NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
I agree, to me the score mostly sounds like Lorne Balfe. <br><br>But I dunno, as I've said before, I don't think it's a case that Zimmer or Powell write a sketch and then sit back and drink coffee while the others do the work. I imagine it's very collaborative. <br><br>Unfortunately there's very few interviews/info about this score compared to a lot of others, which is a pity, because it's one of the best RCP collaborations. It's a really tight, well put-together, consistent, enjoyable score, and it's a shame none of the composers involved want to talk about it!I agree. Zimmer isn't heard obviously in much of this score, as has been repeatedly hashed out, but neither is Powell, if you ask me! It does seem like the additional guys did most of the writing here, albeit copiously using old themes and cues and doing so, presumably, under Powell and Zimmer's direction. I honestly don't see Zimmer *really* doing much of KFP3, either, even though his name is the main credit so far.<br><br>Thoughts?it seems that Intrada will release AGENT CODY BANKS on 7/7 :) source are the hints in the Intrada or FSM forum.To me most of this score sounds like Balfe's, with a few Zimmer spices here and there. I get the feeling that Powell got the co-credit because of the significant amount of stuff that were carried over from the original.I suppose something went wrong on their last collaboration. Adrian's quote about the soundtrack album further encourages this idea.<br><br>Good riddance though. This is not Hans' area of specialty for me anyway.
To me it sounds like a Zimmer theme, but put through a Powell arrangement/orchestration most of the time.forgiveness from Spain. I expect a lot of this musicWhat's the problem?You just COULD NOT wait 5 minutes ? You had to post this ? lol25. Growing Up Richard Harvey Hans Zimmer 4:17    sorry<br><br>maybe best themes: Parachutes,Draw Me A Sheep,Trapped Stars,Farewell,Finding the Rose,Growing Up
1. Preparation Richard Harvey Hans Zimmer 2:09 <br>2. Suis-moi Hans Zimmer Camille 3:26 <br>3. The Life Plan Richard Harvey Hans Zimmer 1:12 <br>4. Driving Richard Harvey Hans Zimmer 1:40 <br>5. Equation Hans Zimmer Camille 2:03 <br>6. The Interview Richard Harvey Hans Zimmer 2:15 <br>7. Le Tour de France en Diligence Hans Zimmer Camille 1:16 <br>8. Plan B Richard Harvey Hans Zimmer 0:36 <br>9. Getting On With It Richard Harvey Hans Zimmer 1:43 <br>10. Amongst the Coins Richard Harvey Hans Zimmer 2:36 <br>11. Top Floor Please Richard Harvey Hans Zimmer 0:57 <br>12. Ascending Richard Harvey Hans Zimmer 3:14 <br>13. Parachutes Richard Harvey Hans Zimmer 3:48 <br>14. Draw Me A Sheep Richard Harvey Hans Zimmer 3:39 <br>15. Stars Richard Harvey Hans Zimmer 0:26 <br>16. The Fox Richard Harvey Hans Zimmer 0:54 <br>17. The Journey Richard Harvey Hans Zimmer 2:35 <br>18. The Absurd Waltz Richard Harvey Hans Zimmer 4:07 <br>19. Suis-moi (Reprise) Hans Zimmer Camille 3:09 <br>20. Recovery Richard Harvey Hans Zimmer 1:47 <br>21. Trapped Stars Richard Harvey Hans Zimmer 4:00 <br>22. Farewell Richard Harvey Hans Zimmer 1:58 <br>23. Escape Richard Harvey Hans Zimmer 3:13 <br>24. Finding the Rose Richard Harvey Hans Zimmer 4:22 <br>25. Growing Up <br>tracklisting and audio in amazon.fr<br>61,22 minutes<br>not music international trailerWhy didn't Hans and Heitor write the music for Nancy Meyer's upcoming film The Internship? Does anyone know, since he or they scored her last  three movies?Who do you guys think wrote the villain's tune, as heard in the opening track (1:43-end), and "Save Kung Fu" (2:31:2-41), Fireworks Factory (4:44-5:24), etc? Zimmer or Powell?Thank you for the reply.
I doubt so...Mr.Hybrid Soldier, can you tell us if there is going to be an album for this score?<br>Or a release of any kind?<br>Thank you.Just found it!!!I have to agree. When I listened to the Jurassic World soundtrack, I had to listen to it twice before the new themes could sink in. Here, I've listened to it five times since and I haven't taken a single note to memory that hasn't already been used previously. This score is just too generic. There's nothing that stands out at all, aside from pieces that are direct quotations of Brad Fiedel's work (the first section of "Griffith Park", or the whole of "Terminated").<br><br>THis is going to sound rather strange, but I don't think it's helped by the fact that the score isn't synthetic enough. T3's score wasn't synthetic at all. Elfman was on the right tracks, while Balfe's score is on a different track, but headed in the same direction. It's just not there.<br><br>I'm hoping that when the sessions leak, the listening experience will improve.Great score.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50




Hans Zimmer and other composers from Remote Control do not accept demos or unsolicited audio/video material. Please, don't ask us how to contact them either.



The www.Hans-ZIMMER.com Team :

Antas De Philvei / Stéphane Vidali
Webmaster - Programmer - Design - Editor - Press - News - Contact
antas@hans-zimmer.com
Nicolas Cabarrou
Webmaster - Editor - Press - News - Contact
ncabarrou@hans-zimmer.com
Pierre
Damien


Thank you :

Karel Antonín
Stéphane Humez
News / Disco guru


For any problems on the website : antas@hans-zimmer.com




Create Topic

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 >>

Rumor reply Replies: 0 || 2011-06-15 16:20:35
That's really thinking out of the box. Tnhaks!

Ella reply Replies: 0 || 2011-06-14 15:55:00
Thanks for sharing. What a pelasrue to read!

Jalen reply Replies: 0 || 2011-06-14 10:24:45
BION I'm ipmrseesd! Cool post!

Reignbeau reply Replies: 0 || 2011-06-14 07:00:57
At last! Someone who understands! Thkans for posting!

Addy reply Replies: 0 || 2011-06-14 03:39:21
And I touhhgt I was the sensible one. Thanks for setting me straight.

Joyelle reply Replies: 0 || 2011-06-14 02:46:19
Kudos to you! I hadn't thohugt of that!

Brenley reply Replies: 0 || 2011-06-14 01:08:21
Wow! That's a rlaley neat answer!

ivano reply Replies: 0 || 2011-06-14 00:40:54
i love many kisses and melonarpo with krisma
ciao from italy
ivv611@gmail.com

Lara reply Replies: 0 || 2011-06-13 19:43:15
Hey hans!!!!
You're music is great!!!! I can't imagine how so many great melodies can come into your mind.....I love especially the "pirates of the carribean" melodies!!!
They are sooooo wonderful!!!!Go on writing such amazing songs and melodies!!! Every movie with your melody gets much, much better!!!!
LOVE....your FAN!!

Ivan reply Replies: 0 || 2011-06-08 15:59:01
Hans, thank you for your music!

Evenstar reply Replies: 0 || 2011-05-31 18:39:56
Hans Zimmer does not read messages here... or am i wrong?

Mark Stothard reply Replies: 0 || 2011-05-31 12:36:01
Hans and team just want to thank you for such a great website.

Hans, Thank you so much for being such a huge inspiration to me. You are the reason i began composing music.

No one knows how to get the best out of a movie with music like you do.
I'm constantly amazed how your draw such emotion from every scene. Even a simple scene can have such a huge effect just because of the way you score it.

I've watched every movie you have worked on, from 'success is the best revenge', 'the zero boys' (you even made that good to watch) to 'prince of Egypt', 'Gladiator', 'last samurai' and everything else you have done.

I look forward more to your movies coming out than i do my own Birthday.

Thanks again
Mark Stothard.
www.reverbnation.com/markstothard

Alex reply Replies: 0 || 2011-05-29 23:37:52
Hans

Meine Duetsch is seer shlect, so in English.

As a life long enthusiast of sea chanties and old songs on nautical themes, I must say I am stunned by the beauty of "Jolly Sailor Bold" from the Pirates of the Caribbean soundtrack. When I saw the movie, I though to myself 'How have I missed this song among all the traditional songs of the sea I have heard?' I assumed it was of folk song a couple of centuries old. I was so surprised to find out it is a modern composition! I was further surprised to find out the composer isn't even a native speaker of English.

You crafted a work of art that sounds straight out of some waterfront of the early 19th century. Your choice of archaic turns of phrase, the slightly awkward fit of some of the words to the meter of the tune, and the imperfect transitions in a couple of verses give it the feel of a song that existed in several slightly different versions that periodically got recombined by different singers and passed on orally to new performers over many years.

I am curious to know how you came to be so familiar with traditional English songs of sailors and the sea. I am equally curious why the song is not included in the soundtrack CD from Pirates. I, for one, would buy it instantly if available. And given the number of places on the net that I found with people asking where to get the lyrics, recording of the song, and such, I think someone made a big mistake leaving it off the CD.

To give some sense of the level of interest, I found on YouTube about a dozen different videos of people who had found the lyrics and recorded the song themselves, a cappella, accompanied by classical harp, piano, you name it. The movie has been open less than a week. Clearly your work has touched a chord among music lovers. It is one form of popularity to find many pirated copies of a recorded song on the net - it is something very different to find so many individuals recording themselves singing it in so short a time.

This song is nothing short of a work of genius. Thank you for creating it.

miguel reply Replies: 0 || 2011-05-29 14:51:11
Why ceded the copyright to a political campaign of the Socialist Party of Portugal? They are constantly excerpt from "the batle" at rallies and on television.

Joshua reply Replies: 0 || 2011-05-23 22:54:23
Hey guys great site! im on here at least once a day! Just had a question, is it true that Zimmer left Gorfaine-Schwartz agency to go to William Morris Endeavor? If so do you guys know why? Cheers!

Kurz Dominic reply Replies: 1 || 2011-05-22 20:16:25
Sehr geehrter Herr Zimmer

In der Hoffnung dass Sie dieses hier lesen, möchten wir Ihnen kurz unser Projekt vorstellen. Wir drehen einen Dokumentarfilm über Unwetter in der Schweiz und Europa. Dazu gehören auch Klimawandel und vieles mehr.

Unsere Frage an Sie wäre nun: Dürfen wir ein paar Teile aus einigen Soundtracks für unsere Filmmusik verwenden? Ihr Name wird im Film erwähnt. Ersterer ist der von Madagaskar.

Unsere Kontaktmail lautet: d.kurz@scvswitzerland.ch

Vielen dank!


Antas, Webmaster2011-05-23 09:38:35
in english please. Next time it will be removed

Sinead reply Replies: 0 || 2011-05-20 22:44:09
OH, Email-Adresse vergessen. sinead.s@web.de ;) Danke schon im voraus

Sinead reply Replies: 0 || 2011-05-20 22:42:51
Hallo Herr Zimmer :)
Ich schreibe Ihnen hier in der Hoffnung, dass sie das lesen. Ich habe seit zwei Jahren einen Freund, der eine große Leidenschaft für Filmmusik hat, seitdem er hm ca 13-14 Jahre alt ist. Es wäre schön, wenn es machbar wäre mir eine Autogrammkarte von Ihnen zu schicken. Er fiebert wirklich bei jeder Oscar-verleihung mit und Sie inspirieren Ihn sehr! Es wär schön, wenn Sie oder Ihr Team mir eine Email schicken könnten, damit ich Ihnen die Adresse schicken kann.
Ganz liebe Grüße
Sinead

Anneli reply Replies: 0 || 2011-05-19 17:02:07
Dear, Hans Zimmer

I really think you should work with Bogdan
Put this in the searchfield on youtube
Norske Talenter 2011 - Semifinale - Bogdan Alin Ota |HD

It is Norwegian, check this out!

Noah reply Replies: 0 || 2011-05-19 15:23:11
Dear Hans Zimmer,

For so many years I have wondered if there would ever be a way to express the profound depth of gratitude I continually feel every time I listen to the brief 75 second theme you shared in the film "Driving Miss Daisy" which was used in several scenes: the retrospective in the empty home after Daisy was moved to an assisted living arrangement, the cemetary scene where Freeman is looking for the right headstone, and the last scene where he's helping her eat her pie. I used to study music and film in college, and it's been a life-long joy going back over half a century, but never have I EVER heard a theme that so tenderly and deeply expresses the over-arching spirit of a film as your brief composition in "Daisy." Quite honestly, it literally brings me to tears every time I hear it. I particularly love the sublime transition from a single sustained note at the beginning to the delicate, child-like wonder of what sounds like a harpsichord which then grows stronger into a fuller body of gentle affirmation. There's no way to express how deeply moved I am by this precious musical treasure. Thank you SO much.

smash-it reply Replies: 0 || 2011-05-18 19:54:41
I'm totaly lovin the davy jones score. Man it's so powerful you can sence the anguish jones feels. Keep up the KICK ASS music man.

Anonym reply Replies: 0 || 2011-05-18 18:40:34
Sehr geehrter Hans Zimmer,
ich finde leider keine Worte für ihre Fähigkeiten, solch perfekte Lieder zu komponieren!
Ich würde mich sehr freuen wenn sie ein Angebot von Infinity Ward annehmen, um Modern Warfare 3 zu veredeln mit ihren atemberaubenden Musikstücken!!
Danke für alles.

james reply Replies: 0 || 2011-05-15 19:19:39
This message is for Mr. Hans Zimmer and crew. Thank you for some of the most wounderfull sound tracks to , movies , and games Thank you

EYESPOT reply Replies: 0 || 2011-05-12 17:59:33
Dear Mr. Zinner,

I have made a short video and would like to use your theme song for the movie "Broken Arrow." I have used another non-copyrighted song that is similar in the video, but as I am sure you will agree it does not compare!

My short video is entitled "EYESPOT is the Bomb!" and can be found on YouTube.

Who do I need to contact to get permission to use a short part of your Broken Arrow Theme song?

Keep up the great work!

The EYESPOT team

Home of the Perfect Pair
Fashion Eyeware & Advanced Eyecare

One Boylston Street, Suite 3E
Chestnut Hill, MA 02467

(617) 232-3303

sabrina.fiorani@tiscali.it reply Replies: 0 || 2011-05-08 20:24:43
Ciao Hans ,adoro le tue musiche,non hanno bisogno di immagini ,le tue note fanno volare alta la fantasia.Ho messo le parole ad alcuni brani dei pirati dei caraibi e ho costruito uno spettacolo che portiamo in giro sul lago di Bracciano(roma)se passi da questa parti ti aspetto.Un Bacio da Sabrina.

Matías reply Replies: 0 || 2011-04-30 00:20:49
Hello everyone:

I always thought that the music of Hans Zimmer deleted the complexities of harmony from other classical music. For me, the most interesting thing about this composer is the way he use the instruments and orchestra. Every time I hear the soundtracks of Gladiator, Lion King, Inception, Angels and Demons ... I can understand every move, the reason of the music. It's more than music stage. Good work, Zimmer. Very good work.

Martin reply Replies: 0 || 2011-04-29 13:01:05
Hello Mr.Zimmer,
my life is not very nice now, but your music,help to keep me dreams alive every day.
Thank you

Frank reply Replies: 0 || 2011-04-28 21:31:01
Hello Hans Zimmer,

I'm a big fan of all of your music and I love the music you composed for Inception. "Old Souls" takes me to a different world every time I listen. As summer approaches, I look forward to Pirates of the Caribbean: On Stranger Tides and I have been constantly checking to see if previews would be available for your score. Today, I listened to the previews available on Amazon. Even though the previews were between 30 and 40 seconds, I'm a little concerned for the score. It's great that you are doing collaborations with other artists and creating music that you think fits the film best, but I don't understand why there is such little amount of your great original score. I'm assuming that the several remixes (included on the soundtrack) are not going to be played during the actual film because it would definitely transform the meaning and the world of the film in a significantly different way. Like you (or whoever was in charge of it) released two bonus tracks for Inception, I hope you do the same for Pirates 4. I'm also assuming that movie is at least 2 hours or even more (since the past movies have run for a great length). I'm not saying that your music is off key, I just want to hear more of it, especially if there is other music in the film. Whoever agrees with my perspective of this probably also feels that we are being cheated. Hopefully, some other tracks can be released.

Best,

Frank

xeno vulgaris reply Replies: 1 || 2011-03-26 00:00:00
hi mr.zimmer, i am an amateur musician and i would like to give you for free some songs that i 've wrote .All my songs are just the ideas that i have.
Please tell me if you are intrestred.
My email adress is voulgaris_senofonte@hotmail.com

*all my songs are inspired on midlle ages


Seppy2011-04-26 16:46:46
Hi, I simply wondered: Did you get an answer or even an email from Hans Zimmer ?

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 >>

 HANS-ZIMMER.com© 2001-2014 OST 
Stephane Vidali / Antas - Nicolas Cabarrou