NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Hallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.
Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.
Nice stuff! I still can't believe this score hasn't gotten a release.That's unfortunate. With this score, I think it's obvious that the majority is Jablonsky, as it has a ton of elements from scores he's composed exclusively, but it would still be nice to know who did what, especially with the first and second films. Not sure why there's rarely any proper additional music credits for a lot of the RCP guys, especially considering Zimmer's credits are almost always complete. <br><br>However that cuesheet of the extended score is very interesting. Hopefully if it leaks, all those cues remain there.Damn that sounds different from Elfman's commentsThe funny thing is an interview he gave 1 months before being replaced... Saying pretty much the opposite of Elfman !<br><br>"It’s a massive undertaking. And I can’t say anything about Justice League specifically, but I’ll tell you this, and this was exactly the same experience that Hans and I had when we did work together on Man of Steel and Batman v Superman: It’s like when you see a movie like that, these iconic superhero movies, some of them have a 60 to 80 year legacy, multiple composers had a go at their themes, multiple filmmakers did their version of these characters—it’s very scary. You watch a movie and it’s like, “Holy shit, now I have to come up with something.” You’ve got sweaty hands and you’re nervous, and you talk about it over and over again—and I have exactly that relationship with Zack Snyder—and then Zack said, ”There’s only one thing you can do, and that is embrace this character as if it’s your own, keep it close to your musical soul, and just do whatever you feel is the right thing to do for this character.” That’s the only thing we can do. That’s what all these great directors did back in the day, and that’s what all these great composers did back in the day. It makes no sense for me to do extensive quoting of Hans’ score of the really amazing Batmans. It makes no sense for me to quote Superman from John Williams. Because all fantastic composers, they all did the same thing, they did something that was close to their heart, and I have to do exactly the same thing on this movie. You know this is Movie Number 4 that I’m doing with Zack, so you build a friendship and it’s built on trust and loyalty. You know how to challenge each other, you know what to expect on the other side, and it’s this really open, amazing dialogue about where to take this franchise."I can confirm that he had already worked on it quite a bit, because he said so in one of his Studio Time episodes.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans Zimmer and other composers from Remote Control do not accept demos or unsolicited audio/video material. Please, don't ask us how to contact them either.



The www.Hans-ZIMMER.com Team :


Antas / Nicolas / Stephane H.


The Team :

Antas De Philvei / Stéphane Vidali
Webmaster - Programmer - Design - Editor - Press - News - Contact
antas@hans-zimmer.com
Nicolas Cabarrou
Webmaster - Editor - Press - News - Contact
ncabarrou@hans-zimmer.com
Stéphane Humez
News / Disco guru
Damien


Thank you :

Pierre
Karel Antonín


For any problems on the website : antas@hans-zimmer.com
Contact information for Hans : hans@ID-PR.COM





Create Topic

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 >>

john reply Replies: 0 || 2014-04-08 21:18:08
hans -

i wouldn't feel right visiting this page and not expressing to you the impact your music has had on my life. To be more specific, the musical score from Gladiator and how profoundly powerful and true to the film it really was. 14 years later and I still consider it the best musical score of any movie I've ever seen (my opinion, of course). The success of that film is attributed to your musical genius. Thank you for pouring your heart and soul in to your work and wishes to you for your continued success.

Maik reply Replies: 0 || 2014-04-08 21:09:29
Hallo Hans Zimmer,

vielen Dank für viele unvergessliche Momente, die Du mir durch Deine Musik geschenkt hast. So viel musikalisches Geschick verdient meinen allergrößten Respekt!

Ich hoffe, wir hören noch viele Jahre Deine Musik, die unvergesslich bleiben wird.

Beste Grüße aus Deutschland
Maik

Roman Kursin reply Replies: 0 || 2014-04-06 00:14:35
Mr Zimmer !
I am a Digital Media student of Edinburgh Napier University, I am doing Sound Production module with Dr. Iain McGregor.
Is it possible to get some critics regarding my project I have done:
https://www.youtube.com/watch?v=2oWNpej9XC0
My e-mail: mindw0rk@live.com
Regards
Roman

Jack reply Replies: 0 || 2014-04-02 13:32:29
Hi, this festival is using your music for their trailer (petty sure without authorization): https://www.facebook.com/photo.php?v=527281340716112&set=vb. 442964305814483&type=3&theater

Ilshat Kashapov reply Replies: 0 || 2014-03-29 11:06:55
www . youtube . com / watch?v=iKo7PGBZlJY here is illegal using Your music by famous russian TV channel. 1:56:30

HansZimmerFan3000 reply Replies: 0 || 2014-03-20 20:47:11
Hello Mr Zimmer,
I enjoy your music a lot. I was wondering...... (here goes)
Would you do a collaboration with Two Steps From Hell, Instrumental Core or any other soundtrack creator.
I think it would be a great idea!

Oleg reply Replies: 0 || 2014-03-19 22:05:57
I wanna tell you, Hans Zimmer, that yours copyright is violated. Ukrainian channel STB use your music from movies (Batman Begins, Pearl Harbor) in reclame and its own programmes.

Steve reply Replies: 0 || 2014-03-17 22:03:25
There are films and then there are great films that have been made for Hans Zimmer's music






mikkel grum bovin reply Replies: 1 || 2014-02-20 21:25:02
I just worked my butt off,for 2 weeks-and then i read the RULES ! You are not in the competition if you are NOT a citizen of these countries ; 2.4 This Competition is open to residents of the United States, the United Kingdom, Australia, Canada (excluding Quebec), Germany and Sweden only Im living in my native Copenhagen,9 km from Sweden-and that fact disqalify´s me from the contest ! Just be shure you know these "rules" before youre get youre hopes up ! I simply find Hans Zimmer FRAUDULENT when he says "Come-ALL composers-I Want You ! Hans Zimmer DONT want you if youre not from those-seemingly arbitrary countries ! Good Luck (with that name-youll need it!)


Annie2014-03-10 01:43:04
Really? It took you two weeks to rework this? Then you're clearly wrong for this job anyway because over here in LA you have to write a minimum of 2 minutes a day, for TV even more - in the same quality as that competition piece.

Also, don't call him fraudulent, please. They clearly marked the rules, it's your fault for not reading them beforehand. Lashing out at him and his peers for your mistake is not fair. Also, I'm guessing that the reason for the country restrictions is simply a VISA reason - it is very hard to get in the US so I'm guessing they have some go-to people for these specific countries. For all other countries, it would probably simply be too hard or expensive to get a VISA.

Now peace, please.

samvox reply Replies: 2 || 2014-02-23 11:31:20
It gives me great pleasure to announce that Zaine Griff will be releasing a CD of remastered demos from the 1978 - 1981 on the 15th May. The collection featuring 14 tracks in total, will include several recorded with Hans Zimmer and Warren Cann (Ultravox)recorded around the period of the 'Figvres' and unreleased 'Spies' sessions. In an unashamed plug, please head over to my Zaine site for more info. www.zainegrif.co.uk


samvox2014-02-23 11:32:01
Sorry typo www.zainegriff.co.uk


Hybrid Soldier2014-02-23 11:49:47
This is very cool ! :)

Keep us posted ! :)

I'm very interested in that !

Oliver Rhein reply Replies: 0 || 2014-02-21 16:35:45
Lieber Hans Zimmer,

was soll man Ihnen sagen, Sie haben sicherlich schon alle Superlative über sich gehört. Zu recht gehört!

Da bleibt mir nur noch ein schlichtes DANKE übrig. Ich freue mich auf viele weitere Stücke von Ihnen!

Ich ziehe meinen Hut!
Oliver Rhein

Remy reply Replies: 0 || 2014-02-21 16:19:47
Hello, master Zimmer, I present my name is Remy and I live in France. I address this message to you to express my gratitude and thank you for the happiness you bring to me through your music compositions, I am your work for more than a decade, despite the time ever you get to amaze me. Some of your songs are so precious to me, they come to expressed a lot of feelings in me, indescribable. People have dreams to be an actor or singer, to be rich to travel. Me if I have a dream, nothing happened for a minute with you in the studio and see you at work, this dream is unattainable, I ask you if you could send me an autographed photo that you will for me a small portion of my dream fulfilled. Thank you very much and good luck!
If I give you my contact information.Rémy Calédonien
Rue du bois venay Bâtiment Provence Appt 28
28350 Saint Lubin Des Joncherets
France

Soodeok reply Replies: 0 || 2013-11-02 03:56:35
Mr. Hans

I'm a Performance major at the Berklee College of Music in Boston and will be working with a lot of composers in the future. For my final Artistry, Creativity, and Inquiry seminar project, I get to present the views and experience of one expert in film scoring, and I'd like that person to be you. Because of your amazing work for film such as The Lion King, and The Dark Night, your creation of a variety, and your unique background which was raised by musician mother, and engineer father, I know my class would be really interested in getting your insights into film scoring. Would it be possible for us to have a brief 10-15 minute discussion about this over the phone or Skype in the next 3 weeks? I know how busy you must be, so if it isn't possible, I completely understand and appreciate your considering it.

Thank you for your time,

Soodeok
skim60@berklee.edu

Ben Knoedler reply Replies: 0 || 2014-02-18 01:14:34
To the editors of the sight-

Could you make an option to load the latest releases as a LIST? Right now there is the scrolling bar at the top of the website, which is an improvement from the previous arrow controls. But could you make a "See All" option so that we could view all the latest soundtracks released in a list?

I really appreciate your time. Thank you.

-Ben

Al Sumrall reply Replies: 0 || 2014-02-19 06:06:50
Mr. Zimmer: I have zero talent at anything and can only admire and appreciate from afar, both literally and figuratively, but I have watched Angels and Demons over and again, I am mesmerized by the score. I am an atheist, perhaps my lack of talent makes me so, perhaps religion is also a talent or a gift as Professor Langdon suggests. As such I cannot "feel" what one might feel by making beautiful music and I know I cannot truly appreciate it or the actually hard work and effort that refines the talent. Even as a non-believer, the Vatican has always had a fascination for me and this perfect score deepens my appreciation of the beauty of the art, the antiquity, and the tradition of so many centuries of the Church's dogged perseverance. This music will also persevere. The music rises above the silly fantasy in the film as well as the actual blandness of the church outside it's beautiful and bright trappings. The score is so much more than the film, the value of the film is really the art that it displays with it's admittedly high production values (led by your score), which makes it very watchable. When this film is forgotten, the score will still remain and I hope it one day finds itself in a film that fully matches it. Thank you for this beautiful music, it makes me feel like a better person just by listening to it. Thank you for making life a little better.

Leonid Titov reply Replies: 0 || 2014-02-17 15:47:37
Dear all,
I'm seeking publishing rights to "Maestro" composition by Hans Zimmer (there's a synch request for it).
It used to be controlled by Universal Music Publishing in the past. But now the publisher seems to have changed and I cannot find it.
Do you have any idea about it?

Many thanks and regards,

Leonid.

Cody Ortz reply Replies: 0 || 2014-02-16 18:22:42
Hello Mr. Zimmer,

I'm a huge admirer of your work and have used some of your orchestration ideas in many of my own compositions! As I'm sitting here listening to some of your tracks, I wonder how you work through your compositional ideas--essentially, how do you take an idea and put it to music?

The reason I ask is because classical composers (Beethoven, for instance) have sketchbooks that we can observe and see their compositional process. But since composers started using technology to write, these "sketches" aren't around. I guess what I'm asking is what would your sketchbook look like?

Thanks!
Cody
codyortzmusic.simdif.com

cody reply Replies: 1 || 2014-02-14 02:47:19
what software does han zimmer use for his music production


MacArthur2014-02-14 03:57:38
I think at one point he did use logic pro.

Michael reply Replies: 2 || 2014-02-09 12:29:16
I am madly in search of the greek sounding theme from the little 1987 thriller "The Wind"/aka "Edge of Terror". Hans Zimmer took part in the credits and I think, he wrote that wonderful piece of music. But can't find it anywhere on CD. Does anyone know something about it or where to get it?

Thanks, Michael


Antas, Webmaster2014-02-09 18:55:17
It has never been released on CD. You should by the DVD and rip the score from it


Michael2014-02-09 22:24:27
Bad news, but thanks very much for answering. Now I know, I can stop my searching. The DVD is already mine.

Antas, Webmaster reply Replies: 0 || 2014-02-05 17:24:47
Working on new streaming players on the site (cover versions page...). Let me know if It doesn't work for you :)

Daniel reply Replies: 1 || 2014-01-31 15:49:12
How does one start learning the trade? Classical music and movie scores are all I enjoy listening to, and I want to do something in the music field for a lifetime gig. But I have no idea where to start, being a freshman in highschool.


Anonymous2014-02-02 14:18:10
compose, compose and compose some more. Offer your services to amateur filmmakers looking for a composer

Anonymous reply Replies: 0 || 2014-02-02 06:33:56
What's that Daft Punk helmet thing doing at the top right portion of the website?

Christine Kremer reply Replies: 2 || 2014-01-17 03:08:01
Does Hans take auditions?


trent easton navarro2014-01-28 19:18:45
Not yet, but this year he's planning on starting his own talent show, America's Next Top Composer


Edmund Meinerts2014-01-28 20:54:06
Would that make Zimmer the film music equivalent of Simon Cowell? Forcing dozens upon dozens of vanilla, identical-sounding musicians onto the scene? :p

Disclaimer for the sensitive: that was a JOKE, and not necessarily what I think of Zimmer or RCP. ;)

Jena reply Replies: 5 || 2014-01-28 07:37:57
Mr. Zimmer,
I just wanted to inform you how excited I am that you will be composing the music for the upcoming film Divergent. Can't wait to hear it!


Edmund Meinerts2014-01-28 10:41:36
I'm afraid you're mistaken...the music for Divergent will be composed by one Junkie XL (along, it seems, with pretty much every other film coming out in 2014).


Macejko2014-01-28 11:11:35
Why can't people just think...


0-cool2014-01-28 11:35:39
what other movies is junkie XL scoring?


Hybrid Soldier2014-01-28 11:53:19
Click on his profile here and you'll know...


0-cool2014-01-28 12:03:58
Mad Max is coming in 2015, not this year

Linar reply Replies: 4 || 2014-01-20 17:58:03
Hello, I'm your biggest fan. I would be glad if you send me your photo
with autograph. Thank you in advance. From Russia with love.

My adress:
Russian Federation
Republic of Bashkortostan
450098 Ufa
Bul'var Tyul'kina str. 7/3-16
My name is Linar Akhmetianov


Ds2014-01-20 20:17:55
You're wrong, I am his biggest fan... Sorry :/


isildur2014-01-20 23:25:20
LOL


MacArthur2014-01-20 23:35:08
Haha


badbu2014-01-21 20:48:50
:D

Anton reply Replies: 0 || 2014-01-17 20:38:13
Hallo, Herr Zimmer! Ich war sehr von Ihrer Musik inspiriert! Sie sind wahnsinnig talentierter Komponist! Ich würde gerne wissen, werden Sie in der nächsten Ankündigung in der Welt oder in Russland Konzerte?

Monika Schmidt reply Replies: 4 || 2013-10-14 18:10:02
Lieber Hans Zimmer,

ich will ihnen von ganzem Herzen meinen Dank ausrichten.
Ihre Musik ist einfach wunderbar, wundertoll. Sie haben so vielen meiner Lieblingsfilmen die Musik verliehen und somit auch die Emotionen und Gefühle, die sich in den Filmen aber auch in uns widerspiegeln. Sie haben jedem der Filme eine Seele gegeben, eine Geschichte, ein Gefühl.
Sie haben die Figuren durch ihre Musik zum leben erweckt, denn ohne Musik würden sie nur einfache Animationen sein. Sie lassen uns durch die Musik die Gefühle der Figuren spüren.
Ihre Musik ist besser als, jeder Song, der in den Charts auf Platz eins war oder ist, denn in jedem ihrer Stücke ist ein Teil ihrer Seele vorhanden, man kann dies spüren. Ich kann ihre Musik stundenlang hören ohne dabei ein Gefühl der Eintönigkeit zu bekommen. Mittlerweile kann ich nur noch ihre Musik und die von ihrem Kollegen, John Powell, hören. Mehrmals erwische ich mich, wie ich bei meinen Lieblingsstücken vor Freude lächle oder sogar weine. Sie inspirieren mich jeden Tag aufs neue. Das tolle an ihrer Musik ist, dass obwohl sie einige male ein und die selbe Melodie benutzen, wie zum Beispiel im Film Kung Fu Panda 2, diese sich aber immer voneinander unterscheiden, denn mit jedem mal kommen andere Gefühle mit ins Spiel. Die Schönheit ihrer Musik ist eigentlich gar nicht in Worten auszudrücken. Man kann dies nur fühlen. Wenn ich ein Bild zu ihrer Musik malen sollte, dann würde es kunterbunt sein, aber nicht so, dass es dreckig aussieht, sondern leuchtend, sauber, klar. Sie und ihre Musik sind mehr wert, als alles Gold, Silber der Welt. Sie sind einfach unbezahlbar. Genauso wie ihr Orchester, die ihren zauberhaften Noten klang gegeben haben.
Mit diesem Brief schreibe ich wohl einige der vielen Gedanken auf, die jeder Fan von ihnen hat. Diese Gedanken sind aber viel zu viele, als dass man sie aufschreiben könnte. Würde man sie alle aufschreiben, wäre das daraus entstandene Buch die „Bibel“ für Hans-Zimmer-Fans.

Ich danke ihnen Hans Zimmer. Ich danke ihnen, und ihren Eltern, dass es sie gibt. Ich danke ihnen, dass sie ihre Bestimmung in der Musik gefunden haben. Ich danke ihnen, dass sie mich inspirieren, mich zum lachen, weinen bringen. Ich danke ihnen, dass sie so tollen Filmen die Musik geben. Ich danke ihnen, dass sie genau ihr Orchester gewählt haben.

Ich danke ihnen Hans Zimmer.
Für Alles. &#9829;


Phil2013-10-14 18:28:47
Ich hätte es selber nicht besser ausdrücken können! :)


Michael Keßler2014-01-10 21:26:28
Hallo Monika,
Wir sind Seelenverwandt :-) Du hast das sehr schön beschrieben, mir geht es genauso.
Gruß Michael


badbu2014-01-10 21:38:43
schön geschrieben ;)


Zimson2014-01-11 06:56:45
Wirklich sehr schön :) Seit kurzem bin ich begeisterst von The Last Samurai. Unglaublich, was man mit Musik alles machen kann.
- "Mittlerweile kann ich nur noch ihre Musik und die von ihrem Kollegen, John Powell, hören."
Mir geht es genauso, habe schon ewig die Top 40 charts nicht mehr angerührt.
Someone should send this to Hans, he would be glad to read that. :)

Michael Keßler reply Replies: 0 || 2014-01-10 21:02:03
Hallo Herr Zimmer,
Ich möchte einfach mal Danke sagen für die fantastische Musik, sie sind der Beethoven des 21. Jahrhunderts! DANKE !
Viele Grüße aus Thüringen

Manveer Gill reply Replies: 3 || 2013-12-28 23:01:07
Dear Mr. Zimmer,
I was just requesting if you could make Washington, one of the songs from 12 years a slave, a 3 minute piece, since it is quite amazing.


Russel2013-12-28 23:04:38
What you could try and do by yourself is maybe make your own extended version, I agree it is very short. It is just a part where Solomon gets out of the Carriage and Arrives at Washington. So, that's why the cue is called "Arrival at Washington". And, I am pretty sure the film version, or the one played within the film is actually shorter than what is on the Original Soundtrack/FYC Score. I have not seen the film though, only have watched that scene, in the Roundtable interview. Which, is actually very interesting to watch. The 40 minute interview flew by! Learned a lot, I think. Hope this helps :)


ham2014-01-02 14:03:09
anyone know what piano plugin hans use?


Russel2014-01-02 19:32:25
For what?

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 >>

 HANS-ZIMMER.com© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou