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Thank you for 'Who Are The Roma?' An eloquently posed question that sounds out in the mind a longtime after hearing. I listened too many times to count at work - corresponding sound to image for a slide show. Interpreting nuance, I felt the third movement concerns itself with matter of dignity, and then hope - In the last movement the question Who are the Roma? is once again evoked, quietly, and there it lingers long after the song is over. - - - In second movement, a light touch to the piano summons Zoe Zimmer's Slovakia road trip photos. Looksounds she is asks same question. Piano verifies. <br>I trust I have permission that the music remain on page ( thegypsychronicles.net ) Respect, A.Wait, so you expect a response because you're from Argentina? Can't find translation for prosede.Hi quizzes to know how to make the music of Hans make one of my movies? I'm from Argentina, I expect a response PROSEDE... graciasFotografia &#346;lubna Rzesz&#243;wI have the same feeling about Navarrette not keeping Djawadi's theme in there. I never heard Game of Thrones, I've never even seen it as I don't have HBO or Showtime or whatever channel it's on.
True, but it's also a good chance for Navarrete to get his big break. He had some pretty good fantasy stuff on Pan's Labyrinth and Inkheart, so it'll be cool to hear what he comes up with on a big-budget blockbuster. Unfortunately, I doubt he'll keep Djawadi's themes in there...not sure why, but it just seems unlikely.<br><br>Also, it gives Djawadi more time to work on A Clash of Kings (or Game of Thrones Season 2, what have you). I thought the first one could have been Djawadi's best score if there had been less underscore and the synth orchestra didn't sound quite so crappy (hopefully HBO gives him a bigger budget this time around).Alright, fair enough. Yep.I'm disappointed Ramin Djawadi isn't returning to score Wrath of the Titans. Instead, Javier Navarrett is scoring the film. Hopefully some of Djawadi's themes remain in there, but I also look forward to some new materialOn the contrary, I don't hate RCP at all. John Powell is my favorite composer. Hans Zimmer used to be (though I really haven't liked his work in the past few years, particularly the way his albums are arranged lately). I really enjoy Steve Jablonsky, (most of) Harry Gregson-Williams' and Mark Mancina's works. Nick Glennie-Smith has written some really enjoyable stuff (Man in the Iron Mask, The Rock). I just think that Ramin Djawadi and Lorne Balfe are nowhere near that level, that's all.<br><br>I was a bit strapped for time when I made that final comment, and yes, I probably should have just asked which works by Balfe and Djawadi they find superior to Powell and Gregson-Williams. Are Clash of the Titans and Ironclad really better than How to Train Your Dragon or Sinbad? Sure, it's all about personal opinions, which is why I'd like to hear their reasoning behind those opinions.<br><br>Why the hell would I be here if I dislike RCP? I like them a lot. Just not every single thing they do.I see you haven't been on for a while, Edmund. If you hate this place so much, why do you come crashing through here making everyone mad with comments that so clearly say, "I hate RCP and everyone who works there and all of your opinions are worthless"?<br><br>I don't understand why people like you feel the need to post on here--nay, simply exist. These people are just having a constructive conversation on their favorite RCP composers, which is all their opinion and you come in and say, "No, your opinion is wrong and you're a dumbass for thinking it." <br><br>Nobody else worded their sentences like you. You wanna see how it feels? Oh, Edmund, you put Powell at the top of your list? Look at all the crap he writes. And you even included Nick Glennie-Smith? What were you thinking?!<br><br>Oh, and by the way, Edmund was the name of the kid in Chronicles of Narnia who kept disobeying his siblings and ended up going behind their backs and betraying them. You're the bad kid.
Yeah, I hate these people for writing good music too! I wish they'd just go die so that we could get all the complete scores they write from now on--oh, wait.<br><br>Fucktard.@Mr. Charles<br><br>Wow. Balfe and Djawadi above Powell and Gregson-Williams? Baffling. The best of the former two is about equal to a slightly below-average score from Powell.Re: Zaralith<br><br>If you don't believe him, check ASCAP yourself :PInteresting concept Mr. Charles ! Who is who ! Sounds like a David Lynch movie... haha<br><br>Anyway the best way to prove I am who I am is : how the hell did I detail who did what on the CD page above if I'm not me ?<br><br>Oh and I posted it here cause I thought it might interest people (I mean, it's H-Z.com right ?). I usually did this on the forum, but who would see it ? :O<br><br>Lorne is behind My Son Is Alive, best cue of the score (last part of My Fist Hungers For Justice) : no surprise here ! ;)Anonymous, do you have a source that the CD has been cancelled?
Steve wanted the score to be released on CD. But you must complain to the studio and record label. They are the ones who cancelled the CD release. Not Steve.Who is the "real" Hybrid Soldier?Have you guys taken into consideration that it wasn't the real Hybrid Soldier who posted this? I have never known him to post ASCAP track lists, but other people have. What Hybrid does is actually edit the official track list at the top of the page. Plus, he usually leaves some kind of smiley at the end of his sentence. I'm not talking about ";)", it's usually something different. Unless Hybrid actually comes here and says it was him, I don't believe he posted this list.Can't hurt to hope!I can shed some light on this. It's only a track list. The composers registered the track titles on ASCAP. That doesn't mean that something is going to "leak".<br><br>@Adrian: it's not like Hybrid has any control over the credits for who did what. He just posted this list as he saw it from ASCAP.
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 LATEST RELEASES
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  2012, January 09
Brand X Music is thrilled to announce our first ever PUBLIC RELEASE! The Best of Brand X Music features 23 of our most popular tracks, as well as a few personal favorites. Look for it on January 15, 2012 at iTunes, CDbaby, Amazon, and Bandcamp.



  2011, December 10




To celebrate Amnesty International’s 50th anniversary, Hans Zimmer and film score collaborator Lorne Balfe have composed an Anthem.

We invite you to join the celebration by creating and spreading your own version of the Anthem. What makes it even better? The best entries win great prizes !



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