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ioygoigigfhg SockMonsta: I think it`s a waterphone. HI can anyone tell me what is the intrument used in the soundtrack  528491 at around 2:20 mins into the track?<br>Thank you Where can I find/buy Jablonskys Music for ESPN Sportscentury. "A Great Career" sounds so awesome! Ah, saw your message for now ^^ Now it's start to require password :( (sorry for so many comments in a row, but your radio is realy nice and it's sad what it had ended work for me correctly)
By the way this is not a coincidence, it's done on purpose...<br><br>The ASCAP credit for "Half Remembered Dream" includes HZ & the two Piaf songwriters Dumont & Vaucaire, just like "Waiting for a Train"... ;) vlc is asking for a username and password ??? Webradio out for today (some problems to fix on the server). Check this page to know when it will be back in order :-) The theme of Inception? NO <br>the intro? YES ;)<br>It is really cool, HZ still has his creativity :) We want complete scores for all pirate movies! I can't believe people are still commenting on this. I have ONE thing to say: Where is our complete soundtrack? What's going to take? Perhaps hundreds, possibly thousands, of people to sign a petition...Who's with me? We need to set this in motion, somehow!
I consider it an intelligent score. Non, Je Ne Regrette Rien slowed down makes up the theme of Inception, and that song is used a lot in the film too. Time slows down in a dream, so does the music. This Score is not a Masterpiece. Ca. 50 minutes Of Score in 2,5 Hour Movie?...I don´t Understand.<br>Mombasa is the Highlight of this Score.... And I Wait So Long Of It.... :-( I love how people are finally waking up to his genius.  Also, that he is such an amazing artist that he doesn't care much for credit.  He wants everyone to feel; understand, and enjoy the music.  THE BEST!!!!! Yea, any new stuff from inception would be amazing, Mr.Zimmer really killed it with this movie. I believe "time" is slightly different in the movie, i heard johnny marr in it, and I wants it (said with a golem voice).<br><br>But I really want the 2nd trailer. I just cant help but obssess over it. If anyone finds it or obtains a promo copy I'll gladly do anything to get my hands on that track. :)<br><br>@David Martingale - I wont even start the argument back up lol, but part of trailer 2 was written by Zimmer, its more than likely a remix by someone else though. Either way it's sweeeet. Victor- Were not fighting together. We are just talking about good music :). And especially Zimmer's music for Inception. Look, the idea is to know who composed the music. That 's all about what we're doing.<br>And I know that JustinCat and I will be so happy when we will hear new stuff new materials from Inception.<br><br>Hybrid Soldier- Come on dude we want it. ^^ No I'm kidding take your time. We'll have to give thanks to you if we get new tracks. Also web-radio system says that blocked IP is 174.36.69.101. Maybe it should be opened too.<br><br>Thank you :)



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Mini biography from IMDB

German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.

Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.

Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”

With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.

In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.

Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”

At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."

In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.

Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.