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I mean the "mess" has to be saved somewhere so why is it so difficult to give us?Because the cue does not exist in the final stereo mixes, MAYBE ?Is it hard to give us the mess? THE MESS IS AWESOME!!! lolOkay,but I still cannot understand why didn't you give us the "mess" instead of this shitThanks Hybrid for confirming that!  Also respect for being into it!<br>Now I will  accept how it is
Actually I got it confirmed, the cue as you're looking for it doesn't really exist, it's just post production mess in the hands of music editors & mixers (so obviously Mountains material used)...<br><br>Reminds me of First Flight from MOS, where the strings were put totally upfront in the mix...Yes!!!!  Love it!<br><br>Hybrid:  thank Hans for us!!!!!Hey, thank you for adding it, but i had troubles getting it :) I had to talk to the Apple-Support for 20 minutes until it came out what happened : Warner replaced the "old" deluxe version with the "new" one ... So it's impossible to get it without the support, if you don't want to pay for it. But thank's a lot ! The OST is great :)Well boys and girls, it looks like we'll have to wait till the blu-ray comes out so that someone can extract the audio and edit out the dialogue - so it wont be longer than a year... <br><br><br><br>Lastminute movie re-edits are the worst<br>Only a few times have such tracks ever surfaced I think
Well they will send what they want... If Hans wants to send a 30 min promo, no one will force him to send the complete score as heard in film, that's for sure... lolFound the source link, here's what it says:<br>oscars. org/sites/default/files/87aa_rules .pdf<br><br>"Works shall be judged on their effectiveness, craftsmanship, creative substance and relevance to the<br>dramatic whole, and only as presented within the motion picture. Extended, revised, enhanced, or<br>alternate versions outside of the film shall not be considered."<br><br>Not sure if this applies to the FYC promos but anyway...Yeah, I am aware those didn't have film versions, but apparently this rule was implemented for *this year* hence why I'm asking if you heard about this.Absolutely not, the 12 Years A Slave promo contained a few cues not in the film...<br><br><br>The Prometheus sent to the Academy contained a lot of cues replaced by HGW's rescore...This.
Hybrid I don't know if you know anything about this - apparently FYC releases sent to voters this year for the Oscars need to have the film versions of the cues...so they'll have to do a film version stereo mix anyway?If they needed more time to release the film version or AT LEAST something resembling the film version (having the choir and more prominent organ) then they SHOULD take their time. <br>I personally didn't care to get it as fast as possible; I just wanted the right track no matter when I got it. And now that this is released there's like almost zero chances that we get the film version officially.<br>I'm not disappointed with what we got and of course it's a fantastic accomplishment, but it's like getting the track but still not getting it. And it's not even free.<br>I wonder what will be in the Illuminated Starbox.Actually, who tells you the track actually exist as you want it to exist ?<br><br>The "choir" and the "extra organ" you are talking about is in Mountains. Who tells you the music mixer wasn't forced to used that cue's stems to incorporate it into No Time For Caution at the last minute ?<br><br>A good friend of mine was telling me a few days back that he actually thought the Docking cue in the film might was messy and could be some insert. Which would also explain why Hans didn't want to incoporate it in the soundtrack in the first place. That thing might not even exist in this form in the final stereo mixes...<br><br>You have the track written, you'll get nothing else, if you want choir or organ, listen to Mountains...they probably have a good reason for not including itI think it's great they reacted anyway, and I like the track. As long as we get the Eureka somehow/somewhere I can live with this version very well.<br><br>Insulting people really won't help, we can always only beg for what we wish for ...and hope.
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hossein reply Replies: 0 || 2010-02-02 00:00:00
my dear hans zimmer . i am so proud to write for you . so sorry for my poor english . i always listen your music .


my be you make a music for free iran

so love you !
so proud of writing for you !

from iran
a freedom lover .....

evan laflamme reply Replies: 0 || 2010-01-23 00:00:00
Hans- You the man.

Evan Laflamme

x4m's reply Replies: 0 || 2010-01-22 00:00:00
I love your song !!!

Joanne Arnold reply Replies: 0 || 2010-01-11 00:00:00
Ummm...I mean because my friends although they are very good people...they are sometimes a bit outrageous and we've been called Chavs xxx
;)
It's all good hun xxx

Joanne Arnold reply Replies: 0 || 2010-01-11 00:00:00
Would like you as a friend :)
I'm on facebook xxx
Hope you have a good sense of humour..you will need it xxx

June Couture reply Replies: 0 || 2010-01-08 00:00:00
I loved the soundtrack to "It's Complicated." It was a painting in the background.
I need to see the movie again just to hear the music only. A movie has so many facets
to bring out all the colors of the rainbow. Your music is the rainbow of our lives

Toni reply Replies: 0 || 2010-01-07 00:00:00
You're a genius my friend!

I wish I would have a studio like Hans's!

LMonkey reply Replies: 0 || 2010-01-05 00:00:00
If "The Hahnenkamm-Race" ever needs a score - Zimmer is first call - Just extend the "Sherlock Holmes" end credits

Adam Zurada reply Replies: 0 || 2010-01-02 00:00:00
Your music is probably as beautiful as singing on angels in the Heaven... i would like to create like You, Sir. You are my favorite composer. my dream is to meet you and to learn something. i am 17 years old and i am starting with my own improvisations, example http://www.youtube.com/watch?v=sBhhsIKmjBU greetings, respect. Adam Żurada, mail: adamomasz@gmail.com

LMonkey reply Replies: 0 || 2009-12-30 00:00:00
You really threw down on the end credits for Sherlock Holmes - the final modulation coming out of the first cue that leads to the Irish ditty was absolutely fantastic.

Mcstr reply Replies: 0 || 2009-12-30 00:00:00
Your music brings out all the human emotions in me. I never get tired of listening to your music. Thank You for making the world a better place through your passion of music.

Alberto Fabiano in Hollywood CA reply Replies: 0 || 2009-12-20 00:00:00
Hans, I have been following your music since Gladiator and I even have "for Nancy" as a ringtone on my Iphone. What can I say, since I have that ringtone I smile inside everytime I get a call. Call me crazy but are the little things in life that makes it worthwhile... I have been finding myself looking, when a new movie trailer appear, the Music Composer credit to see if it is you: Now: It's complicated!
Thank you for your music... makes people like me very happy.

Joel Goffin reply Replies: 0 || 2009-12-19 00:00:00
Hans,

Fellow composer here. You're pretty much the grandfather of the "BIG" hollywood sound. Much respect to you... I'm curious, did someone clone Steve Jablonsky after you,,, every theme I've ever heard of his mimics one of your themes... either from gladiator (the island) transformers (pearl harbor/the island) and those are the only two OST's i can think of coming from him. however... is this a bastard son we never knew about??? You're a good man

Fuller reply Replies: 0 || 2009-12-12 00:00:00
I must say, you are a musical genius Hans Zimmerman

Marcela Mazzucchelli reply Replies: 0 || 2009-12-11 00:00:00
Dear Mr Zimmer:
My name is Marcela, I´m writting to you from Buenos Aires, Argentina.
I have fallen in love with the melodies you composed for “The Holiday” Soundtrack.
I hear them in my head all day long. They are just beautiful and I believe they are similar to what heaven might sound like. Your music is special, it is diferent, it really touches your heart.
Thanks for lighting up our lives with your music!!
I hope you continue to write great music.
I dream of metting you someday,
Lot´s of love!

Goran Skugor, Croatia reply Replies: 0 || 2009-12-02 00:00:00
Dear Hans,

these days I am fully in Hans Zimmer mode. Wherever I go, I have your music on my ears. Gladiator. Fantastic. Your incredible ability to put the exact emotions into vibrations is simply...... well, I am speechless. You have produced authentic feelings in me while listening to battle pieces. Like I am there in this very moment. It is even more interesting to me, since I research the expansion of consciousness, through integration of polarities, and this experience produced deep and genuine feelings - a pure jewel in my work.

I am completely overwhelmed with inspiration, joy and strong feelings. I and my every cell that has been enjoying these days - deeply bow to you!!

And looking to your site, I realize that I have just started to discover your work :-))

Greeting from Croatia
Goran Skugor

Francesco Armillei reply Replies: 0 || 2009-11-30 00:00:00
If you need a younger composer, i'm here (i'm only 13)
thebestcomposer@hotmail.it

You can find my music here:
http://www.youtube.com/RoyalSoldier96

ethan minkovsky reply Replies: 0 || 2009-11-28 00:00:00
Dear M.Zimmer,
iam a shame to say that i only recently discoverd you and your music and i wish i could say that i folow your work for years but it is not the case.

However in the short time that it took me to folow your work and realy listen to it, i have to say that its nothing more than a divine privilege and only now i know that music can reach inside your soul and spark something deep that hide behind so much physical and emotional walls.In relevance to the movies aspect it work wonderful in a way that the music just somehow take you and pot you inside the drama and just make you feel apart of the movie.

The strongst feeling i ever got from any movie soundtrack was in " Chevaliers de Sangreal " ,that music that scene just changed something in me and i felt love and a very strong feel of sacrifice, long after iv seen the movie still every time that i hear that beautiful pice.... can make an adult man to almost cry from feelings that just awake in a spark.

thank you for the opportunity to enjoy such brilliant and deep emotions.

minki4186@hotmail.com

Lea de Melo reply Replies: 0 || 2009-11-26 00:00:00
Dear Mr.Zimmer,
My name is Lea de Melo. I am a student in Year 11 at the International School of Geneva and taking the International Baccalaureate.
In Year 11, every student has to do a Personal Project which consists of taking responsibility for our own learning by researching and investigating a topic that interest us.
My Personal Project will attempt to answer the following question: “How does the soundtrack of a film enhance or manipulate the emotional response of the viewer?”
Mr Hand , my project supervisor and the Campus Principal, suggested I contact you because of your significant contribution to film soundtracks.
I play the piano and love film scores. For the practical / creative side of my project, I will be composing the soundtrack for a scene in a film being made by the Head of Performing Arts and some students. I thought it could be interesting to combine the two and learn about how composers go about their work and inform my own composition at the same time. I have already started conducting research by seeing how music enhances the emotion in a movie scene. I have also researched film composers and I am hoping to get some of their professional advice.
I was wondering if you would be willing to answer the few questions below so that I can try to understand and compare the different approaches to process and techniques composers use to create a film score.
1) What process(es) do you use in writing music for a film? Do you discuss the film first with the director? Do you read the script? Do you choose the scenes to be scored or does (s)he or is it a collaboration? Do you view the relevant scenes for your inspiration?
3) How do you choose the style of music you will adopt? Do you work thematically in terms of the whole film?
4) How do you choose the key, rhythm, tempo and dynamics?
5) How do you decide on the instrumentation? Do you believe that certain instruments stimulate or enhance certain emotions? Is the oboe, for example, a ‘plaintive’ instrument?
6) Do you think music can “cover up” a weak scene?
6) Has there been any time during which you were not inspired? How did you find inspiration?
7) What other advice can you give me?
If you would prefer to do this over skype we could conduct the interview verbally but that might be more time consuming for you.
Any help would be very much appreciated.
Thank you very much for your time.
Lea de Melo

email: leademelo@hotmail.com

MW2 sucks reply Replies: 0 || 2009-11-24 00:00:00
Thanks for scoring MW2 so we don't get an option to turn the music off if we don't feel like hearing it. MW1's music team was as good if not better than your score.

Hypton reply Replies: 0 || 2009-11-16 00:00:00
I love Hans Zimmer !!! :-)

alexg143 reply Replies: 0 || 2009-10-27 00:00:00
Very nice site!

Blayne Taylor reply Replies: 0 || 2009-10-19 00:00:00
Hello

I am a fan of the music. My only complaint is that there is a song that was in King Arther that I can not find any where. We will go Home. It is something that both me and my wife love hearing in acopello. if there is anything you can do ... #########

alexe955 reply Replies: 0 || 2009-10-14 00:00:00
Very nice site!

Lauren reply Replies: 0 || 2009-10-06 00:00:00
You have an amazing talent and I am proud to say that you are my role modle:D
Please continue producing such wonderful music and I really hope that you will produce some posters of yourself soon because I would love to hang one up on my wall.

ritesh reply Replies: 0 || 2009-10-05 00:00:00
hello sir i am big fan of ur music .you are doing a grest job .It seems which ever movie that you give music to does very well at the box office . keep going!!!!


thanks ,
Ritesh

Anders reply Replies: 0 || 2009-10-02 00:00:00
Hi

you are wanted.........


your prescence.......is needed.......¨


your voice........is neccessary


You....are essential


/Anders

web investigations reply Replies: 0 || 2009-09-20 00:00:00
So much music, awards, credits, movies, money, team, skills etc. about this amazing man and his gifted team! But still the same old shitty inofficial website! What a pity! Is there anybody who feels responsible?
I know at least 5 guys who can conjure within 10 days a website that looks appropriate/suitable for RCP-artists...
Hey...and never forget the fans who make all this possible!

No harm meant guys...:o)

Frances Rodriguez reply Replies: 0 || 2009-09-16 00:00:00
Hello,
My name is Frances Rodriguez and I am senior president of Humanities High School located in Manhattan. I am in a drumming class that has very little but we try to manage with what we have. We are the main attraction for our christmas and spring concerts. We are 16 to 18 year old kids and our drum class is just 8 students. I believe anything is possible, as young as we may be, we aspire to some day entertain the world with music as you have. We love the enchantment of it and the joy in doing it. Today i write to you to ask for suggestions on how we can get new materials for our show. My school is struggling and we cannot afford great/new instruments. I ask of you even if you could donate one barrel it would be enough to make our show a blast. We have used paint buckets and desks and chairs and people love it because we can make it happen. I have written to Carlos Santana and last year him and his management sent us drum heads for our Christmas concert. I ask of you to please help us out in anyway possible even if its a suggestion we would greatly appreciate it. I have written to the president but unfortunately the office said that they could not act on it because i was writing on behalf of the school but now i just ask to please make my peers last year the best ever. We admire great musicians such as yourself and hope that in any way possible you can reach us. My email is FRANLRODRIGUEZ@AOL.COM,

Thanks for your time in hearing me out. Please write back with anything. Thanks again.

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