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Hallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.
Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.
Nice stuff! I still can't believe this score hasn't gotten a release.That's unfortunate. With this score, I think it's obvious that the majority is Jablonsky, as it has a ton of elements from scores he's composed exclusively, but it would still be nice to know who did what, especially with the first and second films. Not sure why there's rarely any proper additional music credits for a lot of the RCP guys, especially considering Zimmer's credits are almost always complete. <br><br>However that cuesheet of the extended score is very interesting. Hopefully if it leaks, all those cues remain there.Damn that sounds different from Elfman's commentsThe funny thing is an interview he gave 1 months before being replaced... Saying pretty much the opposite of Elfman !<br><br>"It’s a massive undertaking. And I can’t say anything about Justice League specifically, but I’ll tell you this, and this was exactly the same experience that Hans and I had when we did work together on Man of Steel and Batman v Superman: It’s like when you see a movie like that, these iconic superhero movies, some of them have a 60 to 80 year legacy, multiple composers had a go at their themes, multiple filmmakers did their version of these characters—it’s very scary. You watch a movie and it’s like, “Holy shit, now I have to come up with something.” You’ve got sweaty hands and you’re nervous, and you talk about it over and over again—and I have exactly that relationship with Zack Snyder—and then Zack said, ”There’s only one thing you can do, and that is embrace this character as if it’s your own, keep it close to your musical soul, and just do whatever you feel is the right thing to do for this character.” That’s the only thing we can do. That’s what all these great directors did back in the day, and that’s what all these great composers did back in the day. It makes no sense for me to do extensive quoting of Hans’ score of the really amazing Batmans. It makes no sense for me to quote Superman from John Williams. Because all fantastic composers, they all did the same thing, they did something that was close to their heart, and I have to do exactly the same thing on this movie. You know this is Movie Number 4 that I’m doing with Zack, so you build a friendship and it’s built on trust and loyalty. You know how to challenge each other, you know what to expect on the other side, and it’s this really open, amazing dialogue about where to take this franchise."I can confirm that he had already worked on it quite a bit, because he said so in one of his Studio Time episodes.
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dvldvl reply Replies: 0 || 2015-04-05 19:53:18
To anyone who wishes to answer this.

Soundonline is having an Easter sale. Until tomorrow, they are selling their Hollywood Orchestra Diamond Edition for $599. I'd appreciate any thoughts on it. I currently have their EWQL Symphony Orchestra Platinum Plus.

Thanks in advance.

Frisbee reply Replies: 0 || 2015-03-30 14:09:45
Webmasters

I have noticed that every now and then a certain album page gets flooded with discussions about another - usually forthcoming - score, for which we naturally don't have a page yet. I was thinking maybe we should have a thread for each score a RCP composer is attached to work on - whether or not any album(s) are planned or released for it - and then, later on, a separate page for the actual albums when those become available. This could make things organized and probably easier to follow. Just a suggestion.

J. S. reply Replies: 0 || 2015-03-30 09:56:31
Mr. Zimmer,

To me you are considered one of the best if not the best composers of the modern era. It would be an honor to see you someday live in concert. Do you ever come to Cleveland, OH?

Thanks for the music!

Lucas Barkmann reply Replies: 0 || 2015-03-30 05:55:16
Hanz Zimmer and Staff,

Please check out Julia Westlin on YouTube she is a great singer but would be amazing with your help! Please check her out!!

pashalis777 reply Replies: 0 || 2015-03-26 16:50:41
is Zimmer going to compose Inferno..cause one of the biggest pluses of the previous 2 movies was the music..

Joby reply Replies: 0 || 2015-03-25 08:20:48
No matter how many times I hear the soundtrack of Gladiator I cannot think it is the best movie score of all time for me. I always awed specially Sorrow with Lisa Girard, Am I Not Merciful, and Now We are Free.

MOUGENEL Yannick reply Replies: 0 || 2015-03-24 15:25:16
Hello Mr ZIMMER,
Thank you for your music that I find meaningful contribution, an emotion to the film, you are a very great composer, I am fans of your music from longtemp and I listen to you very often .Please bring us such a feeling !!
Yannick FRANCE.

Jacinthe Beaudry reply Replies: 0 || 2015-03-23 23:36:25
Dear Mr. Zimmer,
I am currently working on a short drama movie for a contest exclusive to high school students. «Time» being one of my all-time favourites, I was wondering if my team and I could use it as the main soundtrack.

We will in no way gain money from this short, nor do we intend on sharing it beyond the contest's audience reach. Thank you for your time and your masterpieces.

Society Blue reply Replies: 0 || 2015-03-23 05:45:33
Hans:

Rise Above is song that we (society blue) composed last year. I feel the song would be unique if an orchestrated effort was pursued. I hope inspirations can be felt from you as you have to us.

Info@societyblue.com

Mike reply Replies: 0 || 2015-03-21 15:24:47
Ich schreibe trotzdem in Deutsch:

Vielen Dank für die immerwieder neuen Musikstücke!
Hoffentlich wird es noch sehr lange so weitergehen ! :)

Felipe Andres Alves Gonzalez reply Replies: 0 || 2015-03-19 18:41:25
Greetings, dear Zimmer!

I am a game design student, and I am developing a game about samurais. I came here to ask you if I could use some of your songs of the movie "The Last Samurai" as soundtracks for the Demo version of my game.

I have no intention to gain money or sell, it is just for academic purposes.

That album is amazing and really combines with my game.
Thanks for the attention and I will wait for your answer!

Regards!

Wayne reply Replies: 0 || 2015-03-17 11:47:12
Dear Hans Zimmer,
Thank you for bring us so many incredible music.
I really hope you can compose music for the next godzilla film!

Krrish Venkat. reply Replies: 1 || 2015-03-14 10:01:35
Hello sir.I am from India.I am praying to god everyday that one day i will meet you and beg you for composing music for my film.


Edmund Meinerts2015-03-14 10:11:02
Well good luck with that...

Nicola reply Replies: 0 || 2015-03-08 16:02:30
I sent my cover inspired by the fantastic soundtrack "A Way of Life", in the film "The Last Samurai", directed by the great Edward Zwick. Hope you like and that you appreciate my work.

Best Regards,
Nicola.

Hans Veriyan reply Replies: 0 || 2015-03-01 20:25:18
Hi I would like to know why Hans Zimmer Credited AR Rahman on the sound track of Batman the dark knight rises.. May i know for which part he credited him?

Jiri L reply Replies: 0 || 2015-02-23 20:29:00
Hello,
I want to have your creation at her wedding. I should be grateful if you were present. It's a beautiful location in the Czech Republic

SebastianS reply Replies: 0 || 2015-02-23 14:11:04
Lieber Hans Zimmer,
ich hoffe Sie nehmen es mir nicht übel daß ich meinen Kommentar auf deutsch verfasse.
Ich finde es sehr traurig daß Sie, mal wieder, bei der Oscar- Verleihung leer ausgegangen sind. Meiner Meinung nach sollte die Academy den besten Komponisten Hollywoods endlich wieder mit dem Oscar ehren.
Machen Sie und Ihr Team weiter wie bisher, entführen Sie die Menschen auch weiterhin musikalisch in eine andere Welt und tragen Sie auch so weiterhin dazu bei, Kino zu einem wirklich fesselden Erlebnis zu machen.
Mit den besten Grüßen aus Deutschland
Sebastian S.

louis beaudoin reply Replies: 0 || 2015-02-23 01:54:28
hi as a composer where can i send you my demo?
thks

jguill reply Replies: 0 || 2015-02-10 21:02:43
Who/Where do i need to contact/go to get permission to use music from the Davinci Code Soundtrack for a school production?

Zato Alpha reply Replies: 0 || 2015-02-09 06:57:57
What kind of tele are you playing at the Grammy's with Usher? A G&L ASAT (a true Fender by Leo)?

badbu reply Replies: 0 || 2015-02-06 21:24:23
http:/ /youtu.be/2jtl3s5StLY

Sam Cozik reply Replies: 0 || 2015-02-06 19:15:33
I am in the process of creating a short film for contest and would like very much to use the Hans Zimmer song, "The Red Warrior' in the background. I would be very grateful to have permission to use the song.
Thank you,
Sam Cozik
Email: guitarist357@gmail.com

Arthur Hernandez reply Replies: 4 || 2015-02-01 23:04:49
I am in the process of creating a video on Atom Interferometry which involves Quantum Mechanics and I very much would love to use Hans Zimmer song as a background. Would you please be so kind to tell me what is the name of Hans Zimmer publisher so I may get permission for one of his songs?. "Waking Up" from the movie "Oblivion" is the one I want to use. Please advice.
Very appreciatively,
Arthur Hernandez
Email: arthurz11@yahoo.com


Edmund Meinerts2015-02-01 23:59:38
Yeah, Oblivion isn't by Zimmer...although given how similar that cue is to "Time", maybe you really are asking in the right place after all!


Anonymous2015-02-02 02:28:31
Edmund, I think you need your ears checked if you think "Waking Up" sounds even remotely similar to "Time"


Edmund Meinerts2015-02-02 09:59:29
Derpty derpty doo, I was mixing it up in my head with "Fearful Odds". FAYUL.

Fine. It sounds like "A Dark Knight" then. Same idea. :b


Zimson2015-02-02 16:50:55
Yep, A Watchful Guardian was definitely the temp there.

bennett reply Replies: 0 || 2015-02-01 05:44:38
Is there any way to listen to some of the unreleased music? I'm a big fan of Zimmer music, and I own a couple of his movie scores, Pirates of the Caribbean: At World's End included, but when I look at the extended cut I'm disappointed. There are some beautiful pieces of music from the film that do not appear at all in the score, especially the malestrom scene, my favorite part being the end at Will's death. Why is that? I don't mind paying a little more for excellent music, I just wish it were available in good quality and by legitimate means!

123456 reply Replies: 1 || 2015-01-28 09:37:06
someone knows the piano piece at the begining?
https:// www.youtube.com/watch?v=yeWdTAGJv_0


badbu2015-01-29 19:02:21
i dont know...

Leon reply Replies: 0 || 2015-01-28 09:28:54
Illegal use of your music to undermine the generality of another state. Understand please.
https://www.youtube.com/watch?v=mPB-sZ4sVss

Jim Ross reply Replies: 0 || 2015-01-09 16:52:30
Hallo!

Hans Zimmer is an incredible fantastic composer. Listening to his music I know what to strive for as composer.

Inspired of his great sountracks I have written my own

https://soundcloud.com/jim-ross/cinematic


Naveed Haider reply Replies: 0 || 2015-01-01 04:30:05
I loved, absolutely loved the soundtrack to Inception. Now Interstellar moves me in a way that is just amazing. I used to be a bit of a snob when it came to film music although as a 12 year old I kind of started collecting music soundtracks. But the music of Hans Zimmer is just brilliant. They work wonderfully when watching an amazing movie (The Nolan/Zimmerman combo is magic) and these soundtracks stand by themselves.

Interstellar soundtrack reply Replies: 0 || 2014-12-29 22:23:13
Just wanted to comment about the work you and team did for the Interstellar soundtrack. It was quite simply the most moving soundtrack I have ever heard in a film. I can't get enough of it. It is so incredibly beautiful, whenever I hear it, I swell with an intimacy and human presence towards something so grandiose. It is just electrifying. I swear this is stimulating a different part of my brain then any music before it.

Congratulations on a job well done.

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