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Gotta say I'm really digging this sample! Junkie XL has really surprised me lately, between this and Divergent.He posted the full cue list on his Facebook page..It is from a licensing site. I don't know if it would be a good idea to leak it, would it?01 - 1M1 Opening (04:02)<br>02 - 1M3 Lining Up for the Test (01:43)<br>03 - 1M4 Simulation (08:03)<br>04 - 2M8A Jumping From The Train (02:14)<br>05 - 2M8B Jumping Into Net (03:35)<br>06 - 3M16 Training Begins (04:09)<br>07 - 3M17 Tris Sees Tori (01:48)<br>08 - 3M24 Grab The Rail (02:27)<br>09 - 3M25A The Wall (01:15)<br>10 - 3M26 Knife Throwing (02:33)<br>11 - 3M27 Jeanine at Dauntless (02:42)<br>12 - 4M28 - Tris vs Peter (01:39)<br>13 - 4M29 Runs for Train (01:49)<br>14 - 4M30 Weapon of Choice (01:59)<br>15 - 4M31 Climbing The Ferris Wheel (02:40)<br>16 - 4M32 Capture The Flag (02:46)<br>17 - 4M37 Mom Visits Tris (03:27)<br>18 - 4M38 Simulation/Crow Attack (01:49)<br>19 - 4M39 After Dreamscape (01:35)<br>20 - 5M42 Simulation/Trapped Water (02:10)<br>21 - 5M44 Faction Before Blood (02:54)<br>22 - 5M49 Tris Attacked/Four Saves Tris (01:28)<br>23 - 5M50 Kicking It At Four's Pad (01:25)<br>24 - 5M53 Erudite Overthrow Abnegation? (03:38)<br>25 - 5M56A Simulation of Four's Fears Pt.1 (02:48)<br>26 - 5M56B Simulation of Four's Fears Pt.2 (02:02)<br>27 - 6M63 Zombies (10:06)<br>28 - 6M64A Mom Saves Tris (03:31)<br>29 - 7M65A Breaking Into Dauntless/Final Battle (14:20)<br><br>Duration: 01:36:51Okay enough talks, let's listen ! I cut down a part of it... ;)
If it helps, and if I'm thinking of the cue you are describing, Edmund, someone did their own mock-up of it that sounds really pretty great. Just search Man of Steel Escape from Ship. It will be by James Wong.<br><br>53 minute "sketchbook" is pretty ridiculous.All this sketchbook stuff doesn't really interest me - it'll just end up being redundant demo versions of the ideas that are already in the score. I'd much rather hear the Lois Escape cue from MoS than an extended sketchbook.60 minute Hans Sketchbook?? that'd be freaking incredible. I with the Man of Steel sketchbook was 60min.Haha, between Hans and Junkie, it wouldn't surprise me if we saw two CDs of one sketchbook from each of them for Batman v Superman. <br><br>Disc 1: Hans Sketchbook (60 minutes)<br>Disc 2: Junkie Sketchbook (60 minutes)Available on CD or Digital Download?
Borrowing ideas from Man of Steel, I see... ;)The 52 min Sketchbook... lolYes, because Powell never uses quick trumpet writing... :p<br><br>I can hear both composers' voices, but Powell's is simply a stronger voice...so his sound tends to dominate for me, even though it may well be an even collaboration. "My Son is Alive/My Fist Hungers for Justice" sounds more like "pure" Balfe to me, although ironically the theme owes a lot to How to Train Your Dragon!<br><br>The Zimmerish ascending scales are a holdover from the bridge cue from the first KFP, so I'm guessing it's an adaptation of a Zimmer idea by Powell/Balfe.<br><br>Geesh, what a clusterfuck all this is. I guess it's old-fashioned of me to say this, but why can't we just have ONE guy compose everything, no confusion, no fuss? :pOMG! 123 minutes... i hope for going to be goodBenjamin Wallfisch is a pretty fine composer in his own right. Have a listen to some of the stuff on his website.
I dunno Edmund, all of "More Cannons" sounds like Balfe to me. It has the "Shen" rhythm running throughout the entire track as its foundation. And listen to the quick trumpet writing, it's the same sort you hear in Megamind, and even in "Zen Ball Master". The swirling woodwinds and strings sound very Powellish though, and the ascending scales at 1:51 sound like a Zimmer contribution. <br><br>@Mike - "My Son is Alive" sounds exactly like Lorne though.Besides, didn't Hybrid say Lorne "mimicked" Powell's sound for the end of My Son is Alive? It wouldn't be a stretch to assume he did so for other parts of the score, too.We already had this discussion but "More Cannons" is basically a variation on the track "Hero" from the first movie which, as we can all agree was mostly done by Powell. That explains the "Powellish" sound.<br><br>DoneTHE LIN KING IS HIS BET WORK
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Mina Emad reply Replies: 0 || 2013-08-20 22:35:47
Okay.I'm not a composer .I'm not even want a chance to work in the company but i really like your music and it's inspired me to do every thing ..all I need is take a picture with you or even see you..see your studio and how to work ..how is your feeling when the film comes to you without music and you create the music .. An Epic music .....

by the way I'm from cairo.egypt and I have no chance to see you but..
it's okay :D .. if you want to text me if you have time ..IF YOU HAVE TIME .( akonmina@yahoo.com ) waiting your massage .it will means alot to me
thanks.

Ian Xavier Perez reply Replies: 0 || 2013-08-16 05:58:37
I love many of the movie sound projects that you guys have done listed here and would love to be a part of visions like them as a sound engineer myself! what type of advice would you guys give audio engineers and future composers who dream of accomplishing such dreams and being a part of such great teams? idproductionsidp@yahoo.com

Marc Provencal reply Replies: 1 || 2013-07-19 16:56:16
Mr Zimmer,

I have learn so much by listening to your amazing music, to me you are a true Genius. Scoring is my ultimate dream, music is all my life, I'm a university trained composer-arranger-musician...If you can take a minute of your precious time to listen to my music on my web site...thank you so much

www.marcprovencal.com

regards


MacArthur 2013-08-14 19:50:08
You ever get any feedback?

MacArthur reply Replies: 0 || 2013-08-14 01:54:13
Hello Mr. Zimmer. I know that you are a busy man. I am a music composer and I live in Arizona. I would love to get in the Film music Industry. It is a dream and goal of mine. Me and a friend of mine have composed some music, and if you are willing to hear it and tell me where I stand, and if i'm capable to make it in.
Thank you for your time.

my e-mail is aaddleman@cox.net

Michael Helmel reply Replies: 0 || 2013-08-02 15:42:42
Hallo Herr Zimmer,
ich würde mich sehr freuen wenn sie Zeit hätten mein Musikstück zu hören. Für eine kurze Rückmeldung, von ihnen oder einen ihres teams, währe ich sehr dankbar. MfG Michael Helmel info@michaelhelmel.com

https://soundcloud.com/michaelhelmel

Phil reply Replies: 0 || 2013-07-21 20:48:32
I'm soooo missing the Webradio

Isoruku reply Replies: 0 || 2013-07-20 20:31:08
Hello. Hans Zimmer created much (but not all) of the music for the 1986 Nicholas Roeg film "Castaway." So I'm wondering if Mr Zimmer composed the beautiful and delicate flute segment that can be heard from 1:24:35 to 1:25:44 during the movie #####

If the answer is yes, what is the name of the song? (And is it available for purchase anywhere?) Many thanks!

Macejko reply Replies: 1 || 2013-07-15 17:13:57
Hey there guys, especially HZ.com team. This will be pretty unusual request, and also a really naive one, I imagine. See, I am working on a lecture for a biggest fantasy-sci-fi-horror-popculture convention in Czech and Slovak republic, called Istrocon. This lecture is about Hans Zimmer and his work.
So, here's the thing: my big dream about ending of this lecture is a video of Hans himself. Not just any video, though. It would be a video, where Hans would say something directly to the visitors of the convention. Something like "Hello visitors of Istrocon, my name is Hans Zimmer and I hope you enjoyed this lecture about my work." That's all.
Now, I understand that this idea is terribly, terribly naive. I understand that Hans is a terribly busy man and he doesn't have time to play around. But something like this would make a killing ending to my lecture.
I know that Hybrid and the other membersof the HZ.com team probably won't pay much attention to this post, but I simply had to try. If you could by some miracle contact Hans, you would have my eternal gratitude.

Matej Vojtko, also known as Macejko,
fan from Slovakia


Macejko2013-07-15 17:15:22
And in any case, my e-mail is vojtko.matej@gmail.com.

Vusi reply Replies: 1 || 2013-07-08 10:32:24
Mr Zimmer,

My name is Vusi Kweyama from South Africa. A friend of mine put together a video of me speaking for about 4 minutes and included Hans Zimmer instrumental song for 15 seconds (entitled: I believe because others believed in me). The video is for non-commercial purposes. Please advise if it is okay to use it.


Kind regards,

Vusi Kweyama


Akos Tomena2013-07-11 18:02:05
Hello Mr. Zimmer and Fellas!
I have also made and played a tune with trumpet.
I hope you'll like it:
https://soundcloud.com/akostomena/sunrise

Cheers,
Akos from Hungary.

Greg Reinhart reply Replies: 0 || 2013-06-28 16:30:49
Hi,

My name is Greg Reinhart and I was wondering who I can send material to at Remote Control Productions for overview. Please e-mail me at gsreinhartii@gmail.com. Thank you for your time.

-Greg Reinhart

DXF reply Replies: 0 || 2013-06-25 09:12:04
Sent Here For A Reason - And incredible acoustic experience!

Gene reply Replies: 0 || 2013-06-18 19:13:24
Hi,

I was wondering if your team was in need of a Modular Moog technician in the LA area. I have serious credentials, available on request. I do have a much wider range of electronic music equipment expertise as well.

You can contact me at info@showmetheanalog.com

Thanks,
Gene

David Young reply Replies: 5 || 2013-06-13 16:56:33
Hi... just hoping you can tell Mr. Zimmer that his Hans have the midas touch.... If possible please let me know what you think of these two amateur compositions... they were made using the sounds available in Pro Tools 10.... pretty authentic if you ask me, but definitely not the real thing... If you have a second please criticize... keep in mind I can't read music and have never been trained... Lastly, I know this is a long shot... Does anyone know how to apply to be an apprentice of Zimmer. To be honest I'd be the guy who gets scones and tea, if it meant I could get even the tiniest bit of tutorage... Again, please remind Mr. Zimmer his talent and eagerness to explore the branches of music and sound has definitely caught my attention and changed my compositions for the better! Fingers crossed, Tschüss...

Crescit Musica--- www.youtu.be/ppPLy7VhXVk

The People's Dance---www.youtu.be/55U0IJsoc70



Same Dave2013-06-16 04:19:41
still hoping for feedback... :)


Edmund Meinerts2013-06-16 08:49:03
You're in the wrong place.


A Disconcerted Dave2013-06-17 06:49:11
How so? I was aiming to be critiqued by either followers or colleagues of Mr. Zimmer... I see others post similar threads... If you had time to read and reply, you had time to reference the links I posted... I would appreciate the criticism... if there is some misunderstanding on my end, please help clear it up... not trying to impose.


NM2013-06-17 08:13:46
I'll give an honest critique to a fellow musician. I listened, they're not bad, the second one is kind of nice, the first a bit boring. They sound earnest rather than being the terrible Zimmer clones most people on youtube shit out ("I have some drums and a french horn sample, I'm a composer!")

You mention you can't read music/don't have much musical knowledge and to be honest, it is pretty obvious from the structure of your compositions. I don't see why that should be "born in mind", as though a concession should be granted. You don't necessarily *need* theory, no, but the progressions, orchestration and arrangement are very simple and predictable and it doesn't really feel like the music develops. You have some decent basic ideas in there, but you don't explore them or add any depth to them. Anyone half-decent at writing music could've written both those pieces in about an hour without much effort.

Keep going with it though. Hope that's useful.


David Young2013-06-17 21:22:46
Thank you so much for the well thought out response. I am humbled and agree with you fully. If you have any suggestions on books or other material that I could turn to for referencing, it'd make my summer. I plan on developing this craft as much as possible... thanks again. If there's ever something I can do in return let me know.

JamesT reply Replies: 0 || 2013-06-17 19:48:04
Any information about a score release for The East?

Maryna reply Replies: 5 || 2013-05-04 17:20:52
Hi ,

I'm film music composer

please, check out my work here
https://vimeo.com/channels/518107

Thanks



Jim2013-06-04 21:43:52
You're 100 x the composer Zimmer is.


Nicolas, Webmaster2013-06-13 12:08:00
Calm down Jim, you're loosing credibility each time you make a comment ! But personally, i'm almost starting to hope you will continue spilling your gall about Hans Zimmer, it's becoming very funny to read such an horrible review of his scores, we really should create a "humor" section in our website !!! :D


Michael 2013-06-13 13:53:13
Hey Jim,
What's your problem? Why are you making such unqualified comments?
I think Jim's demo wasn't heard by Hans Zimmer.
Can it be Jim?
Greetings from Germany...


Richard2013-06-16 19:35:29
Yup, you guys need a humor section! xD


Richard2013-06-16 19:35:29
Yup, you guys need a humor section! xD

Anthony Gonzalez reply Replies: 3 || 2013-06-05 17:03:54
In the credits of the booklet for the Oblivion, it states that it was mixed here at Remote Control Productions. How come there's no page for it?


Anthony Gonzalez2013-06-05 17:04:57
Woops, I meant to say the Oblivion OST.


Hybrid Soldier2013-06-05 17:32:27
Simply because if I only put the dozens of scores simply mixed at RCP, I should add 2000 more composers & pages to the site.

Unlike Tron, the participation of RCP people to Oblivion is very limited, not to say inexisting...


Anthony Gonzalez2013-06-05 17:34:27
Oh ok then, I understand Hybrid Soldier. Thanks for answering. Is it possible to tell which people here worked / were involved? Thanks :)

Jim reply Replies: 17 || 2013-06-04 21:21:06
Have previewed MoS OST and it's garbage. Thanks Hans for screwing it up! Every piece sounds the same as the last, and the same as the last bunch of Zimmer crap scores. Ostinato strings repeated over and over and over and over again, long brass swells with overblown horn parts, pounding and heavily overused percussion - and nothing, and I mean NOTHING, interesting thematically. They really should have got somebody with some musicality like Giacchino to do this one. You, sir, are a hack.


Ds2013-06-04 21:31:07
Clearly you don't like Zimmer's style. Why are you here then?


Jim...again.2013-06-04 21:38:27
...and what the HELL is with the cue "This is Madness"??? Oh, it's madness, alright. The preview is a full minute of the same one-bar snare drum rhythm with a bass drum on the downbeat every second bar. Seriously? This is the kind of crap you come up with? Because if all there is to writing a film cue these days is a one-bar snare drum rhythm, well geez man, where do I sign up? I could pump out a couple hundred cues a day. Y'know, I really used to look forward to new movies as much for the score as the movie itself if not more so in many cases. You have ruined that for me for many recent films. Now I find myself knowing that as soon as I see "Music by Hans Zimmer" there will be nothing to enjoy as far as the score is concerned.


Jim2013-06-04 21:40:27
Where else would I vent my frustration? These comment pages are not solely for the purpose of stroking egos.


Macejko2013-06-04 21:45:33
Go to hell with Giacchino, that man has not composed anything interesting in his life.


Ds2013-06-04 21:50:33
Some people adore Giacchino because he's kind of the reincarnation of John Williams' old fashioned style. But i tend to agree with you Macejko.

Jim: your opinion is a little harsh, considering you've only heard 60 to 90 seconds of each track.


Jim2013-06-04 21:51:50
Lol, right Macejko...I mean, if you don't enjoy musical and well-developed thematic material, varied and balanced instrumentation, appropriate use of percussion (as opposed to the crutch Zimmer uses it as) and actual musicality, and instead can only deal with the same boring repeated ostinato garbage over and over again, I can see how you might prefer Zimmer over Giacchino.


Edmund Meinerts2013-06-04 21:59:19
lol, Macejko...Giacchino is easily one of the most talented composers of the last decade.


Jim2013-06-04 22:01:17
I've heard enough to know it's exactly the same kind of monotonous, trite, boring crap as he came up with for TDK. Again...ostinato strings, brass swells, pounding and overused percussion, no themes whatsoever and way too repetitive. Zimmer's music is background noise - more akin to sound effects than music. It's an aside. An afterthought. A backdrop. A shadow. A score should be so much more than this IMHO. His do nothing for me. They don't speak to me at all. Don't communicate anything. It's canned and boring, soulless and dry. If MoS is a great movie, it will be in spite of the soundtrack.


Macejko2013-06-04 22:06:49
Well, my guess is that he's not gonna change this style anytime soon, so you can leave this place in peace and listen to whatever "quality" music you listen to.


Jim2013-06-04 22:12:39
Sure...except I have to put up with his crap, don't I? Believe me, I wanted to love the MoS soundtrack. I heard Zimmer was doing it and I prayed it wasn't going to be more of the same junk of his like TDK. Boy, am I let down. Come on people...we need to demand better than this.


Hybrid Soldier2013-06-04 22:41:20
Get a life, dude... :)


Jim2013-06-04 22:57:54
Never understood that. Somebody discusses something, and suddenly that means they have no life. Hmmmm, yep, ok, makes sense to me.


Ds2013-06-04 23:52:16
Jim, i guess it's only a matter of taste. I love the samples and i usually love Zimmer's scores. I think they are powerful, majestic and highly emotional. His music really speaks to me.


Guitwo2013-06-05 01:19:29
Talking about TDK's soundtrack do you wanna refer to the Joker theme?

background noise? well that is, sometimes, quite enough to make a huge soundtrack. I don't consider Reznor's Social Network soundtrack as a great, outstanding. To me it was just background noise yet it seems that a lot of people actually loved it.

and to be honest, to say he hasn't write anything good or great for a movie for a long time you really haven't listen to one of his last complete recording sessions.


Frank2013-06-05 01:33:07
Guitwo, yes the Joker theme is disturbing and noisy, but that is exactly how a mad man(chaotic and anarchic) such as Joker should sound like. And speak of TR's Social Network, I admit it's not enjoyable but again it's the only type of music to fit the movie and I believe that's the reason they get an Oscar.


Guitwo2013-06-05 06:07:39
i didn't mean nothing but what you've just said pale. the point is that it's a matter of what music fits best the movie then it's a matter of taste for music.






Mike2013-06-05 07:43:35
Say what you want in defense of Zimmer, but I do like Michael Giacchino--not because he sounds like Williams, but simply because he's a good composer.

boisard reply Replies: 0 || 2013-05-22 21:32:58
hi, sorry if I disturb you... one (two) more composers who just want to share our work with a great team of music makers, and maybe get a feedback from one of you? if you are curious you can visit our website:
find "reberboisard" on google (can't let you a link)
thanks for your interest, kind regards
Armand Boisard &Jean-luc Reber

Sunyoung reply Replies: 0 || 2013-05-08 04:59:20
Hello,

I am video game composer. hope you have a chance to enjoy my compositions!

www.composerchoi.com

Thank you!

jubas reply Replies: 0 || 2013-04-22 23:06:34
Herr Zimmer,

You're probably a frogging jew.
But I love everything you do.
Especially the Thin Red Line soundtrack.
Don't ever stop.

Sincerely h

Marco reply Replies: 0 || 2013-03-18 14:03:56
Hi, I've heard a lot of compositions of Hans Zimmer. My favourite one is New York City Surprise. I'd like to learn to play it on the guitar, how could i have the tab?

Ferdi reply Replies: 2 || 2013-03-17 11:56:06
The radio-stream
manager.woostream.com:8520
will not go, Conection error !!!

Or do it not send on saturday and sunday?


Ferdi2013-03-17 12:03:17

The following radiostream also fail:
188.165.237.167:8520/


Ferdi2013-03-17 20:20:52
The following radiostream also fail:
manager.oliade.net:8520/

BPBB reply Replies: 0 || 2013-03-06 12:04:09
WATER IS DAUGHTER OF ICE UR NICE
EVRY THING IS ONE DAY NEW I WANT U TO BE EVERY DAY NEW
100 UN RELEASED SONG WAITING FOR UE MUSIC SIR
I LIKE TO WORK WITH U

INDIA reply Replies: 0 || 2013-03-06 12:01:28
BLACK MOON ON A WHITE SKY IS UR EYE JUST SAY HI
FLY THE WORLD

Joshua reply Replies: 0 || 2013-02-25 09:21:26
Hello,

Who do I contact if I am interested in working for the Hans Zimmer Remote Control Production team? I am a soon to be Audio Production Graduate and I will be moving to LA. One of my professors said I would do well here and try to find a way in.

Thanks for your time,
Joshua

Karolina reply Replies: 3 || 2013-02-09 12:00:01
Hello, is there somebody who can help me? Where can I find an answer to my question? Is there an e-mail contact-adress of remote control productions where I can send to my question?

It`s the following problem:

Dear Mr. Zimmer,

My name is Karolina Krügler. I have been studying art education on the Technical University of Dresden in Germany. Finally I will be an art-teacher in school. For my master degree I have to create an artwork of my choice. I decided to shoot a short film (about 5 minutes) about the city of Dresden. Therefore, I would like to use Hans Zimmer’s song “Time” of the film “Inception”. I bought the music-cd of the film. I think I need the legal agreement of Hans Zimmer for using his composition. In Germany it is called the “Herstellungsrecht/ Synchronisationsrecht”. My artwork (film+music) will be shown for 5 days in a gallery (Festspielhaus Hellerau) together with other artworks of eleven classmates. My artwork won’t be shown for commercial purpose (non-commercial)! It is an exhibition with free entrance for the visitors, and only with the intention to show my Master thesis (the artwork) mainly to the members of the university. After the exhibition the artwork will be used only private.
I loaded my artwork up on Youtube, but on a locked up site, so nobody can see the Youtube-video without having the password (I had to minimize the quality of the film for uploading).

I would be very glad, if Hans Zimmer could possibly watch my video work and it would be wonderful, if he would permit me using his song for my artwork!



Hopeful and with best regards,

Karolina Krügler


Dawn2013-02-09 14:19:31
I think that asking Hans Zimmer doesn't make any difference.
HZ is not the owner of the rights of his music, but the studio does (Warner Bros. in this case).
I think you need to contact the german company that is in charge of music rights licensing : www.gema.de

As your exhibition has free entrance that's possible you won't have to pay anything, but contact Gema and make sure of this first.


x.y.z2013-02-09 14:32:35
yup, gema should be your address


Anonymous2013-02-18 02:06:12
Thank you!!! I stay in contact with gema. :)

Ds reply Replies: 0 || 2013-02-15 16:17:14
The Bible soundtrack album released on March 5!! Less than 3 weeks to go :)

Stéphane Panchaud reply Replies: 0 || 2013-02-13 15:09:06
Thank you for all your attention, I know that my application was not so lucky, I shook very happy to work for you, I am a freelance composer, I live in Switzerland to Lausanne, I've got music in my films active, and much much makeup, my passion and music, since I made &#8203;&#8203;my very young ages, and for me music like a journey into a land that I find and reserve surprise me at every step.

I send you all my best regards music.

Bien &#224; vous

Stéphane Panchaud / Mr. Qwertz

Andreas Wimmer reply Replies: 0 || 2013-02-08 07:19:31
Dear Hans Zimmer, dear Ladies and Gentlemen, I would like to tell you that in the upcoming Symphonic Speed Metal release of Final Chapter Hans Zimmer will be honorably mentioned in the Thanks and Credit list. Moreover, I would be grateful if you, Hans, could comment on the composition for the Final Chapter promotion video on facebook.com/finalchapterheavymetal, please, because I would like to hear what a professional composer would say. At the moment my favorite compositions from you. Hans, are Pirates of the Caribbean, Gladiator, King Arthur and The Da Vinci Code to mention some of them. I would like to thank you for having replied to my question on facebook not so long ago concerning the usage of samples.
Kind regards, Andreas Wimmer

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