could just revert back to merely a few months or so ago, when the bootleg discussion was minimal yet consolidated and helpful, then we would see the balance.

I don't know if Hybrid was just making a veiled threat there, but going through with the decision in question just seems like it would be counterproductive, unnecessary, and, above all, regrettable. I second everything the others said, and affirm the usefulness of the information you're threatening to delete. Anon has a point; the secondary market pages are what make this site so unique.


Anonymous2011-10-29 02:44:34
Thank you Mr. Fate!!!!, finally someone understand my point of view.


Anonymous2011-10-30 03:52:53
Well, it's done. This site has gone.

Trent Easton Navarro reply Replies: 0 || 2011-10-29 01:15:29
I just bought the album Kettle Whistle by Jane's Addiction and to my surprise I saw Harry Gregson-Williams produced a couple of tracks on it. Some of these tracks were also mixed/recorded at Zimmer's old studio, Media Ventures. As a fan of both Jane's and HG-W, I was pretty excited about this. Anybody here know more about this unusual collaboration?

Thanksful reply Replies: 0 || 2011-10-28 00:59:17
Awesome ... Awesome Music...awesome soundtracks ... in every movie...i love your tracks!!! ...unbelieveble ...!!! THANKS FOR THIS EMOTIONS AT WATCHING FILMS WITH YOUR MUSIC TRACKS!!!!!!

Louise reply Replies: 1 || 2011-10-15 10:39:57
HELP - fans like you may be able to help me :0)
In the big battle scene from "On stranger tides" the score "lends" a little bit from a big classical score.
I just can't remember which classical piece. Can you help me? I'm going slightly mad here.
Best wishes
Louise - Denmark


Alex2011-10-22 23:19:38
It doesn't.

Go to IMDB and check the soundtrack / source cue listing if you don't believe me.

Dante Sánchez reply Replies: 0 || 2011-10-19 21:18:08
Hola soy de República Argentina (America del Sur). Es increíble la música que Hans realiza. Yo lo conoci y me hice fanatico con la pelicula Gladiator junto a Lissa Gerard. Luego lo descubro mas con otros films como Piratas del Caribe,Rain Man, etc, etc,. Queria hacerle un pedido si esta dentro de sus posibilidades. Quisiera la traduccion del tema que toca su orquesta junto a johnny marr -Inception Premiere- Es un tema que lo escucho y me inspira el comienzo de cada dia por la fuerza que tiene. muchas Gracias!

Ertug 23 reply Replies: 0 || 2011-10-16 16:34:41
Es ist schön die musik zu hören am besten ist die musik zu verstehen das gefühl zu geben an was zu glauben,hoffen,und zu wünschen,das gefühlsbewustsein was der mann hat ist einmalig
auf der welt.Ich würde mir wüschen wenn eine mischung zwischen, (0,34s,2,12s THE LAST SAMURAI THEME SONG UND TEARS OF THE SUN THEME SONG 3,28s,5,47s.

Louis reply Replies: 1 || 2011-10-09 06:43:51
I really like the music Hans Zimmer and the people he works with create and I became curious about his work and his career. So I visited some websites and found the following information on imdb.com :

"He told in an interview that he would retire for some years after The Dark Knight, saying he has been exhausted in the past years. He also said that he wants to help young composers and would produce their scores..."

That impressed me and earned my appreciation. But then I checked whether it's a valid information or not because I thought it would mean that he wants to try to help and support young composers, that he would try to encourage and promote young talents. Anyways I must have got that wrong because when I came to this site one of the first things I read was " Hans Zimmer and other composers from Remote Control do not accept demos or unsolicited audio/video material. Please, don't ask us how to contact them either. " But then if I didn't get it wrong, and I must say I hope so, how will he be able to discover talents? If there was somebody who is really a great composer/musician, how could he get to know it when it says that he doesn't want to be contacted? I'm just curious about that and I hope I can get some answers, thank you (:


Alex2011-10-09 07:49:03
You said you were curious - here are the answers

1. Start composing ; get a degree ; compose for anything you can get paid for.

2. Get representation - Zimmer/Rifkin Remote Control Productions can't solicit material from you or Joe Compose without an (accredited) agent or manager.

3. In terms of contacting - these (awesome) dudes can't because they run a FAN SITE.

4. Networking - everyone knows someone. And some people might know a guy who's an RCP dude. Being nice and a book of faces are your film friends are key here.

5. GET OUT THERE AND DO IT. Because procrastination gets you nowhere.

Now ...go.

^ This all applies to Lorne Balfe's early career.

Phil reply Replies: 0 || 2011-09-24 14:11:04
Congrats to Henry Jackman for being nominated in the WSA Discovery of the Year category..... let's hope he wins as he will then perform the following year in Ghent. Bravo and good luck Mr Jackman!

Curt reply Replies: 0 || 2011-09-14 19:52:47
Does anyone know where I can find a copy of a song called "Price"? I understand it was either composed or remixed by Ryland Allison while working with Hans Zimmer.
Any leads?

Stephen White reply Replies: 0 || 2011-09-08 13:26:25
Saw new Steve Mcqueen film "Shame"at Venice Film Festival last week. The opening & closing music is very similar to The Thin Red Line score. Does anyone know if this is intentional? Is it a variation on the original theme? HZ is not credited...

Ricardo Andrade reply Replies: 0 || 2011-08-03 18:12:23
Is it ok for a man to cry while listing to Hans Zimmer soundtracks...where does he get inspirations to produce such beaultifull music...are you in touch with the supreme power...may God bless you and keep you halthy and happy and alive for years and years to come...so you can bring more majestic beautifull soul touching music to the rest of us...thank you Rico.

Steffi reply Replies: 0 || 2011-07-25 13:04:34
Yo, that's what's up truhtfully.

Becky reply Replies: 0 || 2011-07-25 09:27:36
Back in school, I'm doing so much laernnig.

Denver reply Replies: 0 || 2011-07-25 04:15:55
Haha, shouldn't you be charging for that kind of knwoldege?!

Robinson reply Replies: 0 || 2011-07-25 02:21:20
Great article, thank you again for wirting.

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 >>

 HANS-ZIMMER.com© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou